Her magni?cent recent book Ravenna: Capital of Empire, Crucible of Europe recaptures the excitement of discovering the history of a city where East Rome and Latin Europe joined for many centuries in ways that defy our neat divisions between ancient and medieval; Romans, Greeks, and barbarians; East and West.

Herrin's claims for Ravenna are both sweeping and convincing. ... Herrin's book, then, is about a good deal more than its ostensible subject. It aims to answer some fundamental historical questions. How did the Roman empire in western Europe decay and mutate? What were the influences on the civilisation of medieval Christendom, and how did they interfuse? To what extent was Christianity touched by the trace elements of Greek and Roman civilisation? Notoriously problematic though these issues are, they are ones that Herrin has spent a distinguished career studying, and which Ravenna brilliantly serves to elucidate.

the book is absolutely gorgeous, with magnificent colour reproductions of Ravenna's churches and mosaics. Relics of an age that seems almost impossibly remote, they are the foundations on which modern Europe stands.

Beautifully illustrated, impeccably researched and accessibly presented, it traces Ravenna's career as the capital of the Roman empire in the west ... Buildings are also brought to life alongside the people who built and used them. ... It is this linking of tangible remains and historical record that is the book's great strength

This book is a triumph of accessible, innovative, lively scholarship from one of the very best Byzantine historians we have. It casts an unexpected but deeply illuminating light on how the "European" political and religious mind became what it is.

The northern Italian city of Ravenna, with its wondrous mosaicked churches and gilded mausolea that miraculously survived the aerial bombardments of the second world war, was manifestly also a Byzantine city. Herrin shows how this was so in her scrupulously researched history of the city in its imperial heyday through the period Edward Gibbon chose to call the Dark Ages ... eminently worth reading. The colour plates are so sumptuous that the Ravenna mosaics fairly glow on the page.

Judith Herrin's Ravenna ... performs the seemingly impossible task of rescuing its subject from obscurity, charting an improbably journey from marsh-enfolded outpost to imperial capital and cultural dynamo.

Herrin tells the changing story of Ravenna as it unfolds from the end of the fourth century to the ninth in a series of short, accessible sections with the aid of luscious illustrations.

Herrin spent nine years researching her narrative of the three and a half centuries of Ravenna's ascendancy ... By the time we can easily visit Ravenna the city again it should be with the advantage of having read Ravenna the book

lively, startling ... The author evokes lost worlds in surprising anecdotes ... From chariot races to bust-ups between neighbourhood gangs, readers are vividly reminded that for all its grandeur, Ravenna was in its heyday a flawed and hectic place.

Ravenna shows us an earlier stage in the relationship between Byzantium and the west. It was an impregnable port city, selected as a redoubt during the depredations of Attila the Hun. It was the residence of the western Roman emperors, of the Gothic kings who succeeded them and then of the exarchs, Byzantine officials who preserved this toehold of imperial control into the eighth century. It was also the seat of powerful archbishops, whose rivalry with the Pope in Rome fills pages of local history. Each of these different rulers left their own stamp on the city through their building work and mosaics. Judith Herrin's book provides a rich illustration and analysis of this legacy ... Herrin is equally adept at drawing out the wider, international legacy of Ravenna. An important example of this comes after the city's heyday, when ... Charlemagne, the Frankish emperor, was a visitor to the city, and in Ravenna he saw models of Roman rulership expressed in stone and mosaic.

Judith Herrin's Ravenna is an erudite but wonderfully readable over-view of the life of a city that is often ignored, forgotten or misplaced.

Herrin is a superb historian who tells us that she's tethered to the tangible evidence of primary sources. Praise the Lord, I thought. Someone's still doing history the right way.

A sweeping and engrossing history ... an accessible narrative that brings to life the men and women who created the city during this period and who fashioned its hybrid Christian culture of Latin, Greek and Gothic elements. The narrative is periodically elevated by discussions of the city's most famous attractions and its glorious churches, brilliantly illustrated in the book's 62 color plates. It is also enlivened by recurring digressions on daily life in the city at each phase in its history.

a fascinating dive into Late Roman/Byzantine history, rich with improbable but true stories

Judith Herrin, a Professor at King's College London, is already Britain's best-known living Byzantinologist. Learned and witty, her books and articles have brought her subject out of shadow into a daylight where the dealings of emperors, exarchs and bishops become comprehensible, often lively, often concerned with issues acute in our own times ... She is original in wider ways, too: not only in her painstaking reconstruction of social and economic life in Ravenna from often fragmentary documents, but in her broad take on the whole period from about the fourth to the ninth century ... the gorgeous, plentiful illustrations help the reader to grasp the sheer scale of Herrin's triumphant history. This book is a master-work of scholarship and sharp intelligence.

a sumptuously produced and beautifully written account of how the city on the Po was the beleaguered last capital of the Roman Empire but managed to grow into the centre of Byzantine power in Italy and the key pivot between East and West at the dawn of the early modern period. This is a fascinating read and a fabulous book, from the gold sheen of its cover to the vibrant colours of the magnificent illustrations.

Andrew Roberts superb revisionist biography George III ... Incapable of writing a dull sentence, Roberts deploys deep scholarship and impeccable analysis to exonerate the 'Farmer' King of both stupidity and tyranny.

Andrew Roberts's George III is a wonderful revisionist portrayal of the monarch who presided over the high point of architecture and the loss of America. Obviously meticulously, majestically done - but also a total joy to read.

Judith Herrin's Ravenna: Capital of Empire, Crucible of Europe crowns the long career of a deeply learned historian ... a wonderful book, beautifully written and beautifully illustrated.

the city was "the melting pot of Europe" ... the hinge between the old Roman empire, the refounded Rome of Byzantium and the second new Rome of Charlemagne, who plundered its monuments for his capital at Aachen. Herrin's book ... is a welcome addition to a golden era of scholarship devoted to late antiquity and the early Middle Ages in Europe

Judith Herrin's Ravenna aims to set the mosaics, the buildings they ennoble and the urban landscape they inhabit back within a meaningful historical context. It's a worthy project that surprisingly has not really been attempted before ... it takes a scholar of Herrin's brilliance to bring events to life within a meaningful evocation of a time and a place. That skill, and a wonderfully pellucid prose style, ensures that even readers frustrated by the archaic narrative will find a great deal to admire and indeed learn from.

An ambitious, rewarding and detailed history of the city of Ravenna, spanning the period from its designation as imperial capital in the early fifth century to its Carolingian spoliations in the ninth. ... This book is a comprehensive, detailed and glittering history of the city within its Mediterranean context. It will attract the casual reader while also carrying sophisticated new arguments that will appeal to specialists.

Judith Herrin tells its fascinating history and presents a parade of forceful and creative characters with great insight and a wonderfully light touch, in a book as beautifully produced as it is profoundly researched.

Ultimately it chimes with a resounding clarion call: we are difficult women. Don’t sand our edges away. Celebrate us in all our uneven glory. After all, well-behaved women don’t make history.

Blending rigorous research with passages that make you bark with laughter, this is an effortlessly smart study of feminism’s power to make society better for everyone.

Helen Lewis has produced a real gem in Difficult Women... With wit and understanding...it is effective and often very moving.

A collection of fascinating, well-researched and vividly told biographies of women who made tangible contributions to the lives we live now… Lewis’ book is challenging, punchily written and refreshing in equal measure, and a joy to read.

A lesson modern progressives would be remiss to ignore.

Any one of these women could fill a book on her own, but Lewis deftly threads their lives together into an irresistibly rumbustious account of this movement; sometimes affecting, sometimes very funny (the footnotes are a sass-filled joy) and sometimes shocking.

[Difficult Women] is meticulously researched and intelligently argued whilst also being extremely readable. Unusually for a non-fiction book, it is a page-turner. Lewis' style is playful and engaging, and after each chapter you find yourself turning the page asking eagerly "but what happened next?”… Interspersed with personal anecdotes and often funny footnote asides, she deals with the serious alongside the light-hearted in a way which demonstrates her talent as a writer, researcher and journalist

This history of feminism eschews feelgood, empowering clichés and goes in search of the 'difficult women' who shaped the fight for gender equality.

Engaging and witty, this history of feminist fights will keep you gripped to the last page.

This often hilariously funny book taught me about the women who fought for my freedoms. Unlike in so many accounts, these women are not canonised but written as they are, imperfect.

Helen Lewis is one of the very few journalists whose every word I will read.