Shadow City is no conventional travel book. For Khan gives us a Kabul of the imagination: it is the city that was, less the city that is, that fascinates her. Her perambulations represent a form of "bipedal archaeology", an exercise in exhuming the past and probing the lost... It is easy to cast Kabul as a tragic mess of a metropolis, but Khan illuminates its life-affirming humanity

Offers a unique on-the-ground view of the city...a refreshing counterpoint to the macho foreign correspondent genre... Khan’s interviews during her walks powerfully evoke the fluctuating mood in a city that is trying to heal itself

These stories conjure a magic in the labyrinthine streets and reveal a fragile city in a state of flux, shape-shifting and flickering with the promise of peace

Any reader of this book is sure to discover a Kabul so unlike what the media portrays. Taran’s love of her city comes across in her enchanting evocation of a city where so many tragedies echo from across Kabul’s decades of war. On her last walk, she writes: “to leave Kabul was to take it with you.” This is what happened when I finished reading this book, I took Kabul with me

On the surface, Kabul is a city caught "between the hope of peace and the habit of violence." The deeper reality, though, is even more complex and layered: like Kabul's actual lanes, those that map its character "twist and vanish . . . like well-kept secrets." It is an elusive, illusive place - bood, nabood, now you see it, now you don't. Taran Khan's achievement is to have caught it in an affecting and beautifully observed portrait, a word-map that will endure

By excavating Afghanistan's forgotten past, Khan rescues its future, too. Her lyrical prose brings to life the most daring truth a writer can offer: that these tragedies were not preordained, and another Afghanistan is possible

A lyrical discovery... As a Muslim woman from India, Khan is able to present a unique social and historical perspective

Taran Khan invites and leads us into a wonderful journey through the streets of Kabul, its history and culture. Step by step with her, we breathe in the city’s air of mysticism and mystery, walk through gardens full of myths and secrets, and we caress the wounds and scars of war on the skin of the city and cross the bridge that is built over the river between Indo-Greek civilization

Shadow City moved me to tears... In the service of Kabul and Afghanistan, a region of the world about which we imagine we know much more than we actually do, no book has done a more honest and heart-warming job in recent years... Thrilling

Traces the lost glory of the city and narrates contemporary miseries. A moving memoir...and a subtle dive into history

Sparkling...a city and a part of the world that is particularly suited to the elegy... The Kabul stories Khan collects are like that: silent screams for a city that was and the city it could be

An intricate, intimate portrait of a heartbreaking city, its people and its past, written with nuance, love and attention. In her multi-dimensional memoir Taran Khan explores Kabul as she wanders – through its streets but also its literature, its politics but also its passions – revealing as she does her own exacting, compassionate sense of what the city was and can still be

Through these deep and compassionate portraits of ordinary people who call Kabul home, Taran Khan tells the story of the city through war and peace as never told before. At a time when deep uncertainly hangs over Afghanistan’s future once again, Shadow City provides an invaluable perspective on life in its capital

Khan asks important questions of cities that have witnessed trauma in the palimpsests of what remains. The book carries valuable insights into the effects of war -- the fragility of books, films, ways of life; addiction as a war wound; the instability of 'home'. Mostly, it reminds us of the power of words to represent ways of seeing

A profound, beautifully written meditation

In this powerful and elegant book on James Baldwin, Eddie Glaude weaves together a biography, a meditation, a literary analysis, and a moral essay on America. Like Baldwin's own essays and books, it is at times both loving and angry, challenging and uplifting, and always beautiful. Both Baldwin and this book speak directly to today

A powerful study of how to bear witness in a moment when America is being called to do the same

Glaude's book is neither straight biography nor straight history, but rather historiography, reaching back and forth in time to show what Baldwin - whose centenary will be celebrated in 2024 - has to say to us and to teach us through his many writings at a time when "the idea of America is in deep trouble"

A powerful, genre-defying work

Fascinating . . . An urgent and honest overview of Baldwin's work

Many complicated human relations are on display in these irresistible diaries . . . The editor deserves the greatest praise. He has rightly included everything that brings Channon's shimmering brittle world to life . . . He has a gift for the sharp, striking phrase which bring events to life. If diaries are to achieve immortality, the diarist must be a first-class writer. Channon passes that with flying colours.

Better than any history or histories of these two decades . . . like a fusion of Debrett's and the Almanach de Gotha . . . Scrupulously scholarly . . . Simon Heffer has done a great service by revealing in this extraordinary new edition of the Channon diaries the decadence and complacency of the English political and upper classes.

The abundant footnotes . . . swarm with everything you might want to know about the British aristocracy between the wars . . . It's like reading Bertie Wooster set loose among the pages of Burke's Peerage, with lots of sucking-up where the jokes ought to be . . . His pen portraits of friends and rivals alike are etched in acid.

The fascinating, unexpurgated interwar diaries of the Tory MP and social alpinist Henry "Chips" Channon, who met everyone who was anyone from Hitler to kings, the Pope and the Mitfords. Bonking, snobbery and bitchy remarks abound in this big beast of a book.

I did enjoy the Chips Channon diaries, the new first volume. My most pleasurable reading experiences are diaries and letters. History unfiltered, not refracted through a historian's imagination. The Chips Channon diaries bring alive a section of society in the 20s and 30s with great vividness.

Chips Channon wrote witheringly about everyone-except Hitler. But his diaries still make for strangely addictive reading . . . [Simon Heffer] has done a superb job.

These unabridged, risqué, waspish, snobbish, social-climbing diaries have been worth the wait . . . All credit to Simon Heffer for his masterly editing and annotation.

The diaries are indeed indispensable for anyone seriously interested in the political and social history of interwar Britain.

Brilliantly and painstakingly edited by Simon Heffer. The enlarged Channon diaries have rightly attracted a great deal of attention . . . they are more detailed and more frank, and maybe more honest, about the opinions and sexual escapades of some of the leading figures in British politics and high society in the years between the world wars.

It sounds perverse to say that Channon's snobberies and prejudices make the diaries, but the unabashed exposure of these failings gives you an oddly impressive picture of a person in the setting of his time - the picture, I mean, is absorbing, whatever the subject's shortcomings. And though this colossal self-portrait describes much that's misguided, vain, and idiotic, it prompts you too to imagine those perishable qualities that history and biography so often fail to capture: the charm, generosity, personal magnetism, and brilliance of conversation that must have explained and sustained Chips's progress, the "success after success" that the diaries record and celebrate.

One of the most talked about books of this year . . . compelling and significant.

Channon's jaw-dropping account, lovingly curated by the historian and former Mail writer Simon Heffer, is compelling.

Delicious, dangerous and utterly compulsive.

Dripping with bons mots, anecdote and scandal, [these] are addictive, even if they elicit repulsion as well as delight.

A momentous publishing event. Candid, unabashed, vivid and manifold. They will be prized for their powerful evocation of social milieux . . . Heffer's footnotes are always informative, just and accurate, often amusing, and can seldom be faulted.

An unadulterated masterpiece . . . A larder of quotable treats.

Scintillating wit, memorable descriptions and compelling gossip. Heffer has done a magnificent job. Riveting.

Whatever you think of him Channon ranks among the great diarists. He is at turns brilliant, witty, trivial and spiteful, with observations about some figures whose names have stood the test of time. Simon Heffer has done an excellent job as editor and his copious footnotes are often as entertaining as the diaries.

An inspired diarist. After devouring this volume readers will be salivating for the next.