Author:Donald Spoto
'I've been protected by studio publicity men most of my life, so in some ways I'm a goddam image, not a person. I was a commodity, a piece of property... I felt an overwhelming obligation to my career, and so I was an actress first, a wife second. I worked almost constantly, and even when I wasn't working, there was that image thing of looking like a star, conducting myself like a star. I just went ahead like a bulldozer. I was a very selfish woman.'
Joan Crawford was a complex, contradictory, driven human being, but not the alcoholic, sadistic monster depicted in the notorious book, Mommie Dearest, which appeared a year after her death.
In some ways, Donald Spoto's Possessed is the ultimate Hollywood book - about a young woman, poor, abandoned by her father, but determined at all costs to succeed . Born in Texas, Lucille Fay LeSueur escaped destitution by becoming a popular dancer and then managed to make the decisive leap that transformed her into a luminous, unique star of the screen. She became Joan Crawford.
There were many important men in her life, not least Clark Gable, with whom she appeared in eight pictures and with whom she conducted a thirty-year affair. She was married four times, once to the debonair Douglas Fairbanks Jr, unaware that he had failed to discontinue his relationship with Marlene Dietrich.
Dancer, dramatic actress, businesswoman, corporate executive with Pepsi-Cola, Joan Crawford during her lifetime (1906 - 1977) was rarely out of the news. With the use of only recently opened archives and personal papers, Donald Spoto probes behind the lurid headlines to bring us Joan Crawford, the private person as well as the movie legend.
A rare book: a genuinely frank and self-revealing account of an actor's nightmare made real. Comic and even touching
—— Sir Richard EyreThe tale is breathless... works up a gallop
—— ObserverFunny, readable and filled with proper gossip. Most importantly, it's a perceptive and tenacious look at what it was really like to be a girl among the blokes in that era
—— Alexandra Heminsley , The New Review, Independent on SundayWener charts the story of her rise from suburban schoolgirl to 1990s pin-up with Indie group Sleeper. Her tone is warm, funny and self-deprecating - and she's not afraid to prick a few egos along the way
—— Daily MirrorAn amusing insight into the banality of band life, and a cautionary tale about the cost of getting what you always wanted
—— The QuietusTeen love, bad haircuts, great music and laugh-out-loud memories
—— Fearne Cotton(This week Sam has been) laughing, crying and over-identifying with Louise Wener's hilarious memoir, Different For Girls
—— Sam Baker - Editor of Red MagazineThoroughly entertaining
—— Record Collector