Author:Chris Heath
No other pop group in recent history has faced fame with such intelligence, humour and shrewdness as the Pet Shop Boys. In 1991, the band toured North America for the first time shadowed by journalist Chris Heath and legendary rock photographer Pennie Smith. They visited fourteen cities in one month, confronting the American music industry and colliding with the likes of Liza Minnelli, Steven Spielberg and Axl Rose. This is more than a documentary of a tour; it is an unusually intimate portrait of two maverick British musicians always reluctant to compromise.
‘There was a time when the Pet Shop Boys seemed to exist entirely on radio, television and in magazines. This is the other world of the Pet Shop Boys in concert, travel and backstage, as they bring their art and glamour to America. It’s funny too.’
Johnny Marr
‘A brilliant book, to be read over and over again. How could anyone not love these men?’
NME
One of the best biographies in pop history. A phenomenal piece of observational journalism. Heath's books offers unprecedented access.
—— Mark Savage , BBC NewsCandid, hilarious and revealing...gloriously gossipy. [They set] a benchmark for music biographies. Engrossing stuff.
—— Classic Pop MagazineCandid, insightful and frequently hilarious dispatches from the front line of pop stardom. An astonishingly intimate and honest portrait of the maverick duo. Page turners of the highest order, saying more about their subjects than any “straight” biographies could ever hope to achieve.
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The Beautiful Ones is for everyone. It doesn't matter whether you're a Prince fanatic or if your interest is simply piqued by all things music or pop culture: The book is worth picking up.The Beautiful Ones is not a read, but an experience, an immersion inside the mind of a musical genius. You are steeped in Prince's images, his words, his essence… The book can be a starting point for a Prince fascination, or a continuation of long-standing admiration. Either way, it will deepen the connection of any reader with the musical icon.
—— USA TodayIt’s both a pleasure and a surprise to say that although The Beautiful Ones may not satisfy fans’ wildest dreams, it delivers much, much more than we had any reason to expect. As is clear from editor Dan Piepenbring’s very long intro, Prince took the project very seriously, and it shows in the work he delivered. Although the actual autobiography segment of this book ends at the end of Prince’s teens, it shines an intimate and revealing light on the least-known period of his life — his childhood — which is embellished with family photos, notes and other ephemera.
—— VarietyPiepenbring’s introduction certainly gives a sense of the singer, someone who was both otherworldly and prosaic.
—— GuardianThe Beautiful Ones is an affirmation of Prince’s Blackness and humanity…. Prince writes about his childhood with clarity and poetic flair, effortlessly combining humorous anecdotes with deep self-reflection and musical analysis….It’s another truth about him that is rarely explored in the media…. The Beautiful Ones shows that Prince is one of us — he just worked to manifest dreams that took him from the North Side of Minneapolis to the Super Bowl. It encourages us to tap into our power to design the lives we envision for ourselves and set a precedent for future generations to do the same.
—— HuffpostThe stories told in The Beautiful Ones are filmic dreams of a life.
—— New StatesmanThe Beautiful Ones remains a jewel like fragment, Piepenbring’s sensitive introduction providing a snapshot of the Purple One’s last months at Paisley Park and during the Piano and Microphone tour.
—— Q MagazinePiepenbring doesn't just want to write this memoir with Prince, he wants to do it right (whatever "right" is, Prince always colored way outside of the purple lines). Once Prince dies and the book project lives on, Piepenbring also wants to do right by his idol…. This means we get a memoir that is written by Prince, literally. Handwritten pages he had shared with Piepenbring make up Part 1, taking us from his first memory — his mother's eyes — through the early days of his career…. We also get a memoir that is carefully curated by Piepenbring, who writes that he was able to go through Paisley Park, room-by-room, sorting through Prince's life… The Beautiful Ones doesn't paint a perfect picture. It's not definitive. It can't be, it shouldn't be and, thankfully, it doesn't try to be. We'll never know what it might have been if Prince had lived. But it's a good start. Now, it's up to us to take what's there and make something out of it for ourselves, creating, just as Prince wanted.
—— NPRThe book kicks off with Piepenbring’s engrossing tale behind the memoir…That soon gives way to the pages the artist wrote before his passing...These recollections are tender and heartfelt…a rare treasure trove for Prince fanatics
—— Yahoo! EntertainmentThis sumptuous-looking illustrated tribute to the late, great musician and singer tells the official story of Prince's life, through his own words and personal effects.
—— The BooksellerPrince’s voice comes through loud and clear; his personality, joie de vivre and single-mindedness jumping off the page throughout.'
—— Classic Pop MagazineA beautifully crafted objet d’art
—— Hot PressPrince's posthumous memoir conceals as much as it reveals, but remains a beautiful and strange book.
—— The QuietusWorth every penny.
—— Daily MirrorThis is a beautiful book and a must-have for Prince completists
—— Daily ExpressA ghostly memoir of a pop legend
—— iThe Beautiful Ones is not a traditional memoir of the trailblazer, more a collage of stories, notes, and pictures, […] a fascinating document.
—— Irish ExaminerPrince’s deeply personal memoir, that includes never-seen photos, scrapbooks and lyric sheets. It’s a must for all fans.
—— Choice MagazineOther books will surely dig deeper into the life and the music, but his glows with a special allure, gilded as it is by the touch of the creator himself.
—— Q MagazineIf you adored the amazing performer […] then you should get your hands on this amazing memoir, written by the artist himself in The Beautiful Ones. Prince provides incredible anecdotes about his meteoric rise to stardom, sharing photos and memorabilia that have never been seen before.
—— Essential Marbella MagazineBeautifully constructed, clear-eyed and generous-spirited.
—— Will Atkins, author of THE MOOR and THE IMMEASURABLE WORLDStories endure in this compelling debut.
—— WanderlustA noble quest to understand the dazzling respect for music embedded in Russian culture.
—— Country LifeAn intoxicating journey into the wilds of Siberia.
—— Stella magazineAn account of dogged journeys through Siberia from the Urals to the Sea of Okhotsk... Roberts's pages sing like a symphony.
—— Spectator Books of the YearAbdurraqib, known for his playful, intelligent sense of humor on Twitter, highlights amazing performances that shed light on societal constructions and moments of sheer joy his book about Black culture in America. Writing about joy is challenging; falling back on cliche is a constant temptation that Abdurraqib avoids in this insightful tome
—— ForbesThat sense of limitlessness wraps itself around every essay in Abdurraqib's newest book, A Little Devil in America: Notes in Praise of Black Performance. In it, he writes about Black performance in America-from Great Depression-era dance marathons to the enduring cool of Don Cornelius to the art of Mike Tyson entering a boxing ring-with both great reverence and rigorous analysis. The book, in the way Abdurraqib's work so often does, erects monuments to our should-be legends and our unignorable icons alike, and paints an expansive, deeply felt portrait of the history of Black artistry
—— Leah Johnson , Electric LiteratureThis deft consideration of seemingly irreconcilable values, between the personal and private dimensions of performance, can be found throughout the essays in A Little Devil in America...Abdurraqib sees performance as a site of radical questioning, experimentation, and dream-making. This book is not a work of theory. It is sensual. We watch him watching his idols and we watch him dancing along with them, sometimes clumsily. If Brooks's goal is to make a case for performers' intellectualism, Abdurraqib's is to help us understand how they teach us to live richer, more embodied lives
—— Danielle A. Jackson , VultureEngrossing and moving ... A new, poetic take on essays that, I think, changes the game in many ways.
—— Roger Robinson , New Statesman Books of the YearAstonishing, impressive ... the connections he makes point to the enduring influence of Black art ... a book as bold as it is essential
—— TIME Book of the YearAbdurraqib writes with uninhibited curiosity and insight about music and its ties to culture and memory, life and death, on levels personal, political, and universal.
—— Booklist (starred)A towering work full of insightful observations about everything from the legacy of Nina Simone to the music of Bruce Springsteen... a powerful work about art, society, and the perspective through which its author regards both.
—— Electric LiteratureA joyful requiem - emphasis on joyful. Abdurraqib has written a guide for the living as well as a memorial for those we have lost.
—— Los Angeles Review of BooksAs powerful and touching as anything I've read this year, and Abdurraqib has emerged as the Ta-Nehisi Coates of popular culture.
—— James Mann , The Big Takeover