Part history, part aesthetic autobiography, wholly engaging and liable to convince those procrastinators sitting (uncomfortably) on the concrete fence.

Barnabas Calder brings us tales of the unexpected and breathes life into what some night call one of the unloveliest of building materials … illuminating and spirited.

This celebration of all things concrete will please both its aficionados and those who find it hard to love ... Calder's distinctive approach is a combination of scholarliness with personal association ... An engaging and accessible guide for those drawn towards these ex-monstrosities.

Calder provides the ideal eye-opening introduction for the curious general reader. It deserves a large audience ... This is a charmingly personal book, authoritatively knowledgeable and spikily argumentative.

The best introduction to this most exciting and visceral period of British architecture – a learned and passionate book.

A compelling and evocative read, one that is meticulously researched, and filled with insight and passion. Through Barnabas Calder’s personal narrative we gain a deep understanding and appreciation of a tough subject.

A fascinating odyssey through Britain's Brutalist landscape. The journey is sometimes breathtaking, but always insightful and informed. By its end, we understand the complexity, skill, and vision, as well as the politics, that created the buildings he explores in such loving detail.

Barnabas Calder is a self-outed lover of concrete, a man who doesn’t visit buildings but makes “pilgrimages”. He holds back on neither his praise for the objects of his passion, nor his wrath against those who threaten them. Buy this excellent book, read it and go out and hug your nearest lofty edifice in concrete and glass!

This engrossing book by a fellow self-confessed concrete lover is both a witty travelogue and memoir and the clear-sighted history of Brutalist buildings. Barnabas Calder relishes the craftsmanship, the financial back stories, and the aims and ambitions of a diverse generation of architects, whose works deserve our sympathy.

It’s not a history book … It’s chatty, anecdotal and thoroughly entertaining … My advice? Read the book, load up your mobile with some rock ‘n’ roll and Calder’s online photos, and go hug some concrete.

Calder wants to make an argument about the greatness of Brutalism as an architectural style. He writes beautifully.

Eclectic and readable.

Impressively well-written... Calder writes with the opinionated self-assurance of the young Ruskin. Compelling reading... thrilling... excellent.

This is a strongly-argued and at times refreshingly polemical book, one guaranteed to change your opinion of an ambitious and much-maligned architectural style that, like it or not, has had a profound effect on our built environment.

Calder’s book is the very antithesis of the recent glut of coffee-table-style, #brutalism, which focus primarily on appearance. By adopting a personal perspective, he humanises what is often demonised as an alienating material.

An excellent – and highly readable – guide … If you’re interested in Brutalism as architecture and construction practice, if you’re interested in its meaning and its context, buy this book.

He writes beautifully.

In the historian Barnabas Calder’s marvellous Raw Concrete, he tries to persuade us to love the architecture of the 1960s. Not just wonderfully well-researched and beautifully well-written, it’s also the story of a conversion, as Calder himself comes to value buildings he, too, once disliked.

Nostalgia was once considered a terminal condition. Hannah Woods suggests that the culture needs to book itself in for a check-up. Provocative and well-argued, Rule, Nostalgia offers the diagnosis that might lead us to a cure

A triumphal backwards tour through the history of Britain's relationship with its own past. This funny, sad, wise and brilliantly informative book is a crash course in the many pasts that have made our presents

Rule, Nostalgia is radiant with an enthusiast's passion for their subject, and makes a convincing case that Britain's history is sufficiently weird, fascinating and marvellous, without rewriting it into comforting fables

Rule, Nostalgia is a triumphal backwards tour through the history of Britain's relationship with its own past, a chronicle of our state of perpetual longing for a paradise just gone. Woods' eye is ironic, but never without sympathy as she teases apart the nested structures of mourning and nostalgia on which out national identity is built. This funny, sad, wise and brilliantly informative book is both a plea for historiographical literacy and a crash course in the many pasts that have made our presents

Bold and original, with a cool intelligence, and so very truthful about the colonialist structure of British society: how it has poisoned even our language, making its necessary dismantling almost the stuff of dreams. I take hope from Assembly, not just for our literature but also for our slow awakening

Mind-bending and utterly original. It's like Thomas Bernhard in the key of Rachel Cusk but about black subjectivity

Brilliantly sharp and curiously Alice-like... It centres on a gifted and driven young Black woman navigating a topsy-turvy and increasingly maddening modern Britain... Her indictment is forensic, clear, elegant, a prose-polished looking glass held up to her not-so-post-colonial nation. Only one puzzle remains unsolved: how a novel so slight can bear such weight

A piercing, cautionary tale about the costs of assimilating into a society still in denial about its colonial past. Brown writes with the deftness and insight of a poet

Bold, elegant, and all the more powerful for its brevity, Assembly captures the sickening weightlessness which a Black British woman, who has been obedient to and complicit with the capitalist system, experiences as she makes life-changing decisions under the pressure of the hegemony

This is a stunning achievement of compressed narrative and fearless articulation

One of the most talked-about debuts of the year . . . you'll read it in one sitting

Thrilling... Brown gets straight to the point. With delivery as crisp and biting into an apple, she short-circuits expectation... This is [the narrator's] story, and she will tell it how she wishes, unpicking convention and form. Like The Drivers' Seat by Muriel Spark, it's thrilling to see a protagonist opting out and going her own way

A nuanced, form-redefining exploration on class, work, gender and race

Across 100 lean pages, Brown deftly handles a gigantic literary heritage... Her style rivals the best contemporary modernists, like Eimear McBride and Rachel Cusk; innocuous or obscure on a first reading, punching on a second... Assembly is only the start

There's something of Isherwood in Brown's spare, illuminating prose... A series of jagged-edged shards that when accumulated form an unhappy mirror in which modern Britain might examine itself

A debut novel as slender and deadly as an adder

A razor-sharp debut... This powerful short novel suggests meaningful discussion of race is all but impossible if imperialism's historical violence remains taboo

Bold, spare, agonisingly well-observed. An impressive debut

Excoriating, unstoppable... The simplicity of the narrative allows complexity in the form: over barely a hundred pages, broken into prose fragments that have been assembled with both care and mercilessness

Beguiling and beautifully written, this is the work of an author with a bright future

Coruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force

Fierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you

I was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything

Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow

A masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound

An extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended

'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'

Every line of this electrifying debut novel pulses with canny social critique

Devastatingly eloquent, bold, poignant

An achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next

[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising

A brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment