I was deeply moved... De Waal has found a way to meditate on exile, migration and polarisation that feels painfully relevant

This is a marvellous book, elegant, tender, loving, appreciative, disturbing, a reminder of both the fragility and resilience of high culture, indeed civilisation

De Waal is a writer of grace and restlessly enquiring intelligence, and Letters to Camondo succeeds admirably... Edmund de Waal's beautiful book opens a window onto an entire lost world

De Waal's sentences like to take the historical weight of the objects he describes... An unforgettable book

It will make you think differently about trunks in the attic and it will make you read old letters with new eyes

Consistently illuminating... excellently illustrated... De Waal's excavation of the meanings of assimilation is considered, compassionate and appreciative of its costs... he is a wise guide to people and things that are dispersed and are collected... This book is a wonderful tribute to a family and to an idea

More than chronicling the [Camondo] family's splendor and tragic end, de Waal has created a deeply hued tapestry of a lost time and a poetic meditation on grief, memory, and the fragile consolation of art... A radiant family history.

Letters to Camondo immerses you in another age - one as sharply torn with rifts and bigotry, political uncertainty and changing fortunes as our own - but also a time of grace and the deliberate cultivation of pleasure... de Waal creates a dazzling picture of what it means to live graciously

Letters to Camondo... is subtle and thoughtful and nuanced and quiet. It is demanding but rewarding. It will make you think differently about trunks in the attic and it will make you read old letters with new eyes

I was deeply moved... [de Waal] has found a way to meditate on exile, migration and polarisation that feels painfully relevant

This is a marvellous book, elegant, tender, loving, appreciative, disturbing, a reminder of both the fragility and resilience of high culture, indeed civilisation

A slim elegant volume of beautifully written letters

Letters to Camondo tells de Waal's version of the Camondo story... layers of memories, hopes, fears embedded in the Musée Camondo brought alive...remarkable

Moving... beautifully produced... I visited the Musee Nissim de Camondo some dozen years ago. Now I long to go back

De Waal's ability to conjure up the personality of a character long dead through his possessions is a joy... A moving picture of the Jewish condition in Europe, always ready for flight once the scapegoating begins again, is made starkly apparent... In de Waal's hands objects stand for much bigger truths, of questions of loss and injustice

Enchanting... the prose is immaculately polished. [Edmund de Waal's] intelligence and scholarship are fastidious, his sensibility quivers like the wings of a hummingbird

De Waal's elegant prose, rapt eye for aesthetics, subtle character sketches, and nuanced musings on Jewish identity yield a rich, Proustian recreation of a lost era

de Waal's history, gives Letters to Camondo an undeniable emotional intensity

de Waal is a writer of grace and restlessly enquiring intelligence, and Letters to Camondo succeeds admirably... Edmund de Waal's beautiful book opens a window onto an entire lost world

A rich and gorgeous meditation on art and grief... Beautifully written, elegantly odd and wonderfully immersive, this is a book like no other

De Waal's sentences like to take the historical weight of the objects he describes, in prose that often puts you in mind of Bruce Chatwin, that other aesthete magically in thrall to painfully buried European history. He builds a picture of Camondo accumulating belongings in an extravagant effort at belonging... [an] unforgettable book

De Waal's gentle and thoughtful probing is persuasive and his exploration of the family history after the count's death in 1935 - especially the deaths of family members under the Nazis - is both poignant and unforced

The form of a series of letters to Camondo... [is] an inspired idea, for it allows de Waal to achieve an intimacy of tone and directness of expression... a powerful address that is both a rupture with and a binding to all that precedes it

A fascinating portrait of the French collector Count Moise de Camondo

Although women have always made art, for far too long, art history has been told as the story of male achievement. Katy Hessel's The Story of Art without Men is a brilliantly readable and lively corrective. Outraged and celebratory, it's chock-full of female trail-blazers - from the Renaissance until the present day - who forged their way, despite facing the kind of hurdles that would stump most mortals

Compiled with zip and wit, even the informed reader will learn something new on every page - we really cannot recommend it enough

A sumptuously illustrated history... at once broad in scope and meticulously researched

This book has blown my mind. Really passionately recommend

An extraordinary eye-opener, and very readable ... we badly need books like Hessel's

Hessel's beautifully written 500-year survey is a welcome, necessary, addition to the bookshelves

Highly readable and lavishly illustrated... a rich storehouse of groundbreaking female art

Astonishing

This book changes everything. As soon as you open it, it's like you've opened a box of lit fireworks - out soars great artist after great artist. Her retake on the canon has changed it forever

Hessel possesses that rare quality of a public intellectual, whereby she can distill vast amounts of knowledge and history into something accessible, relevant and joyful

Extraordinary