Author:Mari Jungstedt,Tiina Nunnally
A violent robbery. A hit-and-run. A brutal murder.
In the stifling heat of an August morning on the beautiful Swedish island of Gotland, terror shatters the calm.
An armed robbery is over in minutes, leaving a little girl on the road, hit by the getaway car.
Desperate to find those responsible, the police track down one of the culprits. But he is dead, brutally murdered at a remote farm. Tattooed on his arm are three initials: his own and two others. The only clues to the identity of his friends.
As the hunt to find the remaining two robbers intensifies, there’s every chance the murderer is on their trail too. Can Detective Superintendent Knutas beat them to it?
Writers such as Henning Mankell may outsell Jungstedt in the UK, but - if there is any justice - she will not remain caviar to the general
—— Barry ForshawThere is an icy dispassionate grip to Jungstedt's writing that recalls Henning Mankell
—— MetroShe is in total control of plot and pace, conveys chilling atmosphere and her characters are well above average for believability
—— The TimesJungstedt delivers excellent clammy atmosphere and a constant premonition of weird deaths to come. She's becoming one of Scandinavia's best crime writers, no mean compliment in a crowded field
—— The TimesSearle shows a gift for complex plotting
—— Daily Telegraph on 'The Good Liar'A surefooted, exciting and intelligent procedural; a very good debut
—— Stav Sherez[A] promising debut
—— Sunday Times Crime Club *Star Pick*A haunting, brooding debut
—— PsychologiesA chilling, creeping novel with parallels to more modern forms of witch-hunts
—— Red'Anyone who liked Cecilia Ekback's Wolf Winter is going to love this. [It's] about tiny braveries and small courage... a real David and Goliath story, but far less straightforward'
—— Natasha Pulley, author of The Watchmaker of Filigree StreetBeth Underdown cleverly creates a compelling atmosphere of dread and claustrophobia... Even from the distance of nearly four hundred years, her Matthew Hopkins is a genuinely frightening monster
—— Kate Riordan, author of The Girl in the Photograph'A clever, pacey read that blends truth and fiction'
—— The Times'A clever novel with a slow burn of horror'
—— Guardian'An accomplished debut novel... this is a powerful, disturbing book, full of drama, with a masterly evocation of England in the 1640s and a sickening final twist'
—— Sunday Express'Superb: dark, terrifying and utterly compelling'
—— Tracy Borman'Alice's voice reaches us with admirable clarity and she tells a truly horrifying story with compassion and intelligence. This is a truly accomplished and satisfying début novel'
—— Adele GerasA novel for our times. Beth Underdown's The Witchfinder's Sister explores another time and another place to lay bare the visceral horror of what a witch hunt truly is
—— New York Times Book ReviewEntertaining and thought-provoking, with a valuable message for our own times
—— Washington PostIt's a hell of a good book. Funny and scary. She nails the feuding moms.
—— Stephen KingA dark and poignant debut
—— Huffington PostFans of lush, psychological dramas like Top of the Lake or Broadchurch have their winter reading cut out for them. A provocative first novel filled to the brim with dazzling language, mystery, and a profound belief in the human capacity to love and seek forgiveness
—— Kirkus (starred review)Shocking and heartbreaking, Ruskovich has crafted a remarkable love story and a narrative that will stay with readers
—— Publishers Weekly (starred review)With lovely language and piercing pathos, Idaho focuses on the power of love and the possibilities of forgiveness and memory. This debut novel deals blows as large as life
—— Shelf-AwarenessIn Emily Ruskovich's wizardly vision, Idaho is both a place and an emotional dimension. Haunted, haunting, her novel winds through time, braiding events and their consequences in the most unexpected and moving ways
—— Andrea Barrett, author of The Voyage of the NarwhalA novel written like music… a chorus of rich and beautiful voices woven deep in the Idaho woods, each trying to come to their own understanding of a terrible tragedy
—— Hannah Tinti, author of The Good ThiefEmily Ruskovich has written a poem in prose, a beautiful and intricate homage to place, and a celebration of the defeats and triumphs of love. Beautifully crafted, emotionally evocative, and psychologically astute, Idaho is one of the best books I have read in a long time
—— Chinelo Okparanta, author of Under the Udala TreesExquisitely crafted
—— Wall Street JournalIdaho begins with a rusted truck and ends up places you couldn’t imagine. Its language is an enchantment, its vision brutal and sublime
—— Leslie Jamison, author of The Gin ClosetBeautiful, brutal and incandescent
—— Deirdre McNamer, author of Red RoverA strange, uncanny novel, bewitching and heady
—— Laura Freeman , SpectatorRichly rendered characters, with a well-delineated supporting cast and a strong sense of place. A debut of astonishing maturity.
—— Tim Blackburn , GuardianThis beautifully written and poetic novel is fascinating and disturbing… This is a novel which stays in the mind.
—— Dorothy Anderson , NudgeA powerful debut novel.
—— The Mail on SundayI kept flipping back, over and over, rereading pages and saying ‘Oh my God’ to myself.
—— William Leith , Evening StandardMina’s recent novel The Long Drop…is her most interesting work
—— Neil Mackay , HeraldAn atmospheric recreation of a vanished Glasgow…and a compelling exploration of the warped criminal mind. A Mina masterpiece
—— The Times, *Top Ten Crime Novels of the Decade*One of the most exciting writers to have emerged in Britain for years.
—— Ian RankinOne of the most fiercely intelligent of crime writers
—— Daily Telegraph