Author:Ian Blatchford,Tilly Blyth
Based on the landmark Radio 4 series, this beautifully illustrated modern history of the connections between science and art offers a new perspective on what that relationship has contributed to the world around us.
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Throughout history, artists and scientists have been driven by curiosity and the desire to experiment. Both have wanted to make sense of the world around them, often to change it, sometimes working closely together, certainly taking inspiration from each other's disciplines. The relationship between the two has traditionally been perceived as one of love and hate, fascination and revulsion, symbiotic but antagonistic. But art is crucial to helping us understand our science legacy and science is well served by applying an artistic lens. How exactly has the ingenuity of science and technology been incorporated into artistic expression? And how has creative practice, in turn, stimulated innovation and technological change?
The Art of Innovation is a history of the past 250 years viewed through the disciplines of art and science. Through fascinating stories that explore the sometimes unexpected relationships between famous artworks and significant scientific and technological objects - from Constable's cloudscapes and the chemist who first measured changes in air pressure, to the introduction of photography and the representation of natural history in print - it offers a new way of seeing, studying and interpreting the extraordinary world around us.
A timely and compelling history of the springs of thought.
—— Melvyn BraggA wonderful insight into the way art and science can be interwoven.
—— Cornelia ParkerA warning: this is a life-changing book and will alter your relationship to food forever
—— ObserverSince I finished the book I have been following his advice. I hope others will too. The future of the planet is in our hands - or rather, it's on our plates
—— The TimesJonathan Safran Foer has laid down an urgent challenge with this book. Thought-provoking, humane and incisive, We Are the Weather confronts our personal entanglement in the climate crisis through the food on our plates. A necessary book about the way we eat and the enormous difference our daily choices can make.
—— Julian HoffmanSafran Foer's new approach, measured and moderate, gives me hope
—— ObserverIn a style rarely found in books about global catastrophe, [Foer] interweaves personal stories, bulleted factoids and a delicious serving of metaphor. The effect is dazzling.
—— The Washington PostEye-opening . . . In this follow-up to his influential Eating Animals, [Foer] brings both personality and passion to an issue that no one has figured out how to address in a way that inspires an adequate response.
—— The New York Times Book ReviewBeautiful, powerful writing that's made me rethink the way I eat.
—— Samin Nosrat, author of Salt, Fat, Acid HeatFoer's message is both moving and painful, depressing and optimistic
—— Publisher's WeeklyFoer's new book urges the reader gently towards incremental adjustments - the idea being that if enough of us observe them, difference can be made
—— MonocleA moving, masterful portrait of a river, the people who live on its banks, and the salmon that connect their lives to the land. It is at once travelogue, natural history, and a meditation on the sort of wildness of which we are intrinsically a part. Adam Weymouth deftly illuminates the symbiosis between humans and the natural world - a relationship so ancient, complex, and mysterious that it just might save us
—— Kate Harris , author of Lands of Lost BordersShift over Pierre Berton and Farley Mowat. You, too, Robert Service. Set another place at the table for Adam Weymouth, who writes as powerfully and poetically about the Far North as any of the greats who went before him
—— Roy MacGregor , author of Original Highways: Travelling the Great Rivers of CanadaAdam Weymouth writes of the Yukon River, the salmon and the people, with language that flows and ripples like the water he describes. There may be a smoothness to the words, but pay attention, there are deep undercurrents here. You can hear the water dripping from his paddle between each stroke as he travels that river. It mingles with the voices of the many people he visits along its shores
—— Harold Johnson , author of Firewater: How Alcohol Is Killing My People (and Yours)Beautiful, restrained, uncompromising. The narrative pulls you eagerly downstream roaring, chuckling and shimmering just like the mighty Yukon itself
—— Ben Rawlence , author of City of Thorns and Radio CongoAn infatuated love letter to the river
—— Chris Fitch , GeographicalI thoroughly enjoyed traveling the length of the Yukon River with Adam Weymouth, discovering the essential connection between the salmon and the people who rely upon them. What a joy it is to be immersed in such a remote and wondrous landscape, and what a pleasure to be in the hands of such a gifted narrator
—— Nate Blakeslee , author of The Wolf: A True Story of Survival and Obsession in the WestThis book is an important contribution to our understanding of threatened ecosystems and what it means to be human on the edge of ecological catastrophe. I loved the sensitive but deeply powerful weave of pesca-poetry, knowledge and encounter that immersed me in the midst of the Yukon's forces and left me subtly transformed
—— Miriam Darlington , author of Owl SensePeterson has become a kind of secular prophet who, in an era of lobotomised conformism, thinks out of the box ... His message is overwhelmingly vital
—— Melanie Philips , The Times[An] impressively wide-ranging and imaginative analysis gives us a deeper understanding of the gap between fact and popular perception.
—— Paul Gordon , Times Literary SupplementBoth compelling and creative.
—— Hettie O'Brien , ProspectWide-ranging and ambitious.
—— David Nowell Smith , New HumanistDavies’s account is full of acute observations.
—— Malcolm Bull , London Review of BooksHarari effortlessly jumps between diverse topics.
—— Dov Greenbaum and Mark Gerstein , ScienceA thought-provoking, provocative, informative, terrifying, fact-filled series of essays which get the reader thinking, worrying and hoping.
—— Marina Vaizey , The Tablet, **Books of the Year**Harari essentially takes the pulse of society today and worldwide.
—— Pierre Jacques , Revolution[Harari] is a rare voice of calm reassurance, slicing through chaos.
—— Allan Hunter , Daily MirrorVividly written and spiked with references to Monty Python and The Lion King, Harari’s essays are thought-provoking and accessible
—— Jane Shilling , Daily MailA rollercoaster philosophical review of where we find ourselves today… 21 Lessons for the 21st Century is an absorbing, realistic, stark, yet hopeful book.
—— Perry Timms , Dialogue ReviewA bold and provocative read that expands one's frame of mind on the present-day world as we know it with the author's unique perceptions.
—— Chirag Jain , News PuddleIf there are people around to write history books in the future, they will look back at the @ExtinctionR protestors and think they were the sanest people of our time. Read The Uninhabitable Earth by @dwallacewells if you don't know why.
—— Johann Hari, TwitterIf we don't want our grandchildren to curse us, we had better read this book.
—— Timothy Snyder, author of 'On Tyranny: Twenty Lessons from the Twenty-first Century'David Wallace-Wells argues that the impacts of climate change will much graver than most people realize, and he's right. The Uninhabitable Earth is a timely and provocative work.
—— Elizabeth Kolbert, author of 'The Sixth Extinction: An Unnatural History'Trigger warning: when scientists conclude that yesterday's worst-case scenario for global warming is probably unwarranted optimism, it's time to ask Scotty to beam you up. At least that was my reaction upon finishing Wallace-Wells' brilliant and unsparing analysis of a nightmare that is no longer a distant future but our chaotic, burning present.
—— Mike DavisA lucid and thorough description of our unprecedented crisis, and of the mechanisms of denial with which we seek to avoid its fullest recognition.
—— William GibsonBrilliant at the futility of human action.
—— Sarah CromptonA masterpiece of operatic proportions … What Powers means to explore is a sense of how we become who we are, individually and collectively, and our responsibility to the planet and to ourselves … A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.
—— KirkusHis masterpiece.
—— HeraldYou will careen through this book. The prose is driven. You don’t really get to draw breath … The writing is steel-edged, laser-sharp when Richard Powers wants it to be. When he sets out to nail meaning, it’s done. There are sentences you return to and wonder at.
—— Irish TimesThis walk through the woods via words is a passionate paean to the natural world that prompts us to appreciate afresh our place on the planet.
—— i news[I]t’s huge, it’s exciting, it’s wondrous … This really deserves to be read.
—— BookmunchThe Overstory is a book you learn from.
—— SpectatorDazzlingly written… Among the best novels I’ve read this decade… Despite its deep-time perspective, it could hardly be more of-the-moment
—— Robert Macfarlane , GuardianA beautiful novel about humans reconnecting with nature in a fascinatingly, inventive world with colourful, rich characters, it will rekindle your love for nature
—— Asian VoiceAn intriguing, powerful book
—— Maddy Prior , Daily ExpressAbsolutely blown away by this epic, heartbreaking novel about us and trees
—— Emma DonoghueThis extraordinary novel transformed my view of nature. Never again will I pass great tree without offering a quiet but heartfelt incantation of thanks, gratitude and wonder
—— Hannah Rothschild , Waitrose WeekendA sweeping novel that skilfully intertwines many different stories of trees and people to create a paean to the hidden power and vital importance of the natural world
—— Country & Town HouseAbsorbing, thought-provoking and more than enough incentive to embrace your inner tree-hugger
—— Culture WhisperThe Overstory is filled with character and incident enough to engage anybody, but it's also filled with philosophy, science, poetry, and colour. It's a celebration of the world and humanity, but also tells of our coming doom. Perhaps above all it's a eulogy to trees. Eulogy is the right word because the novel celebrates the life, the beauty and wisdom of trees-but also their death. The novel also casts a cold-but loving-eye on humanity
—— Richard Smith , British Medical JournalThe Overstory has the mix of science and fiction that I so love; it widens my understanding and respect for the creatures who share this planet
—— KAREN JOY FOWLERStunning... It's been one of those rare books that has had a profound effect on me, and which has changed my perspective on life
—— Paul Ready , Yorkshire PostMind-boggling and visionary. The multi-stranded novel is a masterpiece in which science and poetry are deeply intertwined
—— Andrea Wulf, author of MAGNIFICENT REBELS , GuardianA compelling read is that is near impossible to put down
—— Adoption TodayThe Overstory is a prescient novel that urges us to take responsibility for our actions
—— Far OutA masterpiece of storytelling at its very best. Powers weaves together science, poetry, nature and humanity so beautifully that it makes my heart ache and my mind fly
—— Andrea Wulf , GuardianA wild and expansive novel, knitting together a glorious and diverse cast of characters, some of them human, some of them trees. I defy you not to be moved, and then angered about what we are doing to our planet and these glorious sentinels rooted upon it
—— Greg Wise , WeekMy novel of the year was Richard Powers' masterpiece, The Overstory... it's a magnificent read
—— Mark Connors , Northern Soul, *Books of the Year*The Overstory by Richard Powers is likely the most beautiful book ever written about people and trees
—— Andy Hunter , Spectator