Author:Rose Tremain
A seductive collection of stories from the 'magnificent story-teller' (Independent on Sunday). Rose Tremain has sold over one million copies of her books.
Trapped in a London flat, Beth remembers a transgressive love affair in 1960s Paris. The most famous writer in Russia takes his last breath in a stationmaster’s cottage, miles from Moscow. A father, finally free of his daughter’s demands, embarks on a long swim from his Canadian lakeside retreat. And in the grandest house of all, Danni the Polish housekeeper catches the eye of an enigmatic visitor.
‘Superb, each story a perfectly cut jewel’ Irish Times
Powerful, involving, wide-ranging collection
—— Gerard Woodward , GuardianTremain presents a large cast of ill-starred characters, each laid low by their heart… But even in the most melancholy stories, Tremain delivers slivers of hope or humour to temper the tragedies… This collection highlights with subtlety and grace just how human it is to get things wrong
—— Daily TelegraphWarm, moving, often humorous and sometimes heartbreaking
—— Michelle Margherita, 5 stars , StylistA seemingly effortless performance... the writing glides along, elegantly dropping details that suggest a whole way of life
—— Phil Baker , The Sunday TimesThe American Lover is…superb, each story a perfectly cut jewel
—— Neel Mukherjee , Irish TimesThere is marrow in The Boatman and Other Stories… [With] unforced gravity and lyricism… O’Callaghan is a reliably consummate performer, and these stories focus on the glimmer of heart in the hardness of life.
—— Phil Baker , Sunday TimesA master of the form… O’Callaghan’s descriptive powers are wonderful… O’Callaghan keeps the reader coming back for more, proving himself a master of the hook, one devastating line that grabs you by the scruff of the neck and refuses to let go.
—— John Walshe , Sunday Business PostDeeply affecting stories…and deeply attentive to the perils and poignancies of daily life… nuanced, moving—an impressive collection.
—— Kirkus Reviews (starred review)O'Callaghan is...a wellspring of great story ideas, and this imagination is writ large across The Boatman & Other Stories... O'Callaghan's sense of place is vivid and impressive... John Banville, Edna O'Brien and John Boyne are all effusive in their praise for O'Callaghan's muscular, quietly assured writing.
—— Tanya Sweeney , Irish IndependentA master of the short story.
—— John Banville , Irish Times *Books of the Year*Allow this collection of short stories to sweep you away… Each poignant story in this collection grips you… What better way to devastate the reader than to show just how happy people can be?
—— Irish Country MagazineFrom the very talented Billy O'Callaghan... elegiac, carefully conceived tales of ordinary lives.
—— Donal O'Donoghue , RTE GuideFrom heartbreak to love, we see relationships unfold with honesty. O’Callaghan paints wonderful pictures and brings the reader into the moment with him.
—— Amy Finnerty , RTÉ IrelandWonderful short stories.
—— Andrew McMillanMarvelous... Startlingly inventive stories which confirm Russell's status as master of the slipstream
—— San Francisco ChronicleBrilliant... Stunning... Her imagination is boundless... Russell's last book, Vampires in the Lemon Grove was far and away one of the best books of 2013, and Orange World proves that the author has only gotten better... Russell is one of the most original American authors working today. She's also one of the best. Orange World is a thing of beauty, a stunning collection from one of the most brilliant literary minds of her generation
—— NPREight crisp stories that will leave longtime fans hungry for more. Since her debut more than a decade ago, Russell has exhibited a commitment to turning recognizable worlds on their heads in prose so rich that sentences almost burst at the seams. Her third collection is no exception, and its subjects—forgotten pockets of violent American history, climate-related apocalypse, the trials of motherhood—feel fresh and urgent in her care...A momentous feat of storytelling in an already illustrious career
—— Kirkus, starred reviewIngenious, reality-warping, darkly funny, and exquisitely composed story collection rooted in myth and horror... Russell writes with mischievous clarity, wit, and conviction, grounding the most bizarre situations in the ordinary
—— Booklist‘[Barrett] cuts across all kinds of boundaries of class and education to produce immensely tender portraits of living characters.
—— Anne Enright , Irish ExaminerThis is an exceptional debut, and one of the best collection of short stories that I have read in years.
—— Louise O’Neill, 5 stars , Irish PostAn exciting debut
—— Sunday TimesI don’t think I’ve ever read a better collection by somebody I had never heard of
—— William Leith , Evening StandardA technically-assured collection that never disappoints
—— Country & Town HouseRoupenian’s tales from the frontline of modern relationships are perfect for an alternative Valentine’s Day display.
—— BooksellerA collection of short stories which cover the same murky waters of attraction as "Cat Person".
—— Olivia Ovenden , Harper's Bazaar, The books we can't wait to read in 2019There is always some anxiety following such a short, steep rise to recognition, but in this collection Roupenian lives up to those high expectations. The stories are wonderfully varied in execution, from realist to surreal, staying fresh while circling one primary concern: how men and women relate to one another, and how often that relationship can go wrong.
—— Vanity Fair[A] sharp, powerful and uncomfortable debut collection of stories… [Roupenian] is always in narrative control.
—— Kathryn Maris , Times Literary SupplementAbrasive, painfully aware accounts of relationships in turmoil… You know you want this collection.
—— Sarah Gilmartin , Irish TimesYou Know You Want This seems to touch on conversations that the country has yet to have — often using horror and magical realism to illuminate the darker corners of our world.
—— Elisabeth Garber-Paul , Rolling StoneIn Look at Your Game, Girl and The Boy in the Pool, naïve female desire is so brilliantly and lushly evoked… [Biter] shows a flair for satire and comic timing… I look forward to Roupenian’s next book.
—— Nicole Flattery , Guardian WeeklyThe best fiction leaves us thinking about it long after turning the last page, and with [Cat Person], author Kristen Roupenian established herself as a writer to watch. Her short-story collection, You Know You Want This, includes that story and others, all of which will have you talking about them long after finishing.
—— PopSugarIn her highly anticipated debut collection, the author behind the viral Cat Person story offers up a host of strange, fascinating, and downright delightful narratives you won't be able to stop talking about. Spanning a range of genres and topics, it is equal parts dark, uncomfortable, and funny.
—— BustleReaders who are looking for more uncomfortably realistic renderings of awkward romantic encounters won’t be disappointed, but this collection is so much more than that, offering an array of biting (sometimes literally!) looks at the ways our most hidden perversions manifest in our lives. It’s a razor-sharp, often ruthless, never less than relentless examination of the way we are now. Scary, right? But you know you want it.
—— NYLON[You Know You Want This captures] the torturous and complicated justifications for untoward behaviour in the search for closeness and connection.
—— Eithne Farry , Daily MailWhat unites the collection is less her [Roupenian’s] gender politics than her interest in the way fantasies become distorted, disappointing, even dangerous when they approach reality… narrative twist[s] changes the direction of a story and leads it somewhere new. Roupenian’s desire to have her moral and reject it too could be said to put a twist on the twist.
—— Lauren Oyler , London Review of BooksRoupenian remains rooted in realism, she gives pause by exposing the sinister side of sexuality, and one looks forward to seeing what she might accomplish with the novel form.
—— Mia Levitin , Financial TimesKristen Roupenian's debut short stories fulfil all expectations… she infuses mundane reality with a thrilling layer of menace.
—— Emily Rhodes , SpectatorOne of the most anticipated story collections of the year.
—— ElleViolence, cruelty or misunderstanding are never far away in these 12 stories, which are by turns, unsettling, ruthless and often funny.
—— UK Press SyndicationWalker’s laconic, Hemingway-esque prose style perfectly complements his low-key approach to his material: the matter-of-fact tone in which he recalls his most horrific experiences in Iraq makes them seem all the more horrible. It works equally well with deadpan humour.
—— Jake Kerridge , Sunday TimesRoupenian is a wizard of provocative, psychological fiction, exploring the dark side of the human psyche. Each of her short stories is terrifyingly relatable, making the reader fear something much more relevant than more supernatural horror stories.
—— The MancunionA fascinating and repugnant series of stories, all tremendous examples of what this unsung hero of a literary form can do.
—— Culture CallingRoupenian’s wildly discomfiting new collection, You Know You Want This… is often wonderfully, if grotesquely, physical… This book isn’t bedtime reading.
—— Ruth Franklin , New York Review of BooksThese are stories that make you feel fascinated but repelled, scared but delighted, revolted but aroused.
—— GlamourYou Know You Want This is an alarming but compelling book. Roupenian’s short stories, weaving together science fiction, confession and fantasy, are like infections spreading across the senses, blocking out everything except the compulsion to read on… Roupenian achieves something few other writers have: providing a balanced reflection on a very difficult subject.
—— Ella Whelan , SpikedThere isn't enough ink on the internet to recommend this collection highly enough; I urge you to experience not only the viral hit ‘Cat Person' but the sheer abundance summarised in the ‘and other stories'… Her ability as a short story writer is absolute, and in her hands the form returns to what it is in the works of writers like Poe, Kafka, Shirley Jackson: they're provocations.
—— Foyles