Beautifully written and very funny. . . as with Salinger and Carver, there is crystalline simplicity to Bank's prose

I read the first chapter and thought, 'Wait, I know this girl' . . . I realized she was my friend . . . she made me laugh, she made me weep, and when I closed the book at the end of the day, I knew I'd never forget her

Charming and funny

A smart, ruefully funny chronicle of a modern young woman's search for love . . . a model of well-crafted narrative building to a thoughtful, hopeful conclusion. Bank has created a delightful heroine who deserves her happy ending-even though any reader who has really been paying attention to the sharp, unsentimental details knows that all happy endings are provisional

One marvels at Bank's assured control of her material, her witty, distinctive voice and her ability to find comedy, pathos and drama in ordinary lives . . . phenomenally good

This chronicle of a New Yorker's relationships has a wit and perceptiveness that singles it out from the crowd

As hilarious as Girls' Guide is, there's a wise, serious core here

A sexy, pour-your-heart-out, champagne tingle of a read-thoughtful, wise, and tell-all honest. Bank's is a voice that you'll remember

Bank writes like John Cheever, but funnier

In the genre of feminine madness, these stories are to be worshipped. They are fearless, hysterical, violent yet full of grace. Each sentence escalates toward devastating, poetic insight about our bodies, about cultural demands both treasured and feared, and about what makes being alive a terror and a joy.

Chang returns with a dazzling collection of stories within stories that draw on old myths to embody the heartache and memories of Asian American women. Chang's bold conceits and potent imagery evoke a raw, visceral power that captures feelings of deep longing and puts them into words. This stellar collection will leave readers hungry for more.

This book traces a line from old worlds to new worlds by means of the bloody umbilical cords that stretch between them. . . . These stories unthread the tangled relationships between mothers and daughter, aunts and cousins, siblings and lovers . . . a lingering sense that language, as well as life, is infinitely adaptable, no matter the ground on which it is given to grow. Lurid, funny, strange, and deftly sorrowing-an important new voice.

Dazzling . . . This stellar collection will leave readers hungry for more.

[K-Ming Chang] rewrites the world as a place of radical transformation.

[Her] ability, to take a common, decidedly earthbound, experience and transform it through her lens into a fantastical, otherworldly encounter shines. . . . Chang's writing reflects her gift as a lifelong listener of oral storytelling . . . and her ability to synthesize new ideas with her own spin on language.

Chang has a special talent for forging history into myth and myth into present-day fiction. . . . Gods of Want is in some ways a fantasy of queer freedom. Its main characters, all Taiwanese or Chinese by birth or descent, are allowed to be who they are, to love and make love to whomever they choose.

[K-Ming Chang] is back with her signature precise and enthralling prose in this short-story collection.

K-Ming Chang's inspired mix of magic and realism returns in full fabulist force. . . . The stories are eclectic . . . and united by Chang's fascination with the queer and quotidian in her characters' worlds. . . . Piercing.

Her new short-story collection Gods of Want both widens and calcifies the expansiveness of her range. . . . Chang is singular amongst us all. . . . New work from Chang is a cause for celebration-a holiday in its own right-and it's also a reminder of the infinite possibilities on the page. . . . Nothing short of marvelous.

Atwood brings her trademark wit and invention to bear on subjects as diverse as a pandemic, cancel culture, female friendship, witchcraft - and cats

Old Babes in the Wood... [is] a clear demonstration of her prevailing skill as a writer

As her short story collection Old Babes in the Wood debuts at the top of the fiction chart, Margaret Atwood can rest assured that she has reached literary legend status. It was one thing for The Handmaid's Tale to make it to No 1, but quite another for stories narrated by snails and aliens to do it

Her latest collection of short stories... proves once again she's also an impassioned observer of everyday people and their struggles, with a hilarious sense of humour

Each [story] is interesting in its own right...Atwood's imagination and mastery of storytelling is evident

[A] writer who is still so sparky and brilliant in the sudden ways she tips you into despair or delight. Whatever she's up to, I'll take more if it's going

Quietly devastating

Any new publication by the estimable Atwood...is an event and this collection of 15 short stories is no exception

Bracing, darkly funny and cheerfully unsentimental

[A] masterclass in writing about the edges of everyday life. This collection of short stories that all link to the Sunshine State captures loneliness, alienation, abandonment and inner resourcefulness in the most creative of tales.

Fantastical tales ... You'll be swept up in a wild hurricane of a ride with this lyrical stories of fury and love, loss and hope.

Each story is perfectly formed, exquisite, often troubling but there is something so brilliantly humane about her work.