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So What
So What
Apr 13, 2025 5:55 AM

Author:John Szwed

So What

Miles Davis was one of the crucial influences in the development of modern jazz. His Kind of Blue is an automatic inclusion in any critic's list of the great jazz albums, the one record people who own no other jazz records possess, and still sells 250,000 copies a year in the US alone. But Miles regularly changed styles, leaving his inimitable impact on many forms of jazz, whether he created them or simply developed the work of others, from modal jazz to be-bop, his seminal quintet and his big-band work, to the jazz funk experiments of later years.

Miles not only knew and worked with everyone who was anyone in jazz, from Coltrane to Monk, he was a friend of Sartre's, lover of Juliette Greco and musical collaborator with musicians who ranged from Stockhausen to Hendrix. John Swzed is uniquely well-qualified to do justice to Miles, both in terms of his impact on jazz, and as one of the great Black Americans: as political figure, icon and archetypal cool dude. His book fills in the gaps left by myth-making about Miles' life - both by Miles himself and by his previous biographers - telling the story of his childhood, his depressions and his relationship with heroin as well as the more familiar public career.

Reviews

Szwed mixes terrific musical analysis with a deep insight into Davis's life, character and collaboration

—— Evening Standard

Szwed is an accomplished sifter of wheat from the chaff. He is not only a musicologist, he is an anthripologist

—— The Times

Elegantly written and illustrated, brilliantly illuminating about the work... this is a book of which Jacques Tati, who was extremely proud of his work but never thought much of himself, would surely approve

—— Margot Norman , Literary Review

This splendidly illustrated book pays a handsome tribute to a comic creator whose craft was an art which turned a delight in human absurdity into the most accessible form of sanity

—— David Coward , Times Literary Supplement

The most flash personality British pop ever had, the most anarchic and obsessive and imaginative hustler of all

—— Nick Cohn
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