Author:Richard Montanari
It is fall in Philadelphia and the mutilated body of a man is found in one of the poorest neighbourhoods of the city. The victim has been viciously tortured to death. It's the work of a sadistic mind in free fall.
When homicide detectives Kevin Byrne and Jessica Balzano investigate, they soon realise that their crime scene is linked to the past. Eight years ago, another body was found in the same place, in the same position, killed in the same manner. That case was never closed. Apart from their killer's unusual calling cards, the crime scene photos - past and present - are identical.
As another brutalised body appears, then another, it becomes horrifyingly clear that someone is recreating unsolved murders from Philadelphia's past in the most sinister of ways. And the killer is closer than they think...
Perfect plotting wrapped inside amazing mile-a-minute suspense...does it get any better?
—— Lee ChildSome neat twists keep the reader guessing to the surprise kick ending
—— Publishers Weeklythe action never stops ...A high-velocity entry in a reliable series
—— BooklistIf you long for heart-stopping action and the most original characters outside of P.J. Tracy's Monkeewrench Gang, look no further
—— Library JournalAll the twists you'd expect from Rozan, but speeded up within an inch of their lives, just like the summer movie this yarn ought to spawn
—— KirkusEvery once in a while a writer comes along and fundamentally changes the way people read. He or she is so bright, so innovative, so industrious that what they envision and create becomes the measure by which all others are judged. In 1993 one such writer - James Patterson - began to do just that ... James Patterson is the gold standard by which all others are judged.
—— STEVE BERRY, bestselling author of the Colton Malone series[Alex Cross] has become one of the greatest fictional detectives of all time, a character for the ages.
—— DOUGLAS PRESTON and LINCOLN CHILDAlex Cross is a legend.
—— HARLAN COBENPatterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.
—— MICHAEL CONNELLYPatterson knows where our deepest fears are buried... there's no stopping his imagination.
—— NEW YORK TIMES BOOK REVIEWPatterson is in a class by himself.
—— VANITY FAIRNeville's third outing confirms him as the king of Belfast noir
—— John O'Connell , GuardianA stir-fry of death and addiction
—— Tom Adair , Scotland on SundayScary, but always humane
—— Joan Smith , The Sunday TimesThis guy can write.
—— James EllroyNeville has the talent to believably blend the tropes of the crime novel and those of a horror, in the process creating a page-turning thriller akin to a collaboration between John Connolly and Stephen King...
—— The Sunday IndependentA brilliant thriller: unbearably tense, stomach-churningly frightening.
—— The ObserverA no-frills thriller that barrels along at a ferocious pace, pausing only to offer the occasional nod to 1970s paranoid classics such as William Goldman's Marathon Man.
—— Declan Burke , Irish TimesStuart Neville's third novel effortlessly exceeds the high expectations created by the first two installments... Stuart Neville's latest novel is a thrilling masterpiece. From its gripping and well paced plot to its well defined and intriguing characters, Stolen Souls is a powerful novel, which does not shy away from exploring the new literary landscape for Northern Irish fiction.
—— Kellie Chambers , Ulster TatlerWith echoes of The Thomas Crown Affair, spectacular storytelling and a beautifully judged super-twist, it confirms Nesbo's place at the pinnacle of thriller writers and, inevitably, a film version will be with us next year. It's that good.
—— Geoffrey Wansell , Daily MailHarris is a master of pace an entertainment, and The Fear Index is a thoroughly enjoyable book . . . Read the book. If I die tomorrow, blame the computer.
—— ObserverLike all Harris's books, this one is readily enjoyable as a suspense story . . . But what makes Harris's thrillers so much more rewarding than those of his rivals is that they all, whatever their ostensible subject, come out of his deep and expert interest in politics, broadly conceived - which is to say, in power, in how power is taken, held and lost; how some people are able to dominate others; how wealth and status, fear and greed, work . . .The Fear Index (which has a lot to say about the very rich - a group to which Harris himself now belongs but doesn't like) is ultimately a study in the total lack of morality of those who manipulate the markets . . . By focusing thus on a rogue algorithm and a pure scientist, Harris is not really fronting up the true authors of our current financial plight, perhaps. But, in its own carefully conceived terms, The Fear Index is certainly another winner.
—— Evening StandardThis latest nail-biter from the author of The Ghost will keep fans of suspense up all night.
—— Good HousekeepingTo crawl by bus through rush-hour traffic is not something that would normally appeal to a busy person. Unless, like me, that person was in possession of Robert Harris's new thriller The Fear Index. Then they would certainly relish the potential for escapism such a slow journey could provide and there was nowhere else I wanted to be then in that story, which delivers pure pleasure with every page.
—— The LadyHarris is a master of pace and entertainment, and The Fear Index is a thoroughly enjoyable book . . . Read the book.
—— ObserverThe Fear Index is an escapist thriller to rank with the best of them, and as a guide to what hedge funds actually do, it is surprisingly clear and instructive.
—— EconomistThere are moments when this book feels so up to date it could have been written next week... spookily exciting.
—— ExpressPerhaps the greatest thriller writer around, Harris has delivered his best work yet. A modern classic.
—— Irish ExaminerMock-gothic variant on Frankenstein relates what happens when a computer programme goes rogue and ravages the money market. Suspense and satire combine in a book that is as up to the minute as a news flash.
—— Sunday TimesIf you didn’t catch it in hardback, grab it now in austerity-Britain paperback. Harris’s latest bestseller is a gripping, funny and timely tale of money – losing it or, more terrifyingly here, making too much of it… A high-speed plot, deft characterisation… and Harris even manages to explain what a hedge fund is.
—— The LadyPopulist fiction at its best.
—— SpectatorI would recommend The Fear Index. The writing is as elegant as ever.
—— Lionel Barber , Financial TimesHarris writes with a deceptively languid elegance, so that the novel straddles not only the crime and sci-fi genres but also that of literary fiction. A satisfying read on a number of levels, it is strongest as a character study of a man who discovers, pace Hemingway, the true meaning of the phrase "grace under pressure".
—— Irish TimesThe Fear Index is a frightening book, of course, as, with its title, it intends. Harris has an excellent sense of pace, and understands as much about fear in literature as Hoffman does in markets.
—— TelegraphLike Frankenstein, his novel is a tale of the catastrophic consequences of galvanising inanimate matter into uncontrollable life . . . The Fear Index is both cutting edge and keenly conscious of its literary predecessors. Reworking classic texts is a large-scale literary industry these days. Harris's tongue-in-cheek flesh-creeper (whose most chilling moments are its reminders of our present financial woes) is a virtuoso specimen of it.
—— Sunday TimesHarris is a master of pace and entertainment, and The Fear Index is a thoroughly enjoyable book . . . Read the book. If I die tomorrow, blame the computer.
—— ObserverA nail-biting listen - the financial world has never seemed so thrilling - beautifully read by Phillip Franks
—— Kati Nicholl , Daily ExpressThere is a cool edge to Franks' voice as he tracks Alex's surging paranoia to a blockbuster climax
—— Daily Telegraph