Author:John Micklethwait,Adrian Wooldridge
In The Fourth Revolution, John Micklethwait and Adrian Wooldridge ask: what is the state actually for? Their remarkable book describes the three great revolutions in its history, and the fourth which is happening now
In most of the states of the West, disillusion with government has become endemic. Gridlock in America; anger in much of Europe; cynicism in Britain; decreasing legitimacy everywhere. Most of us are resigned to the fact that nothing is ever going to change. But as John Micklethwait and Adrian Wooldridge show us in this galvanizing book, this is a seriously limited view of things. In response to earlier crises in government, there have been three great revolutions, which have brought about in turn the nation-state, the liberal state and the welfare state. In each, Europe and America have set the example. We are now, they argue, in the midst of a fourth revolution in the history of the nation-state, but this time the Western way is in danger of being left behind.
The Fourth Revolution brings the crisis into full view and points towards our future. The authors have enjoyed extraordinary access to influential figures and forces the world over, and the book is a global tour of the innovators. The front lines are in Chinese-oriented Asia, where experiments in state-directed capitalism and authoritarian modernization have ushered in an astonishing period of development. Other emerging nations are producing striking new ideas, from Brazil's conditional cash-transfer welfare system to India's application of mass-production techniques in hospitals. These governments have not by any means got everything right, but they have embraced the spirit of active reform and reinvention which in the past has provided so much of the West's comparative advantage.
The race is not just one of efficiency, but one to see which political values will triumph in the twenty-first century: the liberal values of democracy and freedom or the authoritarian values of command and control. The centre of gravity is shifting quickly, and the stakes could not be higher.
Brilliantly incisive ... sparkling
—— Daniel Johnson , StandpointThe cost of government is no longer an ivory-tower whinge . . . [a] splendid diatribe
—— Simon Jenkins , Mail on SundayI loved the painter Celia Paul’s memoir Self-Portrait. It’s fascinating for its account of her long-term lover Lucian Freud (he emerges as the ultimate man-baby, by turns charismatic, needy and breathtakingly selfish), but it’s also painfully honest on what it means to be a woman who puts art first, no matter what.
—— Olivia Laing , New StatesmanThe publication of this, her first book, is of great significance... Having recently returned to writing again, she has found a new confidence, in words, in herself and in her painting... No longer wanting to remain simply a part of Freud’s story, she wanted to make him part of her story, a narrative about her life as a painter. ... Paul’s memoir therefore seems fresh, and comes as a surprise.
—— Frances Spalding , Guardian, *Book of the Week*A story of obsession and manipulation that sends our feelings on a rollercoaster... [Self-Portrait] turns into a sort of myth about the misuse of fame and the male ego, about the struggles faced by creative women, about the body in all its guises. Like a myth, it unfolds with confusions and contradictions, a terrible inevitability and many, many discomfiting truths.
—— Jan Dalley , Financial TimesIn this fascinating memoir, you watch a woman being gradually eviscerated by love-torture. Illustrated with Celia Paul's paintings, it is partly a pitilessly honest re-living of that ten-year episode of her life, and partly a meditation on the eternal problem of how to juggle lovesickness and an artistic career. It's also an enthralling examination of female self-esteem: how it can be slowly destroyed and, eventually, rescued.
—— Ysenda Maxtone Graham , Daily Mail, *Book of the Week*Paul is one of the most thoughtful and significant living women artists and Self-Portrait helps suggest why… Her painting and writing are of a piece — closely observed, not seeking to flatter, and with people always as her focus.
—— Michael Prodger , Sunday Times *Books of the Year*Beguiling… Self-Portrait illuminates how supremely difficult it is to make an artistic practice work alongside the demands of care-giving and home-making… The author draws on the rare reflective power she exhibits in her art, to communicate what, she found, painting could not.
—— Amie Corry , Times Literary SupplementCompelling... The story she relates through images and words has the feel of a painter’s parable, in which hardship, sacrifice and solitude lead, eventually, to something like grace... Paul is uninterested in making herself appear more palatable for the benefit of a reader. She accounts for her life like a person peeling off her bandages, often asking her audience to share in her experiences of difficulty and hurt.
—— Rosanna McLaughlin , FriezeFascinating... Paul's paintings, interspersed throughout the book, are quite extraordinary - ambiguous and mystical... Her style is passionate [and] direct.
—— Joanna Kavenna , Literary ReviewAn impressive portrait of the artist as a young woman...candid, non-judgemental and illuminating.
—— Lucy Hughes-Hallett , OldieEngrossing.
—— Vogue[An] insightful, unflinchingly honest account, she [Celia Paul] describes her need for space to work and think, her emotionally tempestuous 10-year relationship with Lucian Freud.
—— Eithne Farry , Sunday ExpressBeautifully written, and thoughtful
—— Joanna Moorhead , TabletA deeply affecting and lyrical self-portrait of the artist as a young woman, which quietly builds in strength and luminosity, culminating in a glorious state of serenity and self-knowledge.
—— Chloe AridjisAn insight into the white knuckle determination needed to make great art, and why it is so few women painters reach the heights. An astoundingly honest book, moving and engrossing – full of truths.
—— Esther FreudSelf-Portrait demonstrates a painter’s startling command of language and her moral power of seeing the world concretely and without subjectivity. Celia Paul’s account of the young woman artist’s struggle towards expression is a story that exposes some of the deepest wounds in our cultural psyche: the ambiguous power of the male artist, the vulnerability and isolation of the woman driven to create, the question of who owns her, of her very body and what it’s for. Written with beauty and candour but without anger, Self-Portrait will yet arouse indignation in its readers, for its delicate exposure of what occurs in the pursuit and misuse of artistic status.
—— Rachel CuskSelf-Portrait by Celia Paul is a valuable document. The precision and intimacy of her writing is as impressive as the empathy and power of her painting. I feel that this book will be important to many readers.
—— Frank AuerbachA wonderfully honest and thoughtful book, unburdened by anger or blame or the need to justify, even though it is conjuring up the presence of such a difficult and complicated man. The words make pictures in my head, just as the pictures make words.
—— Julia BlackburnI loved Celia Paul’s memoir. It reminded me what it felt like to be a very young painter – and also just very young.
—— Chantal JoffeI have been reading the wonderful autobiography Self-Portrait by Celia Paul, which recounts her early life as an artist and her relationship with Lucian Freud, with whom she spent ten years and had a son.
—— Megan Nolan , New StatesmanCelia’s writing, like her painting, is unflinchingly honest and utterly heart wrenching. This book charts how as an artist and a young woman, with the sensitivity of a butterfly and the ferocity of a lion, Celia Paul makes her way through these enthralling and bewildering formative years.
—— Vicken ParsonsA depiction of difficult relationships between artists—fruitful and terrifying… [Self-Portrait] is important and necessary.
—— Jonathan McAloon , ElephantIt’s a haunting companion piece to William Weaver’s recent rumbustious biography of Lucian Freud, Paul’s former lover. Freud’s personal life made Picasso’s seem a Victorian model of temperance and it’s interesting to reflect on the slack cut for great artists, so long as they were men.
—— Annalena McAfee , Daily MailPaul's memoir, Self-Portrait, is to me among the greatest ever books by an artist.
—— Rachel Cooke , Observer[A] truly fascinating story
—— Artists & IllustratorsAn entertaining collection.
—— Mail on SundayPretty impressive.
—— The SunSensitive, often witty and sometimes melancholic reflections.
—— EconomiaUnveil[s] the inventive mind behind his regular-guy façade.
—— Daily TelegraphPerfect for book lovers and cinephiles alike.
—— ElleA pretty damn good writer.
—— OK! MagazineFull of Hanks' winning charm.
—— Mr HydeHanks’ measured storytelling makes the collection an addictive read.
—— Hindustan TimesStartlingly good… A spellbinding easygoing read, it is hard to find any fault, other than that Hanks is annoyingly talented and yet still somehow remains impossible to dislike.
—— Irish NewsStartlingly good … each of these 17 stories leap out from the page in their authenticity and whimsicality … A spellbindingly easygoing read, it is hard to find fault.
—— Press AssociationA wonderful collection.
—— CandisWarm, gently funny and mostly engaging.
—— RedBehind the collection is a warmth and humanity.
—— Sunday SportUnexpectedly brilliant.
—— Love It!A spellbindingly easygoing read, it is hard to find fault.
—— The UniverseRich range of subject matter and emotions.
—— Harrods Magazine