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The Dictator’s Muse
The Dictator’s Muse
Oct 8, 2024 1:20 PM

Author:Nigel Farndale

The Dictator’s Muse

'[A] riveting novel... a fast-paced, brilliantly constructed thriller, in which the fates of the three young British protagonists hang in the balance at the end of every chapter' A. N. Wilson, SPECTATOR

'I loved the brash brilliance of this' Peter Bradshaw, Guardian film critic

It is the early 1930s, and Europe is holding its breath. As Hitler's grip on power tightens, preparations are being made for the Berlin Olympics.

Leni Riefenstahl is the pioneering, sexually-liberated star film-maker of the Third Reich. She has been chosen by Hitler to capture the Olympics on celluloid but is about to find that even his closest friends have much to fear.

Kim Newlands is the English athlete 'sponsored' by the Blackshirts and devoted to his mercurial, socialite girlfriend Connie. He is driven by a desire to win an Olympic gold but to do that he must first pretend to be someone he is not.

Alun Pryce is the Welsh communist sent to infiltrate the Blackshirts. When he befriends Kim and Connie, his belief that the end justifies the means will be tested to the core.

Through her camera lens and memoirs, Leni is able to manipulate the truth about what happens when their fates collide at the Olympics. But while some scenes from her life end up on the cutting room floor, this does not mean they are lost forever...

'Profound and moving...a beautifully written evocation of turbulent times' Daily Express

'A novel rich in historical detail, but wearing its research lightly, and the story is told in a French Lieutenant's Woman kind of way, veering from the present to the past with superb flair... this novel has an uncomfortable prescience, with a plot twist at the end which is ingenious. - IRISH INDEPENDENT

'Amasterly exploration of conflicting loyalties ... Sharply characterised, richly atmospheric and completely engrossing' John Preston, author of The Dig

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Readers love The Dictator's Muse:

***** 'An addictive, all-consuming read'

***** 'Flows beautifully with love, hopes, desires and propaganda of the time. Fascinating, engaging and terrifying'

***** 'Thoughtful, well researched and atmospheric with engaging characters'

***** 'I can't recommend this book highly enough'

Reviews

[A] riveting novel... a fast-paced, brilliantly constructed thriller, in which the fates of the three young British protagonists hang in the balance at the end of every chapter. The period detail is as sharply focussed as one of Riefenstahl's own films.

—— A. N. Wilson, SPECTATOR

[A] richly evocative historical novel.

—— THE TIMES

Fascinating... Farndale's panoramic view of pre-war German society on the verge of irreparable change is persuasively evoked.

—— THE OBSERVER

A novel rich in historical detail, but wearing its research lightly, and the story is told in a French Lieutenant's Woman kind of way, veering from the present to the past with superb flair. With the rise of the alt right again polluting our democracies, this novel has an uncomfortable prescience, with a plot twist at the end which is ingenious.

—— IRISH INDEPENDENT

Enthralling... profound and moving, this is a beautifully written evocation of turbulent times.

—— DAILY EXPRESS / DAILY MIRROR

A masterly exploration of conflicting loyalties set against the 1936 Olympic Games. Sharply characterised, richly atmospheric and completely engrossing.

—— JOHN PRESTON, author of THE DIG

A darkly compelling novel, powerfully evocative and beautifully written.

—— JENNY McCARTNEY, author of the The Ghost Factory

Farndale interweaves history and fiction in a heady mix... engrossing, intriguing and thought-provoking.

—— NB MAGAZINE

Wheatcroft declares modestly that he hasn't written a full biography... [but this] book is still the best place to start. That's not just because Wheatcroft tells you all you need to know about Churchill's life. It's because he tells you...[what] you need to know about his afterlife

—— Christopher Bray , Tablet

Jenkins is, like all good guides, more than simply informative: he can be courteous and rude, nostalgic and funny, elegant, convincing and relaxed'

—— Adam Nicolson on 'England's Thousand Best Houses' , Evening Standard

Any passably cultured inhabitant of the British Isles should ask for, say, three or four copies of this book

—— Max Hastings on 'England's Thousand Best Houses' , Sunday Telegraph

Full of stand-out facts . . . absolutely fascinating

—— Richard Bacon on 'A Short History of England' , BBC Radio 2

Full of the good judgements one might hope for from such a sensible and readable commentator, and they alone are worth perusing for pleasure and food for thought

—— Michael Wood on 'A Short History of England' , New Statesman

Jenkins has travelled the length and breadth of Great Britain's railways. Beautifully illustrated with colour photos, this is an uplifting exploration of our social history

—— The Guardian

Natasha Brown's exquisite prose, daring structure and understated elegance are utterly captivating. She is a stunning new writer

—— Bernardine Evaristo, Booker Prize winning author of 'Girl, Woman, Other'

This marvel of a novel manages to say all there is to say about Britain today in the most precise, poetic prose and within the story of one complicated, compelling woman. Formally thrilling, politically captivating, endlessly absorbing... I will never forget where I was when I read it, how I felt at the start of it and by the end - it takes you on a complete carousel of a life lived both in dread and in defiance. Superb.

—— Sabrina Mahfouz, poet & playwright, ‘A History of Water in the Middle East’

Like the fictional companion to Jamaica Kincaid's nonfiction masterpiece A Small Place... A book like a finely honed scalpel - marking a new and electrifying dawn

—— Elaine Castillo, author of 'America is Not the Heart'

Tightly conceived and distinctively written, perceptive, precise and unsparing... An elegiac examination of a Black woman's life and an acerbic analysis of Britain's racial landscape. Brown's rhythmic, economic prose renders the narrator's experiences with breathless clarity

—— New York Times

Stunningly good

—— Elizabeth Day, presenter of the 'How to Fail' podcast

Assembly is an astonishing work. Formally innovative, as beautiful as it is coolly devastating, urgent and utterly precise on what it means to be alive now

—— Sophie Mackintosh, author of 'The Water Cure'

Searing... A rousing, inspired voice demanding to be recognized and heard

—— Washington Post

Deft, essential, and a novel of poetic consideration, Assembly holds (the Black-British) identity in its hands, examining it until it becomes both truer and stranger - a question more than an answer. I nodded, I mhmmed, I sighed (and laughed knowingly, bitterly)

—— Rachel Long, Folio Prize-shortlisted author of 'My Darling From the Lions'

Bold and original, with a cool intelligence, and so very truthful about the colonialist structure of British society: how it has poisoned even our language, making its necessary dismantling almost the stuff of dreams. I take hope from Assembly, not just for our literature but also for our slow awakening

—— Diana Evans, author of 'Ordinary People'

Mind-bending and utterly original. It's like Thomas Bernhard in the key of Rachel Cusk but about black subjectivity

—— Brandon Taylor, author of 'Real Life'

Brilliantly sharp and curiously Alice-like... It centres on a gifted and driven young Black woman navigating a topsy-turvy and increasingly maddening modern Britain... Her indictment is forensic, clear, elegant, a prose-polished looking glass held up to her not-so-post-colonial nation. Only one puzzle remains unsolved: how a novel so slight can bear such weight

—— Times Literary Supplement

A piercing, cautionary tale about the costs of assimilating into a society still in denial about its colonial past. Brown writes with the deftness and insight of a poet

—— Mary Jean Chan, author of 'Flèche'

Bold, elegant, and all the more powerful for its brevity, Assembly captures the sickening weightlessness which a Black British woman, who has been obedient to and complicit with the capitalist system, experiences as she makes life-changing decisions under the pressure of the hegemony

—— Paul Mendez, author of 'Rainbow Milk'

This is a stunning achievement of compressed narrative and fearless articulation

—— Publisher's Weekly

One of the most talked-about debuts of the year . . . you'll read it in one sitting

—— Sunday Times Style

Thrilling... Brown gets straight to the point. With delivery as crisp and biting into an apple, she short-circuits expectation... This is [the narrator's] story, and she will tell it how she wishes, unpicking convention and form. Like The Drivers' Seat by Muriel Spark, it's thrilling to see a protagonist opting out and going her own way

—— Scotsman

A nuanced, form-redefining exploration on class, work, gender and race

—— Harper’s Bazaar

Across 100 lean pages, Brown deftly handles a gigantic literary heritage... Her style rivals the best contemporary modernists, like Eimear McBride and Rachel Cusk; innocuous or obscure on a first reading, punching on a second... Assembly is only the start

—— Daily Telegraph

There's something of Isherwood in Brown's spare, illuminating prose... A series of jagged-edged shards that when accumulated form an unhappy mirror in which modern Britain might examine itself

—— Literary Review

A debut novel as slender and deadly as an adder

—— Los Angeles Times

A razor-sharp debut... This powerful short novel suggests meaningful discussion of race is all but impossible if imperialism's historical violence remains taboo

—— Daily Mail

Bold, spare, agonisingly well-observed. An impressive debut

—— Tatler

Excoriating, unstoppable... The simplicity of the narrative allows complexity in the form: over barely a hundred pages, broken into prose fragments that have been assembled with both care and mercilessness

—— London Review of Books

Beguiling and beautifully written, this is the work of an author with a bright future

—— Tortoise

Coruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force

—— Yorkshire Times

Fierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you

—— Economist

I was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything

—— Lauren Elkin, author of 'Flaneuse'

Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow

—— MoneyControl

A masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound

—— Tess Gunty , Guardian

An extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended

—— Financial Times on 'Assembly' in audiobook

'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'

—— Rebecca Tamas, author of 'Witch'

Every line of this electrifying debut novel pulses with canny social critique

—— Oprah Daily

Devastatingly eloquent, bold, poignant

—— Shelf Awareness

An achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next

—— Shondaland

[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising

—— Rowan Hisayo Buchanan , Guardian

A brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment

—— Guardian, 'Best Fiction of 2021' , Justine Jordan
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