Author:Alan Bennett
Alan Bennett sealed his reputation as the master of observation with this series of 12 groundbreaking monologues, originally filmed for BBC Television.
At once darkly comic, tragically poignant and wonderfully uplifting, Talking Heads is widely regarded as a modern classic.
This edition, which contains the original complete collection of Talking Heads, as well as his earlier monologue, A Woman of No Importance, is a celebration of Alan Bennett's finest work.
Talking Heads places Alan Bennett in the highest tier of English dramatic writers
—— New York TimesHis finest achievement - indeed masterpiece wouldn't be too strong a word
—— The Daily TelegraphBennett's genius is his ability to satirize humanely. [His] prose is like stained glass: if you stare at it, you see things you missed
—— New York Times Book ReviewIt's hardly a revelation to say that Alan Bennett has proved himself a master of the modern dramatic monologue... One of the finest dramatic achievements of the past few decades.
—— ScotsmanThis is Shakespeare wears its learning very lightly, although there are clear signs of that learning in every chapter ... Sane, sensible and suitably woke ... original and provocative analysis
—— Lisa Hopkins , Times Higher EducationThought-provoking, fizzing with jokes ... Smith is celebrating a Shakespeare who talks to the present. She does it all with such a light touch you barely notice how much you're learning ... Anyone who doesn't understand what the fuss is all about should read This Is Shakespeare
—— Colin Burrow , GuardianAn outstanding book ... a distillation of intricate conceptual and textual cruces into readable prose ... lively and unexpectedly moving ... curious and passionate ... [It reminds me] why I came to enjoy Shakespeare so much in the first place
—— Sophie Duncan , Literary ReviewIntriguing ... Smith argues that the defining characteristic of Shakespeare's plays is their 'permissive gappiness'. This must also surely be the first book on Shakespeare to use the slang term 'woke'
—— Evening StandardA joy to read, full of questions, surprises, and new ideas. Smith brings us remarkable new readings of Shakespeare, and a sense of how his work lives on the stage. A wonderful book
—— Margaret DrabbleIf I were asked to recommend one guide for readers keen on discovering what's at stake in Shakespeare's plays, This Is Shakespeare would be it. Deeply informed, never dogmatic, and alert to how performance matters, Emma Smith understands that Shakespeare's plays prompt questions rather than provide answers. Her elegantly written and sharply observed book is richly rewarding.
—— James Shapiro, author of 1599: A Year in the Life of William ShakespeareA fascinating new perspective and an absolute pleasure to read
—— Eimear McBride, author of A Girl is a Half-formed ThingImpeccable ... This is Shakespeare is the ideal book of its moment for unlocking the works of that most miraculous, mysterious and be-pedestalled figure in English literature [...] Smith's fresh approaches reveal something crucial about Shakespeare's ongoing relevance
—— The Saturday PaperThere's an invigorating frankness to Smith's approach [...] She generously leads an accessible and insightful route towards a provocative, complicating reading of Shakespeare's work.
—— GLOBE MagazineShakespeare pulled from his pedestal and made contemporary...this book is terrific...informative and, more importantly, very enjoyable
—— This EnglandSmith salvages Shakespeare from the status of isolated genius, and reveals him as an active participant in his own time and place. In turn, we the audience become active participants in the remaking of Shakespeare...This book puts the pleasure back into the plays, and there is no better reason to read about Shakespeare than that
—— Sarah Ditum , The LancetPacked with sharp observations and illuminating commentary on the works and their afterlives...acute on the plays' modern resonances and how today's theatre troupes handle Will's less woke moments, such as The Taming of the Shrew. They won't cancel Shakey yet!
—— The Times Books of the Year 2019A brilliant and accessible tour of Shakespeare's plays that is also a radical manifesto for how to read and watch his work. Witty, irreverent and searching, this book shines dazzling new light on the oeuvre of the world's greatest literary genius.
—— Economist Books of the YearA tonic ... This Is Shakespeare will, for some time to come, remain required reading for all those with more than a passing interest in Shakespeare ... ['Gappiness' is] a compelling way of evaluating afresh an author about whom we are often told that everything has been said ... Outstanding ... A model for almost everything that Shakespeare criticism for the general reader should be striving to achieve
—— Rhodri Lewis , ProspectConsistently fascinating [...] there's no denying the wit and intelligence [...] nor the dangerous readability of this thoughtful study.
—— Alexander Larman , ObserverRead this and you will be seduced
—— Val McDermid (Radio 4, A Good Read)Praise for previous works by Emma Smith "Emma Smith is a courteous and helpful guide who wears her considerable learning lightly in this enjoyable, well-conceived, well-written book"
—— Andrew Hadfield , Irish TimesPraise for previous works by Emma Smith: "A fascinating and provocative book"
—— Daniel Swift , SpectatorPraise for previous works by Emma Smith: "Delightful... there is a bite in Smith's exuberant tales of buying, selling and displaying Shakespeare... beautifully judged, impeccably researched yet wry and affectionate"
—— Jerry Brotton , Financial TimesPraise for previous works by Emma Smith "Brilliantly approachable and entertaining ... anarchic, counterintuitive, critical ... perfect"
—— Alex Preston , ObserverPraise for previous works by Emma Smith "Delightful"
—— Telegraph