Author:Mark E. Smith
The only way to appreciate the legendary musicianMark E. Smith is to encounter the man in his own words.
'May be the funniest music book ever written' Observer
The Fall are one of the most distinctive British bands, their music - odd,spare, cranky and repetitious - an acknowledged influence on The Smiths, The Happy Mondays, Nirvana and Franz Ferdinand.
And Mark E. Smith IS The Fall.
47 members have come and gone over the years yet he remains its charismatic leader, a professional outsider and all-round enemy of compromise, a true enigma. There have been a number of biographies of the legendary Smith, but this is the first time he has opened up in a full autobiography.
For the first time we get to hear his full, candid take on the ups and downs of a band as notorious for its in-house fighting as for its great music; and on a life that has endured prison in America, drugs, bankruptcy, divorce, and the often bleak results of a legendary thirst.
'A riot' Independent on Sunday
'Unbeatable' Time Out
'Vicious' Daily Telegraph
'Hilarious' Scotland on Sunday
Unutterably funny...a riot of aimings and blamings and score-settlings. Smith manages to have a right laff, and reveal himself as a figure of dazzling sociological import
—— Independent on SundayA rollicking good read
—— Bruce Dessau , Evening StandardA thoughtful, understated memoir
—— Joe Moran , GuardianWitty and enjoyable
—— Robert Elms , BBC Radio LondonCompelling
—— ChortleFascinating
—— Ray Darcy RTE RadioExtraordinary... Simply looked at as a repository of information on how to perform Chopin, the book is invaluable... Much the most interesting aspect of the book, however is in the main intellectual investigation and defence of the amateur...prepare to be inspired.
—— Igor Toronyi-Lalic , Sunday TelegraphPlay It Again is based on Rusbridger’s diaries and in pianistic terms is a two-handed one, one part being an account of the travails of learning the Ballade, the other chronicling a feverish journalistic year... The point of the exercise was never to play like a professional but to relish being an amateur. In this sense his book is affirmatory... 4 stars
—— Michael Prodger , Mail on SundayPlay It Again turns out to be surprisingly pleasing, not only to the mind’s ear but to the heart and even, at a pinch, to the soul...it is about determination – determination to do something fiendishly hard and almost entirely pointless, and having the courage to stare down failure every day... His obsession is both charming and infectious.
—— Lucy Kellaway , Financial TimesThe two really appealing things about this book are Rusbridger’s deep love of music and his dogged belief that it is possible to find time for things such as piano practice, even for the most frenetically busy.
—— Christopher Hart , Sunday TimesWhat could be a navel-gazing study of self-growth emerges as a much more intriguing story about the value of amateurism... While the diary format can make for a fragmented narrative it also allows the tensions of Wikileaks, the phone-hacking scandal and subsequent investigation to build as if in real time.
—— Alexandra Colghan , New StatesmenReading music is not an essential requirement for enjoying this book, but getting to the Ballade will make Play It Again infinitely more enjoyable... As soon as you enter the pages you are hooked, not just by the efforts to overcome this elusive piece through curiousity and courage, but by the clear way in which the diary takes the reader into the murky world of WikiLeaks and the still more polluted waters of phone hacking by News International... Riveting stuff... Play It Again is a hugely enjoyable, touching and informative volume.
—— Michael Berkeley , Literary ReviewAny amateur musician will find bells ringing through Rusbridger’s eloquent pages… The Chopin becomes a tantalizing entity that temps him on to better himself. And this makes the book rewarding at a deeper level than its already enticing surface.
—— Jessica Duchan , BBC Music MagazineThis is a journal of [a] year: part piano diary, party day-by-day breakdown of what a 21st-century editor actually does. The result is a unique melange of political and musical reportage, meditations on music-making deftly interwoven with reflections on the ever-changing newspaper industry... The book is handsomely produced, rich in both musical and photographic illustrations. At the end, delightfully, sits Rusbridger’s own annotated score... Enjoyment may not be the word, but Rusbridger emerges unscathed and quietly triumphant, older and wiser. The Matterhorn has been scaled, his epiphany rewarded.
—— Iain Burnside , ObserverIt is...an impressive, even inspiring record of one man’s mountaineering exploit in the realm of music. Rusbridger set himself an ‘impossible’ goal, and then more or less achieved it. There is something admirable, even heroic, about that.
—— Alexander Chancellor , SpectatorThis book is an inspiration...funny, humble and realistic: this is a wonderfully rich read.
—— sinfinimusic.comThe book is a celebration of the dogged persistence of the determined 'amateur' (in the French sense of the word – "a lover of…"), which will give hope and support to pianists seeking a challenge from new or more complex repertoire. The fact that Rusbridger pulled it off will doubtless inspire others to follow his example: I certainly hope so.
—— crosseyedpianist.comA bravura performance of dedication undeterred by disctraction.
—— Iain Finlayson , Saga MagazineI can’t remember a music journal that I enjoyed reading more. One comes away full of admiration for Rusbridger’s ambition and determination.
—— Jeremy Nicholas , GramophoneInspiring.
—— O, The Oprah MagazineRead about Rusbridger's obsession in his inspiring, diary-like new book.
—— Huffington PostA wonderful account of trying to learn a complex piano piece while running the Guardian at the time of Wikileaks and phone hacking.
—— Susie Orbach , GuardianRusbridger’s book is fascinating because you see him visibly struggling to keep up with the complexities of the Chopin piece along with everything else that’s going on in his life
—— Jim Carroll , Irish Times