Author:Hallie Rubenhold
'A thrilling novel of female intrigue, betrayal and revenge. Read it!' LUCY WORSLEY
'Dark and delicious' Red Magazine
'Utterly gripping and highly relevant' SIMON SEBAG-MONTEFIORE
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Fear your neighbour. Praise the Republic. Preach liberty. Hate monarchy. Speak in whispers. Trust no-one.
Revolutionary Paris, 1792: As the city spirals into bloodshed, Henrietta Lightfoot a young Englishwoman runs for her life to the extravagant home of Grace Dalrymple, notorious courtesan to the aristocracy.
But loyalties are tested when she befriends Grace's arch rival, a committed revolutionary and mistress of the most powerful man in France. Trapped in a terrifying game of wits between these two dangerous women, Henrietta is about to learn the most brutal lesson of her life.
A tale of friendship and betrayal, The French Lesson is an eye-popping drama of power and manipulation, as the women written out of the French Revolution tell their own story of smarts and sacrifice.
PERFECT FOR FANS OF HARLOTS and BRIDGERTON
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'A gleefully modern retelling of a juicy chapter in history' The Times
'Rubenhold unfolds a complicated plot with great dexterity' Sunday Times
Morris tells Edward's story fluently and conveys a compelling sense of the reality, and the contingency, of personal rule... It is on the subject of "the forging of Britain" that Morris is most consistently thought-provoking
—— GuardianMarc Morris's new account of the life of Edward I is a splendid example of the genre. Edward's life is in many ways an ideal subject for such an approach, full of incident and action... An excellent, readable account of his reign
—— Literary ReviewThis is a direct, forthright and welcoming book... Edward I was called a "great and terrible king" and he has been well served by Marc Morris. He leads us confidently through the litany of battles and conflicts
—— Scotland on SundayA highly readable account of an important reign
—— ScotsmanMarc Morris has written the first full biography of Edward I for around 100 years, and uncommonly good it is too ... He was a remarkable man, and a great king. Marc Morris does him justice, brings him clearly before our eyes, and, like a true historian, judges him by the standards of his age, not ours. It's compelling stuff
—— Allan Massie , Daily TelegraphThe title of Marc Morris' book is apt. No king of England had a greater impact on the peoples of Britain than Edward I. By telling his story in the context of the thirteenth-century English views of the Scots and the Welsh, and seeing Scottish and Welsh developments as interlocking with, but being more than simply responses to English invasion, he has succeeded in writing a book for today
—— TLSAn insightful, compelling and highly readable account of one of Britain's most influential kings
—— Robyn Young, author of the Brethren TrilogyEdward I's reign during the Middle Ages was one of the most dramatic in history: a time of adventure and political advances, including Holy Land crusades and battles with Scotland. A brilliant biography
—— Daily ExpressHistorical biography's newest star
—— BooksellerIn the Diaries of Henry 'Chips' Channon, edited with colossal thoroughness by Simon Heffer we have a disgracefully enjoyable contribution to modern social history.
—— Books of the Year, Noel Malcolm , TLSWitty, bitchy and wildly entertaining.
—— Saga MagazineA compellingly readable diarist who lived through extraordinary times and knew everybody.
—— The Week MagazineOne of our juiciest memoirs of the year . . . Volume II of the unexpurgated diaries of Conservative MP Henry 'Chips' Channon is every bit as gripping, jaw-droppingly snobbish, whiningly self-obsessed and disarmingly frank as Volume I . . . Never a dull day, never a dull sentence.
—— Ysenda Maxtone-Graham , Daily MailWaspish high campery.
—— Mail on SundayMeticulous, witty and informative. The great strength of the diaries is Channon's position at the heart of government. A valuable source for historians of the period . . . I cannot wait for the next volume.
—— Andrew Lownie , History TodayWriter and historian Simon Heffer gives us part two of this full, shamelessly frank work. And a remarkable labour of love it is. . .This remarkable book, bursting with gossip, sex scandals and royal barbs, is a brilliant portrait of champagne-fuelled London life on the eve of war and in its early years . . . Utterly compelling reading.
—— Daily MailThe greatest British diarist of the 20th century. A feast of weapons-grade above-stairs gossip. Now, finally, we are getting the full text, in all its bitchy, scintillating detail, thanks to the journalist and historian Simon Heffer, whose editing of this vast trove of material represents an astonishing achievement. Channon is a delightful guide, by turns frivolous and profound.
—— Ben Macintyre , The TimesWickedly entertaining . . . scrupulously edited and annotated by Simon Heffer. Genuinely shocking, and still revelatory.
—— Andrew Marr , New StatemanChannon's chief virtue as a writer is his abiding awareness that dullness is the worst sin of all, and for this reason they're among the most glittering and enjoyable [diaries] ever written.
—— ObserverThe diaries are fascinating and sometimes a key historical record. And the man could write.
—— Daily MirrorGripping reading . . . While countless of Chip's decent contemporaries and especially politicians are today forgotten, the diaries make him an indispensable source for anyone writing of this period.
—— Max Hastings , The Sunday TimesChips perfectly embodied the qualities vital to the task: a capacious ear for gossip, a neat turn of phrase, a waspish desire to tell all, and easy access to the highest social circles across Europe . . . Blending Woosterish antics with a Lady Bracknellesque capacity for acid comment. Replete with fascinating insights.
—— Jesse Norman , Financial TimesBetter than any history or histories of these two decades . . . like a fusion of Debrett's and the Almanach de Gotha . . . Scrupulously scholarly . . . Simon Heffer has done a great service by revealing in this extraordinary new edition of the Channon diaries the decadence and complacency of the English political and upper classes.
—— Denis Macshane , The TabletMind-bending and utterly original. It's like Thomas Bernhard in the key of Rachel Cusk but about black subjectivity
—— Brandon Taylor, author of 'Real Life'Brilliantly sharp and curiously Alice-like... It centres on a gifted and driven young Black woman navigating a topsy-turvy and increasingly maddening modern Britain... Her indictment is forensic, clear, elegant, a prose-polished looking glass held up to her not-so-post-colonial nation. Only one puzzle remains unsolved: how a novel so slight can bear such weight
—— Times Literary SupplementA piercing, cautionary tale about the costs of assimilating into a society still in denial about its colonial past. Brown writes with the deftness and insight of a poet
—— Mary Jean Chan, author of 'Flèche'Bold, elegant, and all the more powerful for its brevity, Assembly captures the sickening weightlessness which a Black British woman, who has been obedient to and complicit with the capitalist system, experiences as she makes life-changing decisions under the pressure of the hegemony
—— Paul Mendez, author of 'Rainbow Milk'This is a stunning achievement of compressed narrative and fearless articulation
—— Publisher's WeeklyOne of the most talked-about debuts of the year . . . you'll read it in one sitting
—— Sunday Times StyleThrilling... Brown gets straight to the point. With delivery as crisp and biting into an apple, she short-circuits expectation... This is [the narrator's] story, and she will tell it how she wishes, unpicking convention and form. Like The Drivers' Seat by Muriel Spark, it's thrilling to see a protagonist opting out and going her own way
—— ScotsmanA nuanced, form-redefining exploration on class, work, gender and race
—— Harper’s BazaarAcross 100 lean pages, Brown deftly handles a gigantic literary heritage... Her style rivals the best contemporary modernists, like Eimear McBride and Rachel Cusk; innocuous or obscure on a first reading, punching on a second... Assembly is only the start
—— Daily TelegraphThere's something of Isherwood in Brown's spare, illuminating prose... A series of jagged-edged shards that when accumulated form an unhappy mirror in which modern Britain might examine itself
—— Literary ReviewA debut novel as slender and deadly as an adder
A razor-sharp debut... This powerful short novel suggests meaningful discussion of race is all but impossible if imperialism's historical violence remains taboo
—— Daily MailBold, spare, agonisingly well-observed. An impressive debut
—— TatlerExcoriating, unstoppable... The simplicity of the narrative allows complexity in the form: over barely a hundred pages, broken into prose fragments that have been assembled with both care and mercilessness
—— London Review of BooksBeguiling and beautifully written, this is the work of an author with a bright future
—— TortoiseCoruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force
—— Yorkshire TimesFierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you
—— EconomistI was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything
—— Lauren Elkin, author of 'Flaneuse'Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow
—— MoneyControlA masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound
—— Tess Gunty , GuardianAn extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended
—— Financial Times on 'Assembly' in audiobook'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'
—— Rebecca Tamas, author of 'Witch'Every line of this electrifying debut novel pulses with canny social critique
—— Oprah DailyDevastatingly eloquent, bold, poignant
—— Shelf AwarenessAn achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next
—— Shondaland[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising
—— Rowan Hisayo Buchanan , GuardianA brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment
—— Guardian, 'Best Fiction of 2021' , Justine Jordan