More amusing adventures for the characters at the North Yorkshire village school.

Indispensable . . . unflinching . . . Forché offers up a vast human landscape of terror, desperation and perseverance that stretches far beyond mere borders. It's more documentary than self-portrait, more camera than mirror. Reading it will change you, perhaps forever

Gripping . . . 'I could just as well write my poetry from the quiet of my own study,' Forché writes, 'but I had known since childhood that human suffering demanded a response, everywhere and always.' A portrait of the artist as political and poetic ingenue, What You Have Heard Is True is just such a response, a riveting account of how she made good on that conviction. It bears eloquent witness to injustice and atrocity and to how observing them shaped a fearless poet

Extraordinary . . . Written with a thriller writer's knack for narrative tension and a poet's gorgeous sentences and empathy . . . Though it took Forché half a lifetime to fully share what she saw - this time is also more cryptically recalled in her second book of poems, The Country Between Us (1982) - now is precisely when we need to see it

Her memoir traces her journey from political innocence to experience, and, in doing so, offers a model to others who might take the same journey . . . She remembers as much as possible, and the resulting memoir, once read, is difficult to forget

Forché looks with a poet's acute grasp of sensory detail ... She meets priests, poets, campesinos, retired generals ... She runs from death squads, acknowledges American complicity in Salvadoran military's tactics, searches for the bodies of friends dumped on the black sand beaches. One can imagine this memoir being made into a film in the mould of The Killing Fields ... Written with great care, this clear-eyed memoir and its evocative black-and-white photos bear powerful witness to the atrocities committed by a government to repress its own impoverished citizens

Forché ... writes with a startling, visceral clarity about grotesque events ... With her poems, and now with this exceptionally well-written and engrossing memoir, [Forché] has borne witness, remembered, tried to see. She has spent many years of her life telling the stories of El Salvador ... What You Have Heard Is True paints a stark, tangible and unforgettable picture of a nation descending into civil war and raises fascinating questions about the role of the observer ... Her writing has a way of scratching images into the memory

A frank, funny and long overdue ode to teachers and teaching

A delightfully frank and funny book - with a very serious message

An ode to teaching: hilarious, inspiring and so terrifyingly true

Funny, sensitive and clever

A hilarious love letter to teaching - and to teenagers. It throws open the doors to the staff room and our ears to the gossip inside. As someone who was a nightmare as a teen, it made me think of the teachers who championed me, regardless, and the influence they had on my adult life. A timely celebration of the importance of teachers

If you want to know what the world of schools and classrooms is really like, this is your book. An unputdownable account of Ryan Wilson's teaching years that describes the absolute reality of teaching in UK schools including the good parts, the bad and all that is ugly. I was captivated by Wilson's honesty and vulnerability and loved reading and exploring every minute of this familiar world

Ryan Wilson passes with flying colours and earns an A-grade for his debut book... If anyone has read Adam Kay's This is Going to Hurt... Ryan's terrific tome strikes a similar funny, feel-good and frank tone

A pleasant and heartfelt account of one man's brief journey into and out of education... unquestionably funny... poignant and very personal

Very funny, often inspiring, occasionally tragic - and a timely reminder of the unforgettable influence of great teachers

Engaging . . . Kessler approaches her topic with even-handedness and rigour.

Brilliantly in-depth not only in the explanations of the gig economy, but in the narratives of people who work gigs as well.

As well-reported, and at times as emotionally wrenching, as Amy Goldstein’s Janesville . . . In facing . . . the fraying of the social contract between employer and employee, Sarah Kessler's work in Gigged makes one thing increasingly clear: we must get busy building a new one that benefits all sides of that relationship, and the society around it.

Goes under the bonnet of the gig economy.

Kessler’s recent book Gigged is all about [the] desire for independence . . . Kessler investigates the liberating ethos and terrible trade-offs of this new economy by following several people working in such positions. She discovers why the revolution in “independent contractor” work – which comes without guarantees for minimum wages, paid vacation, or health benefits – is paradise for one slice of the population, but has been disappointing, and in some cases devastating, for others.

For those interested in inquiries into modern (and future) work, there’s Gigged by Sarah Kessler, an analysis of the gig economy.

Looks at the potential of the gig economy and ultimately the problems it bears.