Very few living writers write so achingly toward God as Kaveh Akbar . . . each of the poems in this collection finds its target

These are poems on the grand scale, staging dramas of cosmic light and dark

Kaveh Akbar is the sorcerer's sorcerer, masterful in the way he wields language . . . Profound and singular, smart and sad and funny, but most of all truth's beauty and beauty's truth sung . . . We need Pilgrim Bell. We need Kaveh Akbar

A measured, quiet pondering of intense subjects and subjectivities... Pilgrim Bell insistently travels to necessary places, with regard to the intimacies of faith, the landscapes of empire and the performativity and honesty of poetry. The poems are deeply considered and show a contemplative maturation of Akbar's voice

What thrilled me most about this book was another commitment: the commitment to writing discomfort, or ugliness. Doing it well, and doing it without insisting upon beautification. Pilgrim Bell is a book that chooses honesty over beauty, which makes it a breathtaking text

Kaveh Akbar is truly a great writer, and his new collection Pilgrim Bell is a marvel. Like his previous work, it dazzles us. Akbar is an unlikely prophet - hilarious and irreverent and self-deprecating. Yet even nonbelievers will travel the circles of faith and hellscape, love and rebuke, through his captivating voice. He is incapable of setting down a line that's less than luminous. Pilgrim Bell is destined to become a classic

Working at and along the outer edges of language, Pilgrim Bell calls us to attention and to attend to that which poetry and prayer share, while simultaneously demanding that we tend to the political, the social, the erotic - all that is quotidian and human . . . In Pilgrim Bell, the poet Kaveh Akbar, 'God's incarnate spit in the mud,' takes us down to the ground, to the prosaic, the dismissed and overlooked, the better to talk to the great Silence, bearer of many names including that of God

In this rich and moving collection, Akbar writes poems of contradiction and ambivalence centered on religious belief and ethnic and national identity. Evocative and polyphonic, surprising but never artificially shocking, Akbar's poems flit from the divine to the corporeal in the same breath . . . This impressive, thoughtful work shimmers with inventive syntax and spiritual profundity

Patterson is in a class by himself.

From the very first pages, Slaght grips readers with vivid language and tight storytelling ... The cast of characters he brings to life - both human and avian - illuminate the delicate symbiosis of the natural world and shed a welcome light on the remarkable creatures that are too little known. Top-notch nature writing in service of a magnificent, vulnerable creature.

A detailed and thrilling account of efforts to conserve an endangered species. . . Slaght evinces humor, tirelessness, and dedication in relating the hard and crucial work of conservation. Readers will be drawn to this exciting chronicle of science and adventure, a demonstration that wilderness can still be found.

A thoroughly engaging read which will appeal both to those specifically interested in owls, as well as those with a wider interest in the natural world. Will make armchair and keyboard conservationists envious and uncomfortable in equal measures

This is an epic tale of hangovers, violence and obsessive ornithology. It is a superb depiction of a far-flung corner of the world where bears, tigers and men battle with relentless environment and each other. It is a powerful antidote to saccharine nature writing; Slaght encounters such a host of pickled gritty characters that you could imagine the Coen brothers adapting it for the screen.

Wonderful... If [COP26 organisers] picked it up in the jet-lagged early hours they might find their dreams haunted, as mine have been, by huge, endangered owls swooping low through their subconscious, reminding them what survival might mean

A sharply observed, deftly told tale of rupture and repair. In it, with characteristic wit and humanity, Bray shows us the necessity and the impossibility of preparing for disaster, and reminds us of both the fragility and capacity of love.

A beautifully realised story of a family falling apart under the pressures of our age.

Warm, witty and well worth your time.

A joy to read [...] her writing is really smart. The family's interactions are so well observed.

Bray's third novel is the finely drawn story of a marriage on the skids and a nuanced appraisal of the variegated impacts of climate change.

A very funny book . . . prescient and poignant . . . [with] a believable and moving climax to a novel that captures the paranoia of our times.

Propulsive, penetrating new novel about race, class, and climate change.

A very funny book.

A tremendously witty and enjoyable read

An absolutely gripping adventure story, exploring back through the changing vistas of our own planet's past. Earth has been many different worlds over its planetary history, and Thomas Halliday is the perfect tour guide to these past landscapes, and the extraordinary creatures that inhabited them. Otherlands is science writing at its very finest

Otherlands is one of those rare books that's both deeply informative and daringly imaginative. It will change the way you look at the history of life, and perhaps also its future

This stunning biography of our venerable Earth, detailing her many ages and moods, is an essential travel guide to the changing landscapes of our living world. As we hurtle into the Anthropocene, blindly at the helm of this inconstant planet, Halliday gives us our bearings within the panorama of deep time. Aeons buckle under his pen: the world before us made vivid; the paradox of our permanence and impermanence visceral. Wonderful

Stirring, surprising and beautifully written, Otherlands offers glimpses of times so different to our own they feel like parallel worlds. In its lyricism and the intimate attention it pays to nonhuman life, Thomas Halliday's book recalls Rachel Carson's Under the Sea Wind, and marks the arrival of an exciting new voice

Imaginative

This study of our prehistoric earth is "beyond cinematic", James McConnachie says. "It could well be the best book I read in 2022

It's phenomenally difficult for human brains to grasp deep time. Even thousands of years seem unfathomable, with all human existence before the invention of writing deemed 'prehistory', a time we know very little about. Thomas Halliday's book Otherlands helps to ease our self-centred minds into these depths. Moving backwards in time, starting with the thawing plains of the Pleistocene (2.58 million - 12,000 years ago) and ending up in the marine world of the Ediacaran (635-541 mya), he devotes one chapter to each of the intervening epochs or periods and, like a thrilling nature documentary, presents a snapshot of life at that time. It's an immersive experience, told in the present tense, of these bizarre 'otherlands', populated by creatures and greenery unlike any on Earth today

Each chapter of this literary time machine takes us further back in prehistory, telling vivid stories about ancient creatures and their alien ecologies, ending 550 million years ago

The largest-known asteroid impact on Earth is the one that killed the dinosaurs 65?million years ago, but that is a mere pit stop on Thomas Halliday's evocative journey into planetary history in Otherlands. Each chapter of this literary time machine takes us further back into the deep past, telling vivid stories about ancient creatures and their alien ecologies, until at last we arrive 550?million years ago in the desert of what is now Australia, where no plant life yet covers the land. Halliday notes the urgency of reducing carbon emissions in the present to protect our settled patterns of life, but adds: "The idea of a pristine Earth, unaffected by human biology and culture, is impossible." It's an epic lesson in the impermanence of all things

The world on which we live is "undoubtedly a human planet", Thomas Halliday writes in this extraordinary debut. But "it has not always been, and perhaps will not always be". Humanity has dominated the Earth for a tiny fraction of its history. And that History is vast. We tend to lump all dinosaurs, for example, into one period in the distant past. But more time passed between the last diplodocus and the first tyrannosaurus than has passed between the last tyrannosaurus and the present day. A mind-boggling fact. This is a glorious, mesmerising guide to the past 500 million years bought to life by this young palaeobiologist's rich and cinematic writing

A book that I really want to read but haven't yet bought - so I hope it goes into my Christmas stocking - is Otherlands: A World in the Making by Thomas Halliday. It sounds so amazing - a history of the world before history, before people. He's trying to write the history of the organisms and the plants and the creatures and everything else as the world grows from protozoic slime or whatever we emerged from. It sounds like an absolutely incredible effort of imagination. I think that Christmas presents should be books you can curl up with and get engrossed in and transported by - and Otherlands sounds like exactly that

But, of course, not all history is human history, Otherlands, by Thomas Halliday, casts its readers further and further back, past the mammoths, past the dinosaurs, back to an alien world of shifting rock and weird plants. It is a marvel