No other voice has borne truer witness to the dark of our times

He is the greatest German writer of our time. Such poets as Rilke or such novelists as Thomas Mann are dwarfs or plaster saints in comparison to him

As ever, Byatt's language has the clear intensity of a poem

Byatt is the grande dame of British fiction... Those acquainted with her previous work will recognise her fascination with the supernatural, as well as the erudition and attention to detail that are trademarks of her style

Each story resembles a novel in miniature-there is a unique, experimental feel to this engaging, unsettling collection that will not hinder the author's reputation as a literary giant

The most perceptive chronicler since George Eliot of avid, unworldly young women

Hadley is a writer of exceptional intelligence and skill Only Alice Munro and Colm Toibin, among all the working short story writers I’m aware of, are so adept at portraying whole lives in a few thousand words. With Married Love, Hadley joins their company as one of the most clear-sighted chroniclers of contemporary emotional journeys

Tessa Hadley writes like a dream, the prose precise, but funny, too

These stories are shored up with sentences and paragraphs that demand immediate re-reading for their cleverness and warmth…This party is well worth attending

This collection shows a writer quietly growing in style, perception and grace. She conveys to the reader that rare ability to see completely into someone else’s head

Accomplished ... confident

The ghost of Katherine Mansfield hovers lightly over these deceptively delicate snapshots which zero in on the much maligned territory of the domestic and make it new and vital again

Another set of masterpieces in miniature…Russell’s language rockets off the page…one of our most entrancing storytellers

Amidst the leading pack of talents Karen Russell writes the most like she’s on fire, as in: this close to revelations. Orange World is her best collection yet. Her imagination’s baroque syntax has been planed down to the absolute essentials, allowing the power of her vision to speak for itself...This is prophetic work written with clarifying fury

Marvelous... Startlingly inventive stories which confirm Russell's status as master of the slipstream

Brilliant... Stunning... Her imagination is boundless... Russell's last book, Vampires in the Lemon Grove was far and away one of the best books of 2013, and Orange World proves that the author has only gotten better... Russell is one of the most original American authors working today. She's also one of the best. Orange World is a thing of beauty, a stunning collection from one of the most brilliant literary minds of her generation

Eight crisp stories that will leave longtime fans hungry for more. Since her debut more than a decade ago, Russell has exhibited a commitment to turning recognizable worlds on their heads in prose so rich that sentences almost burst at the seams. Her third collection is no exception, and its subjects—forgotten pockets of violent American history, climate-related apocalypse, the trials of motherhood—feel fresh and urgent in her care...A momentous feat of storytelling in an already illustrious career

Ingenious, reality-warping, darkly funny, and exquisitely composed story collection rooted in myth and horror... Russell writes with mischievous clarity, wit, and conviction, grounding the most bizarre situations in the ordinary

Lyrical and full of human situations acutely observed.

[A] remarkable collection of short stories exploring fragile ties between passion, love, family.

This collection is the finest swan song of a writer full of sensitivity, talent and an immense grasp of the complexity of human nature.

A lasting testament to Dunmore’s wisdom, heart and elegant way with words.

Moments of startling insight into the hidden – and often uncomfortable – truths underneath modern relationships… there are some stellar moments of pithy clarity: In 'Scarred,' upon summoning a way to cheat desire, the protagonist muses, ‘I had everything that could be wanted. I invented new needs just to satisfy.’ This is a promising debut.

Roupenian’s tales from the frontline of modern relationships are perfect for an alternative Valentine’s Day display.

A collection of short stories which cover the same murky waters of attraction as "Cat Person".

There is always some anxiety following such a short, steep rise to recognition, but in this collection Roupenian lives up to those high expectations. The stories are wonderfully varied in execution, from realist to surreal, staying fresh while circling one primary concern: how men and women relate to one another, and how often that relationship can go wrong.

[A] sharp, powerful and uncomfortable debut collection of stories… [Roupenian] is always in narrative control.

Abrasive, painfully aware accounts of relationships in turmoil… You know you want this collection.

You Know You Want This seems to touch on conversations that the country has yet to have — often using horror and magical realism to illuminate the darker corners of our world.

In Look at Your Game, Girl and The Boy in the Pool, naïve female desire is so brilliantly and lushly evoked… [Biter] shows a flair for satire and comic timing… I look forward to Roupenian’s next book.

The best fiction leaves us thinking about it long after turning the last page, and with [Cat Person], author Kristen Roupenian established herself as a writer to watch. Her short-story collection, You Know You Want This, includes that story and others, all of which will have you talking about them long after finishing.

In her highly anticipated debut collection, the author behind the viral Cat Person story offers up a host of strange, fascinating, and downright delightful narratives you won't be able to stop talking about. Spanning a range of genres and topics, it is equal parts dark, uncomfortable, and funny.

Readers who are looking for more uncomfortably realistic renderings of awkward romantic encounters won’t be disappointed, but this collection is so much more than that, offering an array of biting (sometimes literally!) looks at the ways our most hidden perversions manifest in our lives. It’s a razor-sharp, often ruthless, never less than relentless examination of the way we are now. Scary, right? But you know you want it.

[You Know You Want This captures] the torturous and complicated justifications for untoward behaviour in the search for closeness and connection.

What unites the collection is less her [Roupenian’s] gender politics than her interest in the way fantasies become distorted, disappointing, even dangerous when they approach reality… narrative twist[s] changes the direction of a story and leads it somewhere new. Roupenian’s desire to have her moral and reject it too could be said to put a twist on the twist.

Roupenian remains rooted in realism, she gives pause by exposing the sinister side of sexuality, and one looks forward to seeing what she might accomplish with the novel form.

Kristen Roupenian's debut short stories fulfil all expectations… she infuses mundane reality with a thrilling layer of menace.

One of the most anticipated story collections of the year.

Violence, cruelty or misunderstanding are never far away in these 12 stories, which are by turns, unsettling, ruthless and often funny.

Walker’s laconic, Hemingway-esque prose style perfectly complements his low-key approach to his material: the matter-of-fact tone in which he recalls his most horrific experiences in Iraq makes them seem all the more horrible. It works equally well with deadpan humour.

Roupenian is a wizard of provocative, psychological fiction, exploring the dark side of the human psyche. Each of her short stories is terrifyingly relatable, making the reader fear something much more relevant than more supernatural horror stories.

A fascinating and repugnant series of stories, all tremendous examples of what this unsung hero of a literary form can do.

Roupenian’s wildly discomfiting new collection, You Know You Want This… is often wonderfully, if grotesquely, physical… This book isn’t bedtime reading.

These are stories that make you feel fascinated but repelled, scared but delighted, revolted but aroused.

You Know You Want This is an alarming but compelling book. Roupenian’s short stories, weaving together science fiction, confession and fantasy, are like infections spreading across the senses, blocking out everything except the compulsion to read on… Roupenian achieves something few other writers have: providing a balanced reflection on a very difficult subject.

A new collection of stories that explores the complex - and often darkly funny - connections between gender, sex, and power across genres.