Author:Trevor Norton
This is the remarkably funny true story of some of the brave, brilliant and often barmy men that invented diving. It is a story of explosive tempers and exploding teeth, of how to juggle live hand grenades and steer a giant rubber octopus. A series of vivid portraits reveal the eccentric exploits of these underwater pioneers. They include Guy who held a world altitude record when only sixteen, wrote a film for Humphrey Bogart, invented snorkelling and loved his wife enough to shoot her. Roy wore a backet over his head and stole a coral reef. Bill wearied of fishing with dynamite and wrestling deadly snakes, so he sealed himself in a metal coffin to dangle half a mile beneath the ocean. Cameron, testing the bouncing bomb for dam busters, made a plastic ear for a dog, a false testicle for a stallion and invented a mantrap disguised as a lavatory. He ascended from a depth of 200 feet without breathing equipment to see if his lungs would burst, then studied the effects of underwater explosions by standing closer and closer until shattered by the blast. The book also traces the evolution of underwater exploration, from spear fishermen to conversationalists, from treasure hunters to archaeologists, from photographers to philosophers. The sea is a secretive and seductive place and the author describes, with incredible humour, knowledge and historical accuracy, the magic and mystery of being beneath the waves.
Trevor Norton has shown that a gifted writer is an alchemist... Norton's agile prose is burnished with faintly mocking humour, and he has the natural storyteller's eye for detail
—— Daily TelegraphThis anecdote-packed book reads rather like the draft of a rollicking after-dinner speech... rich entertainment
—— Mail on SundayNorton writes with wit and a fine eye for the poetry in the scientific work... funny and gripping
—— GuardianA dense and rich work ... the return to the grass roots of our own environmental convictions is made by the most enchantingly minor paths
—— Ronald Blythe , GuardianDavid Quammen is a brilliant young star of nature writing... His book is an important example of the genre, written in an enchanting style. His knowledge, based on years of research and adventure around the world, is truly impressive
—— Edward O. Wilson, author of 'The Diversity of Life'There aren't many writers like Charles around... His ability to step across emotional boundaries and enter the consciousness of the wild makes for an exhilarating, immersive, yet at times disturbing read. For me, the end result is a deeply thought-provoking book that encourages the reader to explore for themselves exactly where they stand on issues of humanity, conservation and moral legacy.
—— James Aldred, author of Goshawk SummerFiercely polemical, forcing the reader to see the world in a new light... Charles Foster is an original thinker with a strangely compelling prose style... Cry of the Wild is thought-provoking, profound, at times infused with a beautifully wistful lyricism and often witty.
—— Country LifeFoster [brings] a sense of wonder: geese fly in from the north with snow falling from their wings; imagined through the eyes of a young rabbit, a white owl wafts through the still night air like thistledown, a strangely beautiful occurrence that might at any moment end the rabbit's life... He avoids the temptations of anthropomorphism while reminding us that we who share these traits are more vulnerably and elegantly animal than we pretend.
—— Literary ReviewA lyrical work of creative nonfiction containing eight stories of besieged animal lives. Emotional without being anthropomorphic, it is a thought-provoking read.
—— BBC Wildlife MagazineArdent and arresting... one of the darkest, most haunting books I've read in a long time... Yet the stories are also motivated by such depth of attention and love that their very existence offers some hope for a better future.
—— New StatesmanI have read Cry of the Wild with something approaching awe... The conviction with which these characters live on the page and suffer the assaults of existence can certainly live happily and proudly alongside Tarka.
—— Adam Nicolson, author of Life Between the TidesLike Tarka, the stories in Cry of the Wild are not written for children. They take on the qualities of myth and magic which touch the source of our deepest feelings. How does the word on the printed page do this? ... the prose is muscular and astonishing... "Immersion" is a word commonly used about reading these days. I dislike it intensely. The sound of the word feels cold, unpleasant, like being pressed underwater. Not at all the deep sobbing that emerged from somewhere as I sat with these stories... This is not like any other nature book.
—— Caught by the River