Author:Steve Roud
This enthralling book will take you, month-by-month, day-by-day, through all the festivities of English life. From national celebrations such as New Year’s Eve to regional customs such as the Padstow Hobby Horse procession, cheese rolling in Gloucestershire and Easter Monday bottle kicking in Leeds, it explains how they originated, what they mean and when they occur.
A fascinating guide to the richness of our heritage and the sometimes eccentric nature of life in England, The English Year offers a unique chronological view of our social customs and attitudes
The story is told with a refreshing candour… [an] outstanding narrative account of the end of empire
—— , Richard Overy, author of THE DICTATORSTaken together, their stories provide a remarkably intimate insider's perspective on the slave trade, and give us some sense of its staggering human cost
—— Michael Kerrigan , ScotsmanHow did Britain, the 'slave trading poacher' of the 18th century, transform herself into the 'abolitionist game-keeper' of the 19th century?... James Walvin, a renowned historian of black people in Britain, finds answers to this mystery in the lives of three men who contributed, sometimes unwittingly, to the demise of a seemingly unassailable evil
—— Esther Godfrey , Daily TelegraphJames Walvin here addresses the enormity of the slave trade by looking in depth at three individuals inextricably bound up in it
—— London Review of BooksA remarkable and gripping story, asking profound questions
—— IndependentJames Walvin provides engrossing portraits of three individuals at the centre of the slave trade
—— Financial TimesCleary written and well-researched
—— Paul Callan , Daily ExpressA remarkable and gripping story
—— IndependentDeftly crafted... The power of Walvin's stories lies in their details
—— Sunday TimesThe inspiring lives of two unique people, and Tolan's compassion in narrating them, illuminate the tragedy of Palestine in the most moving and revealing way
—— Karma Nabulsi, Prize Research Fellow, Oxford UniversityA hard book to read with dry eyes and without a lump in one's throat. And hard to read, also, without feeling - dare one even say the word? - something approaching hope
—— Adam Hochschild, author of Bury the Chains and King Leopold's GhostAn understated clash of cultures tale, delicately told
—— Radio TimesImpeccably researched... this narrative illustrates the possibility of compassionate imagination
—— TLSBeautifully written
—— Tam Dalyell, MP