In a year dominated by memories of the First World War, this supremely accomplished book stands out. Not only does it look at the conflict from the perspective of the losing Central Powers, imperial Germany and Austria-Hungary, but it brings together political, military, economic and cultural history in an enormously impressive narrative. Although Watson's book is based on archival research in Germany, Austria and Poland, his scholarship is never suffocating. His accounts of the terrible struggle on the vast Eastern Front are brisk and well-judged, while he is particularly good at bringing alive the mood on the German and Austrian home fronts, from soldiers' letters to children's nursery rhymes. Above all, his book could not be a more powerful reminder that, as bad as the war was for Britain, it was far, far worse for the losers

Will be revelatory to most British readers

British historians have tended to view the Great War predominantly from the side of the Allies. Watson has done our understanding an inestimable service by examining these familiar events from the perspective of the Central Powers ... Watson's shift of perspective offers illuminating sidelights ... Watson's balance is at its most strikingly effective in a superlative chapter on Germany's catastrophic decision to launch its U-boat campaign. But it is the lost hordes of East European refugees who create the most haunting images in the immense canvas of this outstanding book

A truly indispensable contribution . . . It is a mark of talent in a historian to take familiar narratives and open them to new interpretation. Mr. Watson's book is a brilliant demonstration of this skill . . . Ring of Steel is a history as much of the emotions that hardship and war produced as of politics or diplomacy . . . Watson manages to mesh his dense bottom-up description with the grand narrative of the war's key moments of decision

An immensely authoritative new history of Germany and Austria-Hungary between 1914 and 1918. Watson writes fluently and compellingly, and his remarkable command of the sources offers new insight and information on almost every page. Soundly judged on the many controversial aspects of his topic, Watson is particularly ground-breaking in evoking the popular experience of the conflict and when investigating the atrocities that all too frequently were its accompaniment

In Ring of Steel Alexander Watson shows us what it was like to be pierced by the sharp end of the Allied juggernaut. He takes us on an illuminating tour of the German and Austrian trenches, their querulous headquarters, their cold, starving towns, and their increasingly desperate government ministries. This is a fascinating account of the Great War from 'the other side of the hill,' but also an explanation for the chaos that followed: communism, fascism, depression, and Europe's plunge into a Second World War

The Central Powers' Great War was not waged from the top down. Instead, as Alexander Watson's comprehensively researched and clearly presented analysis demonstrates, in both Germany and Austria-Hungary popular support was vital to mobilizing and sustaining an increasingly-futile conflict

This book offers Anglo-Saxon students of the First World War a usefully original perspective

Alexander Watson's remarkable history of the first world war makes clear as never before how this unparalleled conflict impacted on and changed the societies of central Europe, particularly Germany and Austria-Hungary

Dimbleby makes a convincing case that of all the campaigns of WWII, the struggle for dominance over the North Atlantic was the most important . . . The history of the battle for the Atlantic is well documented, but Dimbleby's work, with its emphasis on the strategic importance of the battle, is an excellent addition to the story, and expert historians as well as general readers can enjoy this effort

Dimbleby's incisive, gripping narrative uniquely places the campaign in the context of the entire war as it recounts the horror and humanity of life on those perilous oceans.

The strength of the book is its vivid evocation of dramatic events

The Battle of the Atlantic is a wonderfully readable mix of vivid personal stories and the penetrating questions that you wish someone had put to Churchill

Dimbleby captures the savagery of the fighting and of the sea itself... he has tackled the complexities in a very accessible way; but more importantly he has woven a compelling narrative of the people who fought, directed and ultimately decided our fate

I liked Jonathan Dimbleby's The Battle of the Atlantic and was gobsmacked to learn that the Germans read British radio messages much better than we read theirs. Air Ministry obstinacy (in failing to release aircraft from futile area bombing for anti-submarine patrols) nearly cost Britain the war

Fascinating

I am chilled to the bone and beyond ... the most extraordinary story ... absolutely fascinating

An accessible and anecdotal account of the battle and the men who waged it, full of colour and surprising detail

Fascinating, thought-provoking and entertaining. Explodes a number of self-serving myths

Fresh and provocative

A wonderfully incisive, superbly written history. What Dimbleby has nailed so brilliantly is what so many war historians miss: the big picture

I enjoyed this book immensely…This book fills a vast gap in our knowledge of history and I am glad to have read it.

This is a compelling book…It’s a story of endurance – of place as well as people – and ultimately, it’s uplifting.

A brilliant way of coming at the history of Berlin and Germany itself, which shows how people coped with the vicissitudes of the regime.

Harding has recorded the fate of the house and its inhabitants, from the Weimar republic until reunification. This is German history in microcosm ... as exciting as a good historical novel.

An inspirational read: highly recommended.

A genuinely remarkable work of biographical innovation.

I’d like to reread Ruth Scurr’s John Aubrey every Christmas for at least the next five years: I love being between its humane pages, which celebrate both scholarly companionship and deep feeling for the past

Ruth Scurr’s innovative take on biography has an immediacy that brings the 17th century alive

Anyone who has not read Ruth Scurr’s John Aubrey can have a splendid time reading it this summer. Scurr has invented an autobiography the great biographer never wrote, using his notes, letters, observations – and the result is gripping

A triumph, capturing the landscape and the history of the time, and Aubrey’s cadence.

A brilliantly readable portrait in diary form. Idiosyncratic, playful and intensely curious, it is the life story Aubrey himself might have written.

Scurr knows her subject inside out.

The diligent Scurr has evidence to support everything… Learning about him is to learn more about his world than his modest personality, but Scurr helps us feel his pain at the iconoclasm and destruction wrought by the Puritans without resorting to overwrought language.

Acclaimed and ingeniously conceived semi-fictionalised autobiography… Scurr’s greatest achievement is to bring both Aubrey and his world alive in detail that feels simultaneously otherworldly and a mirror of our own age… It’s hard to think of a biographical work in recent years that has been so bold and so wholly successful.