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Reading Lolita in Tehran
Reading Lolita in Tehran
Oct 28, 2024 12:25 AM

Author:Azar Nafisi

Reading Lolita in Tehran

Every Thursday morning in a living room in Iran, over tea and pastries, eight women meet in secret to discuss forbidden works of Western literature. As they lose themselves in the worlds of Lolita, The Great Gatsby and Pride and Prejudice, gradually they come to share their own stories, dreams and hopes with each other, and, for a few hours, taste freedom. Azar Nafisi's bestselling memoir is a moving, passionate testament to the transformative power of books, the magic of words and the search for beauty in life's darkest moments.

Reviews

Engrossing, fascinating, stunning

—— Margaret Atwood

I was enthralled and moved

—— Susan Sontag

Anyone who has ever belonged to a book group must read this book

—— Geraldine Brooks

Vivid, often heroic and sometimes funny ... Nafisi's rather wonderful book touches a beauty of its own

—— Paul Allen , Guardian

Remarkable ... an eloquent brief on the transformative power of fiction

—— The New York Times

What stands out most . . . is the effects of violent warfare. By the end of the counteroffensive the snowfields were littered with frozen corpses and the wreckage of hundreds of tanks and armoured vehicles

—— Literary Review

A superb addition to the canon which has taken us from Stalingrad to Normandy in 1944 and the final gruesome battle for Berlin, not forgetting the masterly single-volume history of the entire war. It is written with all of Beevor's customary verve and elegance. His remarkable and trademark ability is to encompass the wide sweep of campaigns yet never forget the piquant details of what happened to the individual . . . He focuses brilliantly on the key moments that turned the battle

—— Evening Standard

As impeccably researched, insightfully observed and superbly written as its bestselling predecessors

—— Charlotte Heathcote , Sunday Express

Rich in detail and drama. Enthralling

—— Mail on Sunday

If there's one thing that sets Beevor apart from other historians - beyond his gifts as a storyteller - it's that he is not afraid to look at the most uncomfortable, even frightening subjects, but does so in a way that doesn't threaten the reader. It's like having Virgil there to lead you through the underworld: he doesn't leave you stranded amid the horror but leads you back again, a wiser person for having undergone the journey

—— Keith Lowe , Daily Telegraph

An indispensable book. It is a great strength of Beevor's writing that he takes time to explain how small pieces of knowledge - the kind of thing passed on by battle-hardened soldiers themselves - could make the difference between survival and a futile death

—— David Aaronovitch , The Times

Beevor weaves a brilliant narrative out of all this drama. As in his previous books, his gifts are strongest in focusing on telling details from different perspectives . . . A vital historical insight

—— Mark Urban , Sunday Times

A portrait of war . . . startling in its detail. Beevor has the art of preserving the individual perspective on the battlefield while placing it among the perspectives of platoon, regiment, division, commanders, politicians and civilians. This book clarifies, without simplifying, the human experiences and political stakes of the battle for the Ardennes Forest, bringing realism to the battlefield and coherence to the larger history of the war

—— Timothy Snyder , Guardian

A sweeping, sobering read, written with all the confidence and aplomb that Beevor fans would expect. Beevor is as good on the rows behind the front lines as he is on the battles themselves

—— Independent

Formidable . . . Beevor is a field marshal of facts. Under his brisk control the story of Hitler's final gamble is another example of the kind of action-packed, densely informed narrative that has proved such a formidable model

—— Nicholas Shakespeare , Telegraph

Like Beevor's magisterial account of the Second World War, Ardennes 1944 benefits from the same depth of field, seamlessly shifting its point to focus from the macro level to the micro and back again

—— Scotland on Sunday

Wonderfully compelling. The Ardennes was a short, brutal and ultimately futile battle - the last spasm of a dying regime - and no one has recounted it better than Beevor. His gripping, beautifully written narrative moves seamlessly from the generals' command posts to the privates in their snow-covered foxholes, and confirms him as the finest chronicler of war in the business. His particular genius is for ferreting out those telling details that paint a picture

—— Saul David , Observer

First-rank history. Beevor's triumph is to add layers to a book that is gently but precisely judgmental, acute on character and gaudy and grisly in detail. With his sure hand on detail and his strong opinion on how and why the German offensive was prosecuted and why it failed . . . Beevor shows how plans freeze on icy roads, how individual acts of bravery have significant effects, how generals can be wrong but proved right by the vagaries of weather, fortune or a providence that is unfathomable

—— Herald Scotland

Nicholas Stargardt spotlights the surprising twists and turns in the popular embrace of both the war and Nazi racial extremism. He explains—as few have—why the German people fought to the finish, whereas even the supposedly fanatical Japanese surrendered before an invasion of the homeland

—— Sheldon Garon, author of Molding Japanese Minds: The State in Everyday Life

Ambitious and absorbing new book.

—— Richard J. Evans , London Review of Books

[A] revelatory book.

—— Simon Shaw , Mail on Sunday

I enjoyed this book immensely…This book fills a vast gap in our knowledge of history and I am glad to have read it.

—— Reg Seward , Nudge

This is a compelling book…It’s a story of endurance – of place as well as people – and ultimately, it’s uplifting.

—— Psychology, 'Our Friends at BBC 4'

A brilliant way of coming at the history of Berlin and Germany itself, which shows how people coped with the vicissitudes of the regime.

—— Country and Town House

Harding has recorded the fate of the house and its inhabitants, from the Weimar republic until reunification. This is German history in microcosm ... as exciting as a good historical novel.

—— Die Welt

An inspirational read: highly recommended.

—— Western Morning News

A genuinely remarkable work of biographical innovation.

—— Stuart Kelly , TLS, Books of the Year

I’d like to reread Ruth Scurr’s John Aubrey every Christmas for at least the next five years: I love being between its humane pages, which celebrate both scholarly companionship and deep feeling for the past

—— Alexandra Harris , Guardian

Ruth Scurr’s innovative take on biography has an immediacy that brings the 17th century alive

—— Penelope Lively , Guardian

Anyone who has not read Ruth Scurr’s John Aubrey can have a splendid time reading it this summer. Scurr has invented an autobiography the great biographer never wrote, using his notes, letters, observations – and the result is gripping

—— AS Byatt , Guardian

A triumph, capturing the landscape and the history of the time, and Aubrey’s cadence.

—— Daily Telegraph

A brilliantly readable portrait in diary form. Idiosyncratic, playful and intensely curious, it is the life story Aubrey himself might have written.

—— Jane Shilling , Daily Mail

Scurr knows her subject inside out.

—— Simon Shaw , Mail on Sunday

The diligent Scurr has evidence to support everything… Learning about him is to learn more about his world than his modest personality, but Scurr helps us feel his pain at the iconoclasm and destruction wrought by the Puritans without resorting to overwrought language.

—— Nicholas Lezard , Guardian

Acclaimed and ingeniously conceived semi-fictionalised autobiography… Scurr’s greatest achievement is to bring both Aubrey and his world alive in detail that feels simultaneously otherworldly and a mirror of our own age… It’s hard to think of a biographical work in recent years that has been so bold and so wholly successful.

—— Alexander Larman , Observer
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