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Shape
Oct 25, 2024 12:18 PM

Author:Jordan Ellenberg

Shape

The international bestseller - a whip-smart, entertaining exploration of the geometry that underlies our world, from the author of How Not to Be Wrong

How should a democracy choose its representatives? How can you stop a pandemic from sweeping the world? How do computers learn to play chess? Can ancient Greek proportions predict the stock market? (Sorry, no.) What should your kids learn in school if they really want to learn to think? The answers to all these questions can be found in geometry.

If you're like most people, geometry is a dimly-remembered exercise, handed down from the ancients, that you gladly left behind in school. It seemed to be a tortuous way of proving some fact about triangles that was obvious to you in the first place. That's not geometry. OK, it is geometry, but only a tiny part, that has as much to do with the modern, fast-moving discipline as conjugating a verb has to do with a great novel.

In Shape, Sunday Times-bestselling author Jordan Ellenberg reveals the geometry underneath some of the most important scientific, political, and philosophical problems we face, from the spread of coronavirus to rise of machine learning. The word 'geometry,' from the Greek, means 'measuring the world.' But geometry doesn't just measure the world - it explains it. Shape shows us how.

Reviews

This mind-bending book will change how you see the world (Five stars)

—— Simon Ings , Telegraph

Shape is a triumph of mathematical exposition, exposing profound truths - from the nature of distance to the predictability of randomness - as well as profound mistakes - from historical misattributions to Supreme Court justice hardheadedness - with eloquence and hilarious wit. Ellenberg's evident affection for both his subject and his reader makes us feel like the lucky ones who get to hear him hold forth in an intimate setting about his favorite subject, mathematics

—— Cathy O'Neil

Ellenberg's skill as a storyteller, combined with a natural ability to spot otherwise obscure connections, enables him to capitalize on geometry as math's gateway drug... A deeply enjoyable and insightful book

—— Matt Parker , New York Times

Ellenberg, in both his arguments and his enthusiasm, is persuasive

—— Michael Prodger , New Statesman

Serious mathematics at its intriguing, transporting best . . . [A] humorous, anecdotally rich dive into numerous mathematical theories

—— Kirkus

Unreasonably entertaining... reveals how geometric thinking can allow for everything from fairer American elections to better pandemic planning

—— Parul Sehgal , New York Times

Droopy cheese and the curve of the Earth, the everyday and the cosmic, are beautifully interwoven in the mathematician Jordan Ellenberg's new book Shape

—— Derek Thompson , Atlantic

Almost anyone is likely to enjoy Ellenberg's prose, and mind

—— Harvard Magazine

One of the most fascinating books I have read in a long time. Engrossing, a haunting page-turner. A book I could not put down

—— The Times

Heart-wrenchingly honest

—— Sue Black, author of All That Remains

Gripping, grimly fascinating, and I suspect I'll read it at least twice

—— Evening Standard

A deeply mesmerising memoir of forensic pathology. Human and fascinating

—— Nigella Lawson

An absolutely brilliant book. I really recommend it, I don't often say that but it's fascinating

—— Jeremy Vine, BBC Radio 2

Puts the reader at his elbow as he wields the scalpel

—— The Guardian

Fascinating, insightful, candid, compassionate

—— Observer

I have thought about The Overstory ever since reading it last year… For me, what was so radical and exciting about this novel was the fact that the trees are probably more important than the human beings who trundle around them causing chaos. It was the first “eco-lit” novel I’ve read that made me stop and truly realise how sophisticated trees are, how magisterially brilliant. And, in a world where finally, collectively, we are acknowledging the threat of climate crisis, it reminded me of how important they are to the planet’s survival

—— Jessie Burton , Guardian

No less a writer than Margaret Atwood has said of Richard Powers that “it’s not possible for him to write an uninteresting book”. On the evidence of The Overstory, he is continuing a remarkable run … This is a mighty, at times even monolithic, work that combines the multi-narrative approach of David Mitchell’s Cloud Atlas with a paean to the grandeur and wonder of trees that elegantly sidesteps pretension and overambition. Early comparisons to Moby-Dick are unfairly lofty, but this fine book can stand on its own … Written with a freshness that belies the well-worn subject matter … As befits a book that spans centuries, there is a richness and allusiveness to the prose that reaches back as far as Thoreau’s Walden, and Emerson is an acknowledged touchstone. The Overstory is high-minded but never precious[A] majestic redwood of a novel … It is fitting that it ends with a message of hope. As with Larkin, a belief that humanity is capable of redeeming itself and beginning “afresh, afresh, afresh”.

—— Observer

His monumental novel The Overstory accomplishes what few living writers from either camp, art or science, could attempt … The Overstory is a delightfully choreographed, ultimately breathtaking hoodwink … The opener is a gorgeous family saga with the texture of a Ken Burns documentary … we’re in the hands of Richard Powers, winner of a genius grant, a storyteller of such grand scope that Margaret Atwood was moved to ask: “If Powers were an American writer of the 19th century, which writer would he be? He’d probably be the Herman Melville of Moby Dick.” His picture really is that big … Trees will bring these small lives together into large acts of war, love, loyalty and betrayal … The descriptions of this deeply animate place, including a thunderstorm as experienced from 300 feet up, stand with any prose I’ve ever read … The science in this novel ranges from fun fact to mind-blowing, brought to us by characters … who are sweet or funny or maddening in all the relatable ways … This is a gigantic fable of genuine truths held together by a connective tissue of tender exchange between fictional friend, lovers, parents and children.

—— New York Times Book Review

The Great American Novel has been written many times. From Herman Melville’s Moby-Dick (1851) to Don DeLillo’s Underworld (1997), American authors have produced works of sweeping grandeur that attempt to capture a people at a point in history. Yet these national epics have — you might conclude after reading The Overstory — failed to see the wood for the trees. … Richard Powers’ 12th novel is a rare specimen: a Great American Eco-NovelYet the literary greats that really inform Powers’ thinking and writing are the Transcendentalists Henry David Thoreau and Walt Whitman, as well as the metaphysical poets … But the great literary tap root that grounds his sprawling novel is Ovid’s The Metamorphoses … The great fork that took us away from our natural environment and other living things, that led us to a place where we have unthinkingly destroyed forest after forest and species after species must be challenged, argues Powers, and challenged through stories. “The best arguments in the world won’t change a person’s mind,” he writes. “The only thing that can do that is a good story.” This is a good story. It will change the way you look at trees.

—— Financial Times

Renews romanticism for the contemporary age; making space for the sentimental to breathe freely again, and challenging us not to be afraid to care … Powers’s mission is urgent: not only are we living through an age where science is rewriting what comprises consciousness, but we are simultaneously exploiting non-human life to an unprecedented extent … Powers’s place as one of the few established writers longlisted for this year’s Man Booker Prize is well deserved. ... And if Powers himself was a tree, it would surely be a mature oak, for The Overstory displays the kind of abundant creativity that restores faith in human endeavour.

—— New Statesman

[A] rich literary canopy … Powers, one of a remarkable generation of polymathic American novelists including William T. Vollmann and the late David Foster Wallace, has produced a brilliant encyclopaedic [novel]A rich entanglement of discourses, disciplines, data, characters and styles, mirroring the most biodiverse ecosystem.

—— Times Literary Supplement

In his extraordinary 12th novel, Powers follows nine characters whose lives are bound up with the beauty, history, science, mythos and heedless destruction of trees … Passionately ecological in its themes, the novel doesn’t hammer at them. The green message becomes a natural element borne eloquently through the narrative.

—— Mail on Sunday

This eco-epic has affected me as no novel has for many years … The book brings to life the greatest problems of our time – climate change and biodiversity collapse – and gets under the skin in a way that just reading about the science doesn’t always manage … The structure of the book, meshing and connecting and interweaving, is explicitly and implicitly about ecology. But as rich and compelling as the human lives are, the trees are the stars. Powers conveys wonder about the natural world and an extraordinary depth of ecological insight: it’s this which makes the novel so powerfulThe Overstory has already been compared to Moby Dick. It is to trees what Herman Melville’s epic is to whales in that it changes our understanding of our relationship to a natural resource … The Overstory is a profound workThis is the first time I’ve read a novel that manages to celebrate and warn about the natural world in such a compelling and affecting way. It’s changed the way I look at trees, and I loved trees to begin with. We are being engulfed by an ecological crisis of our own making, which gives this book an urgency you should not resist.

—— New Scientist

A story about trees, nature and people, and the complicated relationships that hold the world together. Layered and intricate, it’s a wonderful epic … It’s a beautiful, brilliant and involving book, with a vital message at its heart.

—— Psychologies

Operatic … a novel devoted to “reviving that dead metaphor at the heart of the word bewilderment”.

—— Wall Street Journal

It can change the way you think about trees slightly, and it certainly did for me.

—— Jessie Burton, author of 'The Muse'

The Overstory is a visionary, accessible legend for the planet that owns us, its exaltation and its peril, a remarkable achievement by a great writer.

—— Thomas McGuane

This book is beyond special. Richard Powers manages to turn trees into vivid and engaging characters, something that indigenous people have done for eons but that modern literature has rarely if ever even attempted. It’s not just a completely absorbing, even overwhelming book; it’s a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.

—— Bill McKibben

A magnificent saga of lives aligned with the marvels of trees, the intricacy and bounty of forests, and their catastrophic destruction under the onslaught of humanity’s ever-increasing population … A virtuoso at parallel narratives ... gripping… Powers’ sylvan tour de force is alive with gorgeous descriptions; continually surprising, often heartbreaking characters; complex suspense; unflinching scrutiny of pain; celebration of creativity and connection; and informed and expressive awe over the planet’s life force and its countless and miraculous manifestations … [A] profound and symphonic novel.

—— Booklist (starred review)

Here is a big, brave, ambitious novel… The writing is breathtaking, the message is devastating. This book will fill you with wonder.

—— Saga Magazine

Formidably forks through time and place as it considers how best to care for our world.

—— i paper

An astonishingly rich book. Rich in ideas and imagination. Rich in drama, wisdom and truly illuminating facts about trees.

—— Caught by the River

There is a lot to learn from this novel.

—— The Skinny

Moby Dick for trees.

—— John Mullan

Alert to the large ideas and generous to the small ones; in an age of cramped autofictions and self-scrutinising miniatures, it blossoms.

—— Daily Telegraph

Brilliant at the futility of human action.

—— Sarah Crompton

A masterpiece of operatic proportions … What Powers means to explore is a sense of how we become who we are, individually and collectively, and our responsibility to the planet and to ourselves … A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.

—— Kirkus

His masterpiece.

—— Herald

You will careen through this book. The prose is driven. You don’t really get to draw breath … The writing is steel-edged, laser-sharp when Richard Powers wants it to be. When he sets out to nail meaning, it’s done. There are sentences you return to and wonder at.

—— Irish Times

This walk through the woods via words is a passionate paean to the natural world that prompts us to appreciate afresh our place on the planet.

—— i news

[I]t’s huge, it’s exciting, it’s wondrous … This really deserves to be read.

—— Bookmunch

The Overstory is a book you learn from.

—— Spectator

Dazzlingly written… Among the best novels I’ve read this decade… Despite its deep-time perspective, it could hardly be more of-the-moment

—— Robert Macfarlane , Guardian

A beautiful novel about humans reconnecting with nature in a fascinatingly, inventive world with colourful, rich characters, it will rekindle your love for nature

—— Asian Voice

An intriguing, powerful book

—— Maddy Prior , Daily Express

Absolutely blown away by this epic, heartbreaking novel about us and trees

—— Emma Donoghue

This extraordinary novel transformed my view of nature. Never again will I pass great tree without offering a quiet but heartfelt incantation of thanks, gratitude and wonder

—— Hannah Rothschild , Waitrose Weekend

A sweeping novel that skilfully intertwines many different stories of trees and people to create a paean to the hidden power and vital importance of the natural world

—— Country & Town House

Absorbing, thought-provoking and more than enough incentive to embrace your inner tree-hugger

—— Culture Whisper

The Overstory is filled with character and incident enough to engage anybody, but it's also filled with philosophy, science, poetry, and colour. It's a celebration of the world and humanity, but also tells of our coming doom. Perhaps above all it's a eulogy to trees. Eulogy is the right word because the novel celebrates the life, the beauty and wisdom of trees-but also their death. The novel also casts a cold-but loving-eye on humanity

—— Richard Smith , British Medical Journal

The Overstory has the mix of science and fiction that I so love; it widens my understanding and respect for the creatures who share this planet

—— KAREN JOY FOWLER

Stunning... It's been one of those rare books that has had a profound effect on me, and which has changed my perspective on life

—— Paul Ready , Yorkshire Post

Mind-boggling and visionary. The multi-stranded novel is a masterpiece in which science and poetry are deeply intertwined

—— Andrea Wulf, author of MAGNIFICENT REBELS , Guardian

A compelling read is that is near impossible to put down

—— Adoption Today

The Overstory is a prescient novel that urges us to take responsibility for our actions

—— Far Out

A masterpiece of storytelling at its very best. Powers weaves together science, poetry, nature and humanity so beautifully that it makes my heart ache and my mind fly

—— Andrea Wulf , Guardian

It is the imaginary world of a game, a world Zevin describes with the addict's ardour, which forms a universe even the sturdiest parent or antediluvian book-lover will be enticed into.

—— Big Issue

Friendship, love, loyalty, violence in America and the magic of invented worlds. Gorgeous

—— People

Tomorrow, and Tomorrow, and Tomorrow is a special book -- one that transports readers fully, as games do their players, into its immaculately crafted world

—— The Times

Woven throughout are meditations on originality, appropriation, the similarities between video games and other forms of art, the liberating possibilities of inhabiting a virtual world, and the ways in which platonic love can be deeper and more rewarding - especially in the context of a creative partnership - than romance.

—— New Yorker

Zevin probes at many of the themes that energize video games as a medium: their narrative depth, their therapeutic value, their casual violence, their toxic industry. And the possibility of living a better life in a virtual world

—— Wired

Zevin has the ability to make you care about her creations within paragraphs of meeting them... whose fates I consistently worried about when I occasionally had to put the book aside.

—— Financial Times

[An] engrossing, delightful novel... Zevin has the ability to make you care about her creations within paragraphs of meeting them... [Tomorrow] is rich with characters whose intertwined fates power the narrative

—— Financial Times

This book, with its respect for craft-the craft of love and games, or loving games-will remind you of how abundant one life is, how lucky we are to keep each other in our memories forever.

—— Kotaku

[I] raced through this pure wonder of a book in a few days

—— NINA MINGYA POWLES, author of Small Bodies of Water

A 2022 book that everyone should read

—— Pandora Sykes , Stylist LIVE

A must-read

—— Neil Druckmann

Anyone who reads Tomorrow And Tomorrow And Tomorrow can't stop talking about it

—— Stylist

Utterly beautiful and endlessly hopeful, Tomorrow, and Tomorrow, and Tomorrow is a love letter to life, friendship, and creativity

—— The Skinny, *Books of 2022*

[The] 2022 book that everyone should read

—— Pandora Sykes , Stylist Live

My #1 book to recommend . . . incredible, like The Amazing Adventures of Kavalier and Clay by Michael Chabon meets The Interestings by Meg Wolitzer. It's about love and friendship and video games

—— Emma Straub

It feels right that the best video game novel out there is by a woman. Her story about the decades-long friendship and partnership between video game designers Sam and Sadie gets at so much about work, love and storytelling. It's a book that spawns great conversations.

—— Irenosen Okojie, author of Nudibranch

In following Sam and Sadie's journey from Massachusetts to California and into the imagined worlds of their games, Zevin writes the most precious kind of love story

—— Time Magazine, Best Novel of the Year

Zevin's writing is poetic, the plot is entertaining, moving and gripping and the nods to real life video games make it all feel incredibly real

—— Skinny, *Books of the Year*

Reading this is almost like an invitation from Zevin to enter a game...with every scene and moment so carefully constructed. Just brilliant

—— Skinny, *Books of the Year*

I loved it

—— Sarah Keyworth

A hugely enjoyable novel about lives and loves mediated by technology

—— Guardian, *Summer Reads of 2023*

This playful, accomplished novel is a poignant celebration of friendship, love - and gaming

—— Daily Mail

An engrossing coming-of-age story

—— Sunday Times, *Books of the Year*

Epic in scale, with unforgettable characters, it breaks you heart and puts it back together

—— Daily Express, *Books of the Year*
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