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Persepolis I & II
Persepolis I & II
Oct 8, 2024 9:15 PM

Author:Marjane Satrapi

Persepolis I & II

Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran , growing up during the Iranian Revolution.

The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.

Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary, beset by the unthinkable and yet buffered by an extraordinary and loving family, is immensely moving.

'The magic of Marjane Satrapi's work is that it can condense a whole country's tragedy into one poignant, funny scene after another' Independent on Sunday

**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

Reviews

As Iran enters another important period of change...I think this is particularly good time to pick up Persepolis. Satrapi's deceptively simple, almost whimsical drawings belie the seriousness and rich complexity of her story - but its also very funny too

—— Emma Watson , Our Shared Shelf

A revelation...you will remember it for a very long time

—— Mark Haddon

Persepolis is a stylish, clever and moving weapon of mass destruction

—— David Jenkins , Sunday Telegraph

The magic of Marjane Satrapi's work is that it can condense a whole country's tragedy into one poignant, funny scene after another

—— Natasha Walter , Independent on Sunday

I cannot praise enough Marjane Satrapi's moving account of growing up as a spirited young girl in revolutionary and war-time Iran. Persepolis is disarming and often humorous but ultimately it is shattering

—— Joe Sacco

A tour de force to rival Maus

—— The Times

An adult and difficult story but [accompanied by] very simple black and white illustrations, comic book style, and it is exceptionally powerful...show the amazing power and depth that can come from a literary story shown through words and images

—— Ink Pellet

My pick of next season’s graphic novels.

—— The Bookseller

This incredible fable is rich with subtext and allegory… It is a singularly spectacular graphic novel… Timeless, uniquely insightful into the human condition, witty and poignant.

—— PM Buchan , Starburst

With The Gigantic Beard that was Evil, Stephen Collins has produced a book too profound to be serious, too good for the patronizing pat of mainstream media...In The Beard That Was Evil, Collins has created a total work of art which elevates itself beyond comparison.

—— Nick Hayes , Literary Review

Collins’s [book] is a love song – or is it? – to facial hair and all who get tangled up in it.

—— Rachel Cooke , Observer

A book to make you sing with the genius of it... A book of revolution, and a beautiful story told with imagination, grace and a lot of pencil lines. And you feel the hard effort on every page. Those individual hairs don’t draw themselves.

—— Rich Johnston and Hannah Means-Shannon , Bleeding Cool

In exquisite pencil drawings, Stephen Collins pursues Dave’s absurd quandary through its logical stages, from infamy to celebrity, from vast scaffolding to hot-air balloons. It’s a timely fable about any government’s attempt to impose conformity on the “becauselessness” of humanity.

—— Paul Gravett , Independent

With The Gigantic Beard that was Evil, Stephen Collins has produced a book too profound to be serious, too good for the patronizing pat of mainstream media...In The Beard That Was Evil, Collins has created a total work of art which elevates itself beyond comparison.

—— Nick Hayes , Literary Review

Collins’s [book] is a love song – or is it? – to facial hair and all who get tangled up in it.

—— Rachel Cooke , Observer

A book to make you sing with the genius of it... A book of revolution, and a beautiful story told with imagination, grace and a lot of pencil lines. And you feel the hard effort on every page. Those individual hairs don’t draw themselves.

—— Rich Johnston and Hannah Means-Shannon , Bleeding Cool

In exquisite pencil drawings, Stephen Collins pursues Dave’s absurd quandary through its logical stages, from infamy to celebrity, from vast scaffolding to hot-air balloons. It’s a timely fable about any government’s attempt to impose conformity on the “becauselessness” of humanity.

—— Paul Gravett , Independent
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