Author:Laurie Lee
A beautiful new edition of Laurie Lee's celebrated autobiographical trilogy: Cider with Rosie, As I Walked Out One Midsummer Morning and A Moment of War
'I was set down from the carrier's cart at the age of three; and there with a sense of bewilderment and terror my life in the village began.'
'This trilogy is a sequence of early recollections, beginning with the dazzling lights and sounds of my first footings on earth in a steep Cotswold valley some three miles long. For nineteen years this was the limit of my world, then one midsummer morning I left home and walked to London and down the blazing length of Spain during the innocent days of the early thirties. Never had I felt so fat with time, so free to go where I would. Then such indulgence was suddenly broken by the savage outbreak of the Civil War . . .' - Laurie Lee
one of the most extraordinary pictorial records of the First World War
—— Ben Macintyre , The TimesA major contribution to the one aspect of the Second World War of which we know far too little, and should know much more if we are to understand the new superpower today ... a model of clarity and good writing
—— Antony Beevor , The Times[Mitter] restores a vital part of the wartime narrative to its rightful place. Now, for the first time, it is possible to assess the impact of the war on Chinese society and the many factors that explain the Japanese failure in China and the eventual triumph of Mao Zhedong's communists in 1949, from which the superpower has grown. It is a remarkable story, told with humanity and intelligence; all historians of the second world war will be in Mitter's debt ... [he] explores this complex politics with remarkable clarity and economy ... No one could ask for a better guide than Mitter to how [the rise of modern China] began in the cauldron of the Chinese war
—— Richard Overy , GuardianIlluminating and meticulously researched ... [China's War with Japan] is about the Chinese experience of war, the origins of the modern Chinese identity and the roots of a relationship that will shape Asia in the 21st century. It is about China's existential crisis as it tried to regain its centrality in Asia. It is also a story, pure and simple, of heroic resistance against massive odds
—— EconomistMitter deftly sketches the plight of Chinese intellectuals ... This is a many-stranded story and the author keeps his focus on the big picture while including many convincing, often horrific, details ... [this] is the best narrative of that long-ago war, whose effects still linger in China today, with Japan the major hate figure
—— Jonathan Mirsky , SpectatorThis is a story told mainly from the Chinese perspective, in all its horror. Drawing on a wide range of sources, Mitter pulls together a rich and complex narrative without losing the drama of China's fight for survival and the individuals who played a part in it ... lively [and] comprehensive
—— ProspectThis is a unique collection of contemporary accounts – and just as compelling as the work of any historian.
—— The ScotsmanReflecting civic life as well as life in the trenches, the accessible style allows you to dip in and out as you please, exploring a world unknown to most.
—— Big IssueAs Bostridge shows in this beautifully written and detailed book, 1914 was a 'fateful year', England was truly never the same again
—— Independent, Book of the WeekVivid, finely drawn
—— Mail on SundayAs mesmerising as a great historical novel
—— BBC History MagazineAuthoritative, wide-ranging and thoroughly readable.
—— Adrian Weale , Literary ReviewThe Good War…can feel one step away from the action but is no less compelling or valuable. His is a chronology of a war of our time; it holds one’s attention and he has done his research.
—— Lyse Doucet , New StatesmanThis year saw one of the most audacious biographies I can remember reading: Ruth Scurr's John Aubrey: My Own Life... What we are presented with is a wonderful artificial composite: a fascinating patchwork made up of extracts from Aubrey's notebooks, journals and letters, chronologically rearranged with consummate editorial and novelistic artfulness by Scurr. The result is haunting, memorable and, in the field of non-fiction, unprecedented.
—— William Boyd , TLS, Books of the YearScurr wrote the biography Aubrey didn't write - Aubrey's own - in a biographical form that is unique, new and gripping
—— AS Byatt , TLS, Books of the YearFor me, the academic historian, Scurr’s experimental “act of scholarly imagination” has already modified significantly my own historical understanding
—— Lisa Jardine , Financial TimesThe marriage of [Aubrey’s] words and Scurr’s is so smoothly achieved that I have no idea where one leaves off and the other intervenes
—— Allan Massie , ScotsmanScurr’s imaginative feat of retrieval has produced a perfect book for dipping into when you want a taste of what it was like to be alive in the 17th century
—— John Carey , Sunday TimesIt is a testament to [Scurr’s] skill that you quickly stop thinking about technique and instead slip happily into the company of the character she has created. The wealth of research and the seams between imagination and reality disappear from view. This is truly selfless biography
—— Daisy Hay, 5 stars , Daily TelegraphA game-changer in the world of biography
—— Mary Beard , GuardianA delightful read about the ebb and flow of thoughts in one extraordinary man’s mind
—— Claire Harman , Evening StandardDrawing on [Aubrey’s] manuscripts and letters, [Ruth Scurr] has fashioned, as chronologically as possible, an autobiography in the form of the diary that Aubrey never wrote. It fits him perfectly… Ms Scurr has done him proud
—— The EconomistAubrey was a delightful, self-deprecating man ... A conventional biography of Aubrey could easily have become a portrait of the time through which he had lived, allowing the man himself to be overshadowed ... Instead, Ruth Scurr has invented the diary Aubrey might have written, incorporating his own chaotic, sometimes scrappy literary remains to form a continuous narrative. ... lucky him to have been accorded a biography as whimsical as his own self
—— Clive Aslet , Country LifeScurr’s book illuminates and poignantly captures the voice of a man more often a “ghostly record keeper” in his own writing
—— Carl Wilkinson , Financial TimesJohn Aubrey brilliantly reconfigures the art of biography
—— David Abulafia , Times Higher EducationBold and imaginative recreation of the diary of the 17th-century antiquary. It shows how close a scrupulous and unselfregarding biographer can come to the savour of a life
—— Graham Robb , SpectatorA genuinely remarkable work of biographical innovation.
—— Stuart Kelly , TLS, Books of the YearI’d like to reread Ruth Scurr’s John Aubrey every Christmas for at least the next five years: I love being between its humane pages, which celebrate both scholarly companionship and deep feeling for the past
—— Alexandra Harris , GuardianRuth Scurr’s innovative take on biography has an immediacy that brings the 17th century alive
—— Penelope Lively , GuardianAnyone who has not read Ruth Scurr’s John Aubrey can have a splendid time reading it this summer. Scurr has invented an autobiography the great biographer never wrote, using his notes, letters, observations – and the result is gripping
—— AS Byatt , GuardianA triumph, capturing the landscape and the history of the time, and Aubrey’s cadence.
—— Daily TelegraphA brilliantly readable portrait in diary form. Idiosyncratic, playful and intensely curious, it is the life story Aubrey himself might have written.
—— Jane Shilling , Daily MailScurr knows her subject inside out.
—— Simon Shaw , Mail on SundayThe diligent Scurr has evidence to support everything… Learning about him is to learn more about his world than his modest personality, but Scurr helps us feel his pain at the iconoclasm and destruction wrought by the Puritans without resorting to overwrought language.
—— Nicholas Lezard , GuardianAcclaimed and ingeniously conceived semi-fictionalised autobiography… Scurr’s greatest achievement is to bring both Aubrey and his world alive in detail that feels simultaneously otherworldly and a mirror of our own age… It’s hard to think of a biographical work in recent years that has been so bold and so wholly successful.
—— Alexander Larman , Observer