Author:Anika Scott
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'The kind of novel we need now more than ever, [and] achieves what the best historical fiction can . . . pushing us to see ourselves in that past, demanding: Who would you have been then? What would you have done? Unflinching and absorbing, [it] does not let you look away.' Sarah Blake, New York Times bestselling author of THE POSTMISTRESS
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Essen, 1946. Clara Falkenberg, once an iconic heiress, is on the run. With the city in ruins and her dear friend Elisa missing, Clara enlists the help of Jakob, a charming young racketeer with his own reasons for wanting to find Elisa. As the two join forces, it's not long before Clara's family secrets catch up with her. But she soon comes to realise the only way to survive is to face the truth of what she's done.
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'What a great debut! It still haunts me, days after finishing it.' Liz Trenow, author of The Poppy Factory and The Silk Weaver
'Anika Scott's finely drawn characters ... bring to life not only the struggle to rise from the ashes of war, but also the depth of resolve often required to gain redemption. Illuminating and beautifully rendered.' Susan Meissner, author of The Last Year of the War
'Meticulously researched and plotted like a noir thriller, The German Heiress tells a different story of WWII - of characters grappling with their own guilt and driven by the question of what they could have done to change the past.' Jessica Shattuck, author of The Women in the Castle
'Anika Scott's epic novel offers a captivating tour through the reckoning years that followed WWII when clarifying identities, unearthing truths, and facing judgements was the only way to rebuild a life. The novel's heroine, Clara, marches along the razor's edge between the leviathan of the past and a future full of mine shafts. I will never forget her unending struggle to rise above the dark lineage thrust upon her and her battle to stay connected to the deep binds of love, responsibility, and compassion.' Devin Murphy, author of The Boat Runner
'The German Heiress is a special novel that opens one's mind to aspects of history we on the "winning" side have given little thought to, and a moving story of courage and everyday heroism rising to meet unbearable challenges.' Alex Marwood, author of The Wicked Girls
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Previously published as Finding Clara
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Readers are falling in love with The German Heiress:
'A story that kept me engrossed from start to finish. I loved it.'
'A stunning debut that will stay with me long after finishing the last page.'
'A brilliant story which will keep you reading late into the night!'
'An intense, dark and twisted historical read that skilfully portrays the often common experiences, horrors and dilemmas of being on the losing side in a war for ordinary people.'
'A fascinating read about fighting for survival in post-World War 2 Germany'
'The story is a page turner which had me gripped the whole way through'
'A gripping read with a well-drawn characters.'
'For those that love historical fiction, this was an unique and gripping plot'
The German Heiress is the kind of novel we need now more than ever. Set in Germany, eighteen months after the war, reckonings of every sort are playing out and Anika Scott deftly builds a world in which all the shades of gray - Nazi collaboration and complicity among civilians - are brought to life. The German Heiress achieves what the best historical fiction can, asking us to see the past, and then pushing us to see ourselves in that past, demanding: Who would you have been then? What would you have done? Unflinching and absorbing, The German Heiress does not let you look away.
—— Sarah Blake, New York Times bestselling author of THE POSTMISTRESSFans of The Tattooist of Auschwitz will be fascinated by Scott's portrayal of post-war Germany.
—— Woman[An] extraordinary novel.
—— Woman & Home[A] thought-provoking and meticulously researched tale of redemption that transports readers to post-war Germany.
—— CultureFlyMeticulously researched and plotted like a noir thriller, The German Heiress tells a different story of WWII - of characters grappling with their own guilt and driven by the question of what they could have done to change the past.
—— Jessica Shattuck, New York Times bestselling author of THE WOMEN OF THE CASTLEAnika Scott's epic novel offers a captivating tour through the reckoning years that followed WWII when clarifying identities, unearthing truths, and facing judgements was the only way to rebuild a life. The novel's heroine marches along the razor's edge between the leviathan of the past and a future full of mine shafts. I will never forget her unending struggle to rise above the dark lineage thrust upon her and her battle to stay connected to the deep binds of love, responsibility, and compassion.
—— Devin Murphy,author of THE BOAT RUNNERA powerful, profound debut by a journalist with a gift for storytelling.
—— Saga MagazineAnika Scott's riveting novel compellingly explores the nature of innocence and guilt, and the human desire for redemption. A terrific book with historical detail skillfully woven into the fabric of the story. An absolute must-read for all fans of World War II fiction!
—— David Gillham, New York Times bestselling author of CITY OF WOMEN and ANNELIES[A] fascinating area to look at ... a tense, noirish plot with dangers at every turn ... It's a fascinating world of ambiguity, in an area we so often think of as being black and white ...The historical details and descriptions are well-drawn ... the story moved along quickly and compellingly - yes I stayed up late to finish it.
—— Frost MagazineAnika Scott's finely drawn characters in The German Heiress bring to life not only the struggle to rise from the ashes of war, but also the depth of resolve often required to gain redemption. Illuminating and beautifully rendered.
—— Susan Meissner, bestselling author of THE LAST YEAR OF THE WARPowerfully told and rich in atmosphere.
—— Peterborough Evening TelegraphWhat a great debut! It still haunts me, days after finishing it.
—— Liz Trenow, New York Times bestselling author of THE POPPY FACTORY and THE SILK WEAVERI felt as though I was walking through the rubble of Essen and shivering in the bitter cold right alongside Clara Falkenberg. In this haunting and atmospheric novel, Anika Scott delivers a nuanced and emotional
look at the often un-talked about side of WWII - the devastation of German towns and cities and the weight of conscience on those who remain. [It's] is a powerful reminder that no one gets out unscathed.
Scott's magnetic debut follows one woman's quest for survival amid the devastation of post-WWII Germany ... Fans of WWII fiction will be intrigued by Scott's exploration of how war changes the moral compass of its victims.
—— Publishers WeeklyA timely read that does a brilliant job of depicting the human cost when violence shifts from abstraction to reality
—— Mail on Sunday Event MagazineProvocative and resolutely compassionate
—— TravellerReliably funny and wise, featuring delightfully eccentric and endearing characters
—— Daily ExpressArguably his best…. A must-read
—— Victoria Moore , Daily MailStunningly simple and profound.
—— Will Gore , Catholic HeraldThe strength of this masterly novel is that it illuminates without pretending to explicate.
—— Ronan Farren , Belfast Telegraph MorningIt’s signature Amis at his most inventive, and it is through…inspired and irreverent fluency that his dead-serious purpose is realized.
—— Tova Reich , Washington PostMost fiction would break under the weight of so much self-reflection, but The Zone of Interest does not even bend... Deft, ironic and horribly funny... A brilliantly believable account of an episode which is beyond belief.
—— Frances Wilson , OldieThe Zone of Interest succeeds because in it Amis is seriously funny - that is to say, funny for serious purposes.
—— Ben Cooke , Cherwell NewspaperMartin Amis’s best novel in years
—— Ian Rankin , GuardianIt’s a brilliant feat of imagination and chutzpah.
—— Viv Groskop , ObserverIs the Holocaust a fit subject for fiction? … The only proper response is to read this remarkable, deeply disturbing and quite original novel.
—— Alan Taylor , HeraldMartin Amis’s The Zone of Interest achieved the near impossible, confounding his detractors with this horrifying glimpse into the heard of Nazi darkness.
—— Bert Wright , Irish TimesThe Zone of Interest is Amis at his boldest and best.
—— Allan Massie , ScotsmanWhat would be otherwise be light entertainment…becomes sinister and strange, warped by the enormous atrocities happening just offstage.
—— Lev Grossman and Radhika Jones , Time MagazineMartin Amis’s best novel in years.
—— Ian Rankin , Guardian WeeklyIt is always hard to read factual material about the Holocaust but in fiction Amis has shined a light into this darkness which offers no answers but is still profoundly moving.
—— Richard Jaffa , Birmingham Jewish RecorderIt was very, very good.
—— Joseph Connolly , LadyI think everyone should read it – it is so horrific.
—— Kirsty Wark , LadyA well-received return to form
—— Charlotte Heathcote , Daily ExpressAstonishingly bold novel… [It] is Amis’s best work in years
—— Mail on SundayAmis’s best work since Money
—— Richard Susskind , The Times