A superb translation... alerts us to the strangeness of Kafka's world - often funnier or happier than we give it credit for - without using the word "Kafkaesque", which should be retired as it now means little more than "frustratingly bureaucratic". Kafka's world is richer, and more rewarding than that.

Kafka's posthumously published short fiction cry out for a critical exegesis... newly translated by Michael Hofmann, the stories collected in The Burrow mingle dark comedy with a proto-surrealist intent to unsettle...excellent new translations

Hofmann, with his taste for mischief, makes Kafka, often translated in a buttoned-up key, a writer capable of blending old-fashioned literary parlance and contemporary media-speak... the modern touches also emphasise the timelessness of Kafka's themes, the horror of institutions being just one of them.

Dunmore’s love of history glints and gleams in this elegant, posthumous collection

Whether musing on a portrait of John Donne or a friendship between two widows, the late, much missed Dunmore always has something worth saying

These stories are mostly tasters, amuses-gueules to tempt new readers, and remind old ones of the future works that have now been lost.

This book is the grace note to a lifetime of wonderful writing.

I couldn’t recommend these stories more.

A collection to cherish.

It was her emotional concision that made her so exceptional, a quality on ample display in these posthumous short stories, more than 30 of them, some absolute gems.

Dunmore’s skill as an observer and chronicler of human behaviour shines throughout this final collection of her fiction

A mix of historical and contemporary, they’re outstanding and showcase her amazing talent

Dunmore’s writing ranges over a multitude of subjects, from teenagers to centenarians , and all ages in between. With sensitivity and compassion she wrote about passion, family, friendship, happiness, loneliness and grief. She brought an elegant economy of words to her stories, communication her meaning with clarity and finesse. Her family and friend have created a superb memorial to her unique talent and an excellent primer for anyone who has not explored her work before.

Dunmore’s is a compassionate voice throughout.

Sharply observed

There was no story that didn’t hold my attention from its first sentences.

The best of them showcase Dunmore’s knack for shining a light into the hidden corners of women’s experience

We too imagine ourselves in the room with her characters, imagine they are talking, like friends, to us

Lyrical and full of human situations acutely observed.

[A] remarkable collection of short stories exploring fragile ties between passion, love, family.

This collection is the finest swan song of a writer full of sensitivity, talent and an immense grasp of the complexity of human nature.

A lasting testament to Dunmore’s wisdom, heart and elegant way with words.

Moments of startling insight into the hidden – and often uncomfortable – truths underneath modern relationships… there are some stellar moments of pithy clarity: In 'Scarred,' upon summoning a way to cheat desire, the protagonist muses, ‘I had everything that could be wanted. I invented new needs just to satisfy.’ This is a promising debut.

Roupenian’s tales from the frontline of modern relationships are perfect for an alternative Valentine’s Day display.

A collection of short stories which cover the same murky waters of attraction as "Cat Person".

There is always some anxiety following such a short, steep rise to recognition, but in this collection Roupenian lives up to those high expectations. The stories are wonderfully varied in execution, from realist to surreal, staying fresh while circling one primary concern: how men and women relate to one another, and how often that relationship can go wrong.

[A] sharp, powerful and uncomfortable debut collection of stories… [Roupenian] is always in narrative control.

Abrasive, painfully aware accounts of relationships in turmoil… You know you want this collection.

You Know You Want This seems to touch on conversations that the country has yet to have — often using horror and magical realism to illuminate the darker corners of our world.

In Look at Your Game, Girl and The Boy in the Pool, naïve female desire is so brilliantly and lushly evoked… [Biter] shows a flair for satire and comic timing… I look forward to Roupenian’s next book.

The best fiction leaves us thinking about it long after turning the last page, and with [Cat Person], author Kristen Roupenian established herself as a writer to watch. Her short-story collection, You Know You Want This, includes that story and others, all of which will have you talking about them long after finishing.

In her highly anticipated debut collection, the author behind the viral Cat Person story offers up a host of strange, fascinating, and downright delightful narratives you won't be able to stop talking about. Spanning a range of genres and topics, it is equal parts dark, uncomfortable, and funny.

Readers who are looking for more uncomfortably realistic renderings of awkward romantic encounters won’t be disappointed, but this collection is so much more than that, offering an array of biting (sometimes literally!) looks at the ways our most hidden perversions manifest in our lives. It’s a razor-sharp, often ruthless, never less than relentless examination of the way we are now. Scary, right? But you know you want it.

[You Know You Want This captures] the torturous and complicated justifications for untoward behaviour in the search for closeness and connection.

What unites the collection is less her [Roupenian’s] gender politics than her interest in the way fantasies become distorted, disappointing, even dangerous when they approach reality… narrative twist[s] changes the direction of a story and leads it somewhere new. Roupenian’s desire to have her moral and reject it too could be said to put a twist on the twist.

Roupenian remains rooted in realism, she gives pause by exposing the sinister side of sexuality, and one looks forward to seeing what she might accomplish with the novel form.

Kristen Roupenian's debut short stories fulfil all expectations… she infuses mundane reality with a thrilling layer of menace.

One of the most anticipated story collections of the year.

Violence, cruelty or misunderstanding are never far away in these 12 stories, which are by turns, unsettling, ruthless and often funny.

Walker’s laconic, Hemingway-esque prose style perfectly complements his low-key approach to his material: the matter-of-fact tone in which he recalls his most horrific experiences in Iraq makes them seem all the more horrible. It works equally well with deadpan humour.

Roupenian is a wizard of provocative, psychological fiction, exploring the dark side of the human psyche. Each of her short stories is terrifyingly relatable, making the reader fear something much more relevant than more supernatural horror stories.

A fascinating and repugnant series of stories, all tremendous examples of what this unsung hero of a literary form can do.

Roupenian’s wildly discomfiting new collection, You Know You Want This… is often wonderfully, if grotesquely, physical… This book isn’t bedtime reading.

These are stories that make you feel fascinated but repelled, scared but delighted, revolted but aroused.

You Know You Want This is an alarming but compelling book. Roupenian’s short stories, weaving together science fiction, confession and fantasy, are like infections spreading across the senses, blocking out everything except the compulsion to read on… Roupenian achieves something few other writers have: providing a balanced reflection on a very difficult subject.

A new collection of stories that explores the complex - and often darkly funny - connections between gender, sex, and power across genres.