Author:Anita Brookner
'He was haunted by a feeling of invisibility, as if he were a mere spectator of his own life, with no one to identify him in the barren circumstances of the here and now.'
Paul Sturgis is a retired banker manager who lives alone in a dark little flat. He walks alone and dines alone, seeking out and taking pleasure in small exchanges with strangers: the cheerful Australian girl who cuts his hair, the lady at the drycleaners. His only relative, and only acquaintance, is a widowed cousin by marriage - herself a virtual stranger - to whom he pays ritualistic visits on a Sunday afternoon. Trying to make sense of his current solitary state, and fearing that his destiny may be to die among strangers, Sturgis trawls through memories of his failed relationships and finds himself longing for companionship, or at the very least a conversation.
But then a chance encounter with a stranger - a recently divorced and demanding younger woman - shakes up his routine and when an old girlfriend appears on the scene, Sturgis is forced to make a decision about how (and with whom) he wants to spend the rest of his days . . .
'Each book is a prayer bead on a string, and each prayer is a secular, circumspect prayer, a prayer and a protest and a charm against encroaching night' Hilary Mantel, Guardian
'No one writes with more skill and honesty about the human condition and this book is possibly her finest' Julie Myerson, Observer
'A novel of great stylistic beauty and psychological truth. As great a reflection on fear and regret as Philip Larkin or Beckett' Guardian
'Like Graham Greene, she draws the reader into a world that has a character and signature all of its own . . . Strangers is a novel of sober brilliance, and the unerring, unflinching Brookner is still a much underestimated novelist' Helen Dunmore, The Times
Anita Brookner was born in south London in 1928, the daughter of a Polish immigrant family. She trained as an art historian, and worked at the Courtauld Institute of Art until her retirement in 1988. She published her first novel, A Start in Life, in 1981 and her twenty-fourth, Strangers, in 2009. Hotel du Lac won the 1984 Booker Prize. As well as fiction, Anita Brookner has published a number of volumes of art criticism.
Nothing less than brilliant, often highly amusing and, ultimately life affirming
—— Sunday TelegraphEach book is a prayer bead on a string, and each prayer is a secular, circumspect prayer, a prayer and a protest and a charm against encroaching night
—— Hilary Mantel , GuardianThe beauty and precision of Brookner's writing is rightly praised each time she publishes a novel, but what is less often remarked on is her daring...like Graham Greene, she draws the reader into a world that has a character and signature all of its own...Brookner's wry, dry lightness of touch creates a bloom on the darkness of her characters' sufferings...Strangers is a novel of sober brilliance, and the unerring, unflinching Brookner is still a much underestimated novelist
—— Helen Dunmore , The TimesNo one writes with more skill and honesty about the human condition and this book is possibly her finest
—— Julie Myerson , Observer Books of the YearA novel of great stylistic beauty and psychological truth...the pitiless depiction of the final stages of life - and the refusal to allow her characters any consolation - makes Strangers as great a reflection on fear and regret as Philip Larkin's poem Aubade or Beckett's Endgame
—— Mark Lawson , GuardianIn the hands of a lesser novelist, her stories of human frailty would be depressing, but she manages to make them sparkle with life - and always with hope...consistently absorbing
—— Daily TelegraphStrangers is, in its own way, definitive. A more frightening, demoralising account of how hard life can be, without work, and above all without family, would be difficult to conceive...Brookner has given classic expression to what she sees to be a central truth of the human condition, absolute loneliness at the last...nothing less than a great horror story
—— David Sexton , Evening StandardAnita Brookner is a distinguished and defiant writer whose books occupy a unique place in English literature. Her subject is the best one: the definition of human nature. Although her novels often convey the loneliness inherent in the human condition, they do so in such an acute and bold way that loneliness itself is shown to be a state as tempestuous and startling as any other sort of crisis. In Brookner's hands, in her descriptions so vivid and exact, it can be exhilarating...her books are unfailingly well written, they give voice and a sense of fierce entitlement to a sort of existence that might otherwise go unrecorded...Brookner's is a literature that may be harsh but it is absolutely necessary
—— Susie Boyt , IndependentPaul Sturgis is a brilliant and affecting creation by a writer whose empathy runs deep, and whose pitch is perfect...a brisk and moving story
—— SpectatorCohen riffs impressively on countless Web-related matters, from chaos to code to venture capital to Y2K... [He] also recognizes the laughs and peril at this technologically challenging stage of the human comedy and its new questions about what people are searching for, how the results may affect them, and what it all may cost
—— Kirkus Reviews, starred reviewTo sum this up in Web terms, he'll make you want to be an angel investor in his stuff. What's a book but a public offering? You'll want to be in on the ground floor
—— Dwight Garner , The New York TimesIn Mr Cohen's hands, a meme is a matter of life and death, because he goes from the reality we know - the link, the click - to the one we tend to forget: the human... Mr. Cohen is ambitious. He is mapping terra incognita
—— The New York ObserverCohen, a key member of the United States' under-40 writers' club (along with Nell Freudenberger and Jonathan Safran Foer), is a rare talent who makes highbrow writing fun and accessible
—— Marie Claire[Cohen has] manifold talents at digging under and around absurdity... Language - not elision - is the primary material of Cohen's oeuvre, and his method of negotiating his way toward meaning is like powering straight through a thick wall of words... The reward is an off-kilter precision, one that feels both untainted and unique
—— Rachel Kushner , The New York Times Book ReviewLike [David Foster] Wallace, Cohen is clearly concerned wtih the depersonalizing effects of technology, broken people doing depraved things, and how the two intersect in tragic (and, sometimes, hilarious) ways. The franticness with which he writes about these themes is, at times, Wallace-esque
—— The Boston GlobeWhat dazzles here is a Pynchonesque verbal dexterity, the sonic effect of exotic vocabulary, terraced sentences robust pusn and metaphors and edgy, Tarantino-like dialogue
—— Review of Contemporary FictionIn Mr. Cohen’s hands, a meme is a matter of life and death, because he goes from the reality we all know—the link, the click—to the one we tend to forget: the human. . . . Cohen is ambitious. He is mapping terra incognita
—— The New York ObserverEnthralling… Awe-inspiring
—— SkinnyCohen is immensely clever, witty, and indeed funny. He also knows about technology, and thus his novel deals with the world in the age of the internet
—— Colm Toibin , Daily Mail summer readingBook of Numbers brilliantly and rigorously examines a question that confronts literature today: What does the explosion of information from the internet mean for the future of storytelling?
—— Matthew Zeitlin , BuzzfeedFascinating...for chutzpah alone, Cohen's chaotic fantasia certainly impresses
—— ObserverFrequently amazing, [it is] the first work of fiction to engage fully with the internet and its influence on modern living
—— New ScientistThere are wonderful things here cloaked with an invisibility spell, tucked away in the middle of the book, where only the stubbornest seeker after enchantment will find them
—— Adam Mars-Jones , London Review of BooksGroundbreaking.
—— Pride MagazineA really intriguing premise.
—— Anna's Reading ListOn the surface, Underground Airlines is a well-crafted thriller, suspenseful and with fascinating characters. But not far below the surface is a philosophical debate about how one small change of events in history can put the world on a different path.
—— Mystery People‘Intriguing’
—— SFX