Author:Nigel McCrery
A moving narrative history of the professional footballers who fought and died in World War I, with a foreword by Gary Lineker.
In 1914, as today, successful footballers were heroes and role models. They were the sporting superstars of their time; symbols of youth, health and vigour. Naturally enough, when war broke out they felt it was their duty to join up and fight. Between 1914 and 1918, 213 professional players fell in action. Some teams lost half their players, either killed or else so badly injured in mind and body that they were never to play again.
The Final Season is the powerfully moving account of these young men who swapped the turf of the pitch and the cheers of the fans for the freezing mud of the battlefield and the terrible scream of shell fire. It follows them as they leave their fans and families behind, undergo training and then travel on to the bloody arenas of war: Ypres, Gallipoli, the Somme, Passchendaele.
Nigel McCrery paints these men in vivid detail. From their achievements on the football pitch to their heroic conduct on the battlefield, we will learn of the selfless courage and determination they displayed in the face of adversity. For far too many, we will also learn when, and how, they made the ultimate sacrifice.
Fascinating... For those of us who love football, and still more for those who make fortunes playing it, all this sacrifice should offer considerable food for thought. Gary Lineker says as much in a thoughtful foreword... I wish with all my heart a copy could be given to every Premier League player.
—— Daily MailBold and beautiful.
—— Robert Macfarlane , New StatesmanCracking… Vividly and movingly described… Cowen writes very well.
—— Alan Bennett , London Review of BooksAbsolutely mesmerising, utterly beautiful, utterly engrossing – it takes a lot for a book to give me goosebumps but this one did.
—— Joanne Harris , Simon Mayo Drivetime BBC Radio 2[A] multi-faceted, touched-by-genius exploration of a stretch of Harrogate wasteland.
—— John Lewis-Stempel , Sunday Express, Books of the YearMarks out Cowen as a new writer who is both entertaining and significant… Cowen’s descriptive writing is visceral and gripping… and his attention to colour is particularly striking.
—— Richard Benson , IndependentMagical... Deeply original... a detailed nature study [and] a moving memoir... I became both intrigued and enchanted by this hybrid approach.
—— Sara Maitland , Countryfile magazine, Book of the MonthHighly poetic... like an archaeologist, Cowen unearths histories, natural life and decayed infrastructure in a small area bordering the River Nidd... Above all, Common Ground is about the transformative power of this unnoticed piece of land, if one can only stand and stare for long enough'
—— Serena Tarling , Financial TimesSensitive, thoughtful and poetic. Rob Cowen rakes over a scrap of land with forensic care, leading us into a whole new way of looking at the world.
—— Michael PalinMarvellously moving, this thrilling book is as big as any I know. A deep-mined and lovingly made account of survival, endurance and natural resilience in our old and broken world ... Heart-stoppingly beautiful.
—— Tim Dee , author of The Running Sky and Four FieldsIt takes a special kind of writer to make magic from the everyday. Rob Cowen has created something extraordinary; a journey into the Northern dreamtime in starkly beautiful prose. Common Ground gives us a new perspective on familiar places; makes us think again about what we think we know of our world; helps us understand the links that bind us to our landscape, and, like Blake, makes us see Heaven in a wild flower.
—— Joanne HarrisHeartfelt, deep, beautiful and moving.
—— Tristan Gooley, The Natural NavigatorFormally brave, beautifully written; an intimate account of one of life’s great turning points, and a luminous, painstaking exploration of place.
—— Melissa Harrison , author of At Hawthorn Time and ClayBoldly imaginative… This is writing of the highest order… Deep, rich and alive in prose that bubbles up from the fetid loam and, as in the work of, say, John Clare, William Wordsworth or DH Lawrence, takes pleasure in every microscopic, fecund detail… What makes this book special is the author’s total immersion in his subject… [Cowen] is an outlier, a Northern voice, a set of eyes on the soil, and Common Ground is his outstanding addition to – and expansion of – the canon.
—— Ben Myers , Caught By the RiverBeautiful. It’s refreshing to read a piece of place-writing that digs so deeply and tenderly into a marginal landscape, and which (strikingly) does so using a novelist’s tools as well as a nature writer’s.
—— Will Atkins , author of The MoorCowen's relationship with this morsel of land is intense and honest, and described in superb prose... Not only rich and strange, but also astonishing.
—— Adam Thorpe , Resurgence and EcologistWhen Cowen thinks of himself as an owl or a butterfly or a fox caught in a snare the book lights up... leaping over the space between animal and human as though there were no difference between us.
—— Kirsty Gunn , GuardianCowen is without doubt one of our best current writers on landscape, on a par with Roger Deakin, Richard Mabey and Robert MacFarlane
—— Solitary Walker blogWonderful … An eerie haunting book … rendered with hair-raising, almost hallucinogenic, lyricism. Cowen moves on through the seasons of the year and the creatures of the edge land, feeling, more than observing, how the improving circumstances of animal life mirror his own climb out of darkness.
—— Brian Bethune , Maclean'sBlending natural history with a novelistic approach, Cowen revives his connection to the evocative, mysterious power of the natural world.
—— Sunday ExpressA luminous nature book
—— Arminta Wallace , Irish TimesVery beautiful indeed... [Cowen] has all the alliterative grace and fresh metaphors of a poet
—— Rebecca Foster , New Books[A] poetic memoir... This apparently scrappy and overlooked piece of wasteland - a tangle of wood, meadow, field and river - proves to be, under [Cowen's] forensic and magnifying gaze, brimming with riches.
—— Ruth Campbell , Northern EchoHe is engrossed by his landscape, enthralled by the minutiae and evokes the same fascination in the reader
—— Daily MailWroe passes her elusive subject, light itself, through the prism of her dazzlingly well-read mind, and the resulting rainbows fairly dance across the page… An utterly original book that will leave you, in every sense of the word, enlightened.
—— Claire Lowdon , Sunday Times, Book of the YearAnn Wroe’s Six Facets of Light is a fascinating and original meditation [on light]. Six Facets of Light is an exquisite collage of relations, a prose poem to “what escaped” absolutely everyone – and to how madly, brilliantly, they tried to “be in step”.
—— Joanna Kavenna , Times Literary Supplement