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Shardlake: Revelation
Shardlake: Revelation
Oct 4, 2024 3:21 PM

Author:CJ Sansom,Jason Watkins,Mark Bonnar,Full Cast

Shardlake: Revelation

Shardlake returns in this atmospheric BBC Radio 4 full-cast adaptation of the fourth novel in C. J. Sansom’s bestselling Tudor crime series.

Spring, 1543. London’s streets are filled with preachers; strange signs and portents are seen everywhere; and young men, maddened by differing interpretations of the Bible, are drawn into dangerous fundamentalism.

The family of one such man, Adam Kite, has sought help from lawyer Matthew Shardlake. Adam is suffering from religious mania, and is being held in Bedlam for his own safety. But Shardlake is distracted from the case when his friend Roger Elliard is found brutally murdered – the victim of a serial killer inspired by the Book of Revelation.

Archbishop Cranmer asks Shardlake to conduct a secret investigation: no word of the bloodshed must reach the King as one of the dead men was close to Catherine Parr, Henry’s latest romantic obsession and (like Cranmer) a supporter of religious reform.

With the help of trusty sidekick Barack, Shardlake embarks on his most dangerous investigation yet, as he tries to protect Adam and prevent the killer from fulfilling his unholy mission...

This thrilling fourth instalment of the 'Shardlake' series stars Justin Salinger as Shardlake, with Bryan Dick as Barak. Duration: 2 hours 10 mins approx.

Reviews

A beautiful and clever book about being human. All the warmth of his comedy without the inconvenience of his face

—— Russell Brand

Hard to imagine anyone not loving this... go Simon Amstell!

—— Stephen Fry

Disarmingly, almost alarmingly, honest. I laughed out loud 57 times

—— Martin Freeman

No one makes loneliness and anxiety as funny as Simon Amstell. Every sentence in this book is simultaneously heartbreaking and hilarious

—— Hadley Freeman

Enrapturing. Touching, funny and sweet

—— Alain de Botton

Puts the fun in 'insanely honest introspection fun'

—— Adam Buxton

A brilliantly funny, sad, clever, silly book. I loved it!

—— Matt Lucas

Amstell is a likable, self-deprecating guide to his own flaws, and has spent enough time in therapy to dissect his own navel-gazing with a nicely dry self-awareness

—— Stephanie Merritt , Observer

Hilarious and heart-breaking… Simon’s unique take on the world is a reminder of the absurdity of life and the humour that can be found even in its darkest moments. Genuinely life-affirming, moving and profoundly funny

—— Attitude

Compulsively, excruciatingly honest… An heroically spiky, self-excavating read about family, fame, sex and self-discovery

—— Alice Jones , i

This book blends some of the best moments from his tours to date with some eye-wateringly honest anecdotes from his life so far

—— Adam Ouxbury , Wing Magazine

It’s inevitable that Simon Amstell’s memoir doesn’t fit the usual mould… In Help..., he cranks up the honesty: alongside excerpts of scripts from his shows, he relates the source material, often in almost painful depth. Depression, an unhappy childhood, family rifts – all feature in what Amstell, typically acerbic, describes as a “heroic act of self-annihiliation”

—— Hannah Shaddock , Radio Times

Amstell is evocative and wittily self-aware about his upbringing as a painfully shy, socially awkward boy in Romford… Amstell’s writing often contains profundity alongside morsels of pithy wit

—— Steve Bennett , Chortle

Stand-up transcripts interspersed with touching personal confessions – love, sexuality, self-discovery – in his trademark sardonic style

—— Sarah Flynn , Irish Times

Amstell is one of the UK’s best stand-ups and this beautifully written memoir… Is a gem. It is brutally, excruciatingly honest about his dysfunctional family, his sexual awakening, his comedy career and his struggles with anxiety. It is also laugh-out-loud-on-public-transport funny.

—— Alice Jones , i

Help provides a fascinating insight into Amstell’s life… a unique discussion on the role and purpose of comedy in our society as a means to protect ourselves and others, but also as means to reveal our most vulnerable states

—— Thomas Bransby , BJGP

This is extremely even-handed, but still pleasingly gossipy account of that time, from Harold Pinter calling him “a f***ing liar and a f***ing shit” to the time James Corden smacked Donald Trump on the bottom.

—— iNews

Sir Nicholas Hytner was arguably the best Artistic Director that the National Theatre has had in its 50-year history… Balancing Acts is a most enjoyable series of memoirs recalling the highs and lows of the period. For those like this reviewer who saw almost all of the theatre’s output, it recalls many happy memories… this is also a reminder of so many more high points across all three auditoria, building to both the Golden Jubilee celebrations and the refurbishment and reconfiguration of the venue… Along the way, readers will learn a great deal about the art of directing plays as well as running a big business and getting along with those sometimes very touchy arty types who inevitably end up making a director’s life hell sometimes just for the fun of it… Balancing Acts is simultaneously a highly informative portrait of a wonderful institution, a fitting tribute to a great man who did his job brilliantly and a really good read. It comes highly recommended.

—— British Theatre Guide

Hytner takes us, fascinatingly and often wittily, through many of the plays he himself directed and he writes warmly of some of the actors who have become National Theatre “regulars” and personal friends… The book is a joyful reminder of the excitement of some of this work. If you missed some or all of these shows, then this is a chance to learn about some pretty iconic productions.

—— Susan Elkin , Ink Pellet

Balancing Acts is an apt title, conveying the books attunement to the fine calculations of leadership while also capturing the author’s personal and professional style, a coolly judicious manner that can look like suavity, discretion, or aloofness… Hytner is both an enthusiastic and a rethinker, nimble and smoothly articulate yet capable of delivering a gimlet-sharp judgement… His prose has the kind of crisp specificity one might expect of an exacting civil servant… A memoir of this kind will tend to feel like an envoi. But this one resembles an advertisement. It presents a blueprint for artistic directors.

—— Henry Hitchings , Times Literary Supplement

Hytner’s book is the ultimate insider’s view… Hytner gives his readers an access-all-areas pass to the meetings, lunches, crises and rehearsals that propel a play to the stage… His talent as a memoirist is that he can be funny without being frivolous, revealing about his actors without being indiscreet, and high-minded without ever being pompous, all of which is itself an impressive high-wire balancing act.

—— John Nathan , Jewish Chronicle

Engaging… Hytner proves an erudite chronicler of his notable successes, while not being afraid to acknowledge some of the more egregious failures on his watch. A must-read for anyone interested in theatre.

—— Alexander Larman , The Observer

Hytner chronicles the highs – and occasional lows – of running the National with crisp wit and deep affection

—— Jane Shilling , Daily Mail

Book of the day

—— The Independent

A sensitive, sweetly melancholic story of music, connection and community

—— S Magazine

BOOK OF THE WEEK: An uplifting read…full of humour and authentic characters

—— Midweek Extra

Breezily written, heart-warming and unashamedly sentimental… [a] modern fairy tale

—— Mail on Sunday

Rachel Joyce returns to some of the themes in her bestselling debut The Unlikely Pilgrimage of Harold Fry: loss, the past and the bonds that can be forged with strangers. This time the pilgrimage is through music.

—— Press Association

A quirky, romantic fairy tale perfect for summer.

—— You Magazine

My Christmas pick: I love any novel by Rachel Joyce, whose The Unlikely Pilgrimage of Harold Fry was a huge success. Now she has created another Pied Piper of the heart in Frank, the proprietor of The Music Shop...This bewitching love story sings out the unique beauty of every human being, leaving you uplifted.

—— Bel Mooney , Daily Mail

The Music Shop is a one gulp, super-satisfying read. Love it, love it, love it.

—— Sir Lenny Henry

Joyce, a British actress and playwright, whose first novel, The Unlikely Pilgrimage of Harold Fry, was longlisted for the Man Booker, continues to enchant and break hearts with her lovable misfits trying to survive in a modern world determined to pass them by. Irresistible.

—— Beth Anderson , Library Journal

An unforgettable story of music, loss and hope. Fans of High Fidelity, meet your next quirky love story. Vinyl fans, hold onto your turntables - Joyce's latest is a buoyant homage to the healing power of music well-played.

—— PEOPLE magazine

‘The Music Shop’ is an unabashedly sentimental tribute to the healing power of great songs, and Joyce is hip to greatness in any key…. [The novel] captures the sheer, transformative joy of romance — ‘a ballooning of happiness.’ Joyce’s understated humor…offers something like the pleasure of A.A. Milne for adults. She has a kind of sweetness that’s never saccharine, a kind of simplicity that’s never simplistic…. I wouldn’t change a single note. Rachel Joyce, if music be the food of love, write on!

—— The Washington Post

Rachel Joyce’s charming and deceptively simple fourth novel chronicles an offbeat love story between a mystery woman and an ardent, if lonely, collector and gently explores the power of memory and music and the certainty of change…. love, friendship, and especially the healing powers of music all rise together into a triumphant crescendo…. This lovely novel is as satisfying and enlightening as the music that suffuses its every page.

—— The Boston Globe

Magnificent…. Joyce’s novel is intellectually and emotionally satisfying on every possible level. If you love words, if you love music, if you love, this is 2018’s first must-read, and it will be without question one of the year’s best.

—— Top Pick in Fiction, January 2018 , BookPage

Joyce has a knack for quickly sketching characters in a way that makes them stick…. This is a touching, sometimes funny book about surviving change, the power of music and the importance of having a community — wacky or not. As with all of Joyce’s books, it will surprise you.

—— Minneapolis Star Tribune

Joyce…continues to enchant and break hearts with her lovable misfits trying to survive in a modern world determined to pass them by. Irresistible.

—— Library Journal

Magical…. [Rachel] Joyce has a winner in this deceptively simple love story…. Joyce’s odes to music…and the notion that the perfect song can transform one’s life make this novel a triumph.

—— Publishers Weekly

Whether on foot, as in her novel The Unlikely Pilgrimage of Harold Fry, or track by track, on this unlikely musical odyssey, Joyce excels in enveloping readers in epic journeys of lost connections and loving reunions.

—— Booklist

[Rachel] Joyce sets up a charming cast of characters, and her spirals into the sonic landscapes of brilliant musicians are delightful, casting a vivid backdrop for the quietly desperate romance between Frank and Ilse. From nocturnes to punk, this musical romance is ripe for filming.

—— Kirkus Reviews
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