Author:Daniel Clowes
The Death Ray is the story of teen outcast Andy, an orphaned nobody with only one friend, the obnoxious-but-loyal Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can and as he learns the extent of his new powers, he discovers a terrible and seductive gadget - a hideous compliment to his seething rage - that forever changes everything.
The Death-Ray utilizes the classic staples of the superhero genre - origin, costume, ray-gun, sidekick, fight scene - reconfiguring them in a story that is anything but morally simplistic. With subtle comedy, deft mastery and an obvious affection for the bold Pop Art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche.
A super knowing romp around the superhero shtick, which knocks all recent competition into a cocked hat.
—— Nicholas Smith , Dazed and ConfusedIt's like Holden Caulfield with his phaser set on kill. Phonies beware.
—— TimeThe Death Ray revisits Clowes's trademark mix of eloquent pacing and poignant alienation, while upending the superhero genre to thoughtful and gloriously perverse effect.
—— GuardianIt is a terrifying idea, and Clowes does well exploring the consequences of being able to act on every violent inclination.
—— Independent on SundayA neat deconstruction of superhero comics and another fascinating, wryly amusing character study by Clowes.
—— Henry Northmore , ListOne of the chief pleasures of this book is how the words and pictures collaborate to gesture at a territory that neither might reach alone.
—— Tim Martin , TelegraphMany of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this, sort of like a comic book by Virginia Woolf. You won't believe it until you read it - and you must!
—— Gloria SteinemPure bliss.
—— Lisa Appiganesi , ObserverBechdel’s engaging, original graphic memoir explores her troubled relationship with her distant mother.
—— New York TimesA complex, fascinating and intellectually rich memoir.
—— Larushka Ivan-Zadek , MetroVery original and arresting.
—— Cressida Connelly , SpectatorThroughout, there are magnificent feats of connectivity, startlingly complex internal monologues that unfold with perfect simplicity… I haven’t encountered a book about being an artist, or about the punishing entanglements of mothers and daughters, as engaging, profound or original as this one in a long time.
—— Rev’d Katie Roiphe , ScotsmanLively, fresh and expressive…humane, complex and beautiful.
—— Anna Carey , Irish TimesDon’t let the cartoons fool you, this is an exciting and intelligent book and, at many points, highly moving. It doesn’t just tell Alison’s story, Are You My Mother? allows to you to think about your own.
—— Emerald StreetFind everything this author has written. Every jot she makes on the paper enriches the baroque, painful, exhilarating story she has to tell.
—— Candia McWilliam , ScotsmanIt’s first and foremost funny, using graphical and verbal tricks to express the psychological dramas of an American household.
—— MacUserA tour de force of fine detail.
—— Phil Baker , Sunday TimesThe houses are blocks of black studded with burning orange windows. It’s just a street with buildings on it with normal people living in them. But what Ware has told us about buildings turned each orange window into a frame.
—— Nick Richardson , London Review of BooksBuilding Stories may be the most concerted and apparently counter-intuitive attempt in any graphic novel to take us inside the life, thoughts and emotions of one fictional, unnamed character and make us care. That he succeeds, without the manipulative heartstring-tugging of cinema or theatre but with comics, is all the more remarkable.
—— Paul Gravett , IndependentMasterful, beautifully constructed, beautifully drawn tales of domestic boredom, agony and bliss.
—— Nick Laird , GuardianWare's graphic restraint has impressive emotional force; this is a work to pore over, from an artist like no other.
—— Justine Jordan , GuardianMoving and indescribably accomplished graphic novel...sent my jaw south and my eyebrows north.
—— Sam Leith , SpectatorThe sadness of the narrative is fractured by the fizziness of its construction: a gorgeous book full of overlapping stories.
—— Adam Thirlwell , New StatesmanSo bleak, observant and meticulously crafted that it merits that usually empty old word: masterpiece.
—— Sam Leith , ProspectTen years of intricate, ingenious work captured in one hefty box packed with graphic novels, pamphlets and a cartoon newspaper. Ware brilliantly charts the everyday experiences of the various inhabitants of a three-storey Chicago building in forensic, melancholic detail.
—— Colin Smith , QA big, sturdy box containing hard-bound volumes, pamphlets and a tabloid houses Ware’s demanding, melancholy and magnificent graphic novel about the inhabitants of a Chicago building.
—— New York TimesThis is long worth the wait ... sumptuously printed and lovingly presented.
—— Audrey Niffenegger , Evening Standard (ES Magazine)Both a beautiful object and a work of tremendous power, that sets new standards for the graphic novel form. I can't stop talking about it.
—— FoylesIn both imagination and execution, his artistry is faultless. A song to lettering, line, ink, Chicago, hope, regret and the history of comics, the emotions he arouses will stay with you long after closing the box it came in.
—— Lucy Davies , Sunday Telegraph