Author:Steven Johnson
From the bestselling author of Everything Bad is Good For You, Steven Johnson's The Ghost Map vividly recreates Victorian London to show how huge populations live together, how cities can kill - and how they can save us.
Steven Johnson is one of today's most exciting writers about popular culture, urban living and new technology. In The Ghost Map he tells the story of the terrifying cholera epidemic that engulfed London in 1854, and the two unlikely heroes - anesthetist Doctor John Snow and affable clergyman Reverend Henry Whitehead - who defeated the disease through a combination of local knowledge, scientific research and map-making.
In telling their extraordinary story, Steven Johnson also explores a whole world of ideas and connections, from urban terror to microbes, ecosystems to the Great Stink, cultural phenomena to street life.
'A wonderful book'
Mail on Sunday
'A thumping page-turner'
Daily Telegraph
'Enthralling ... vivid and gripping'
New Statesman
'Exhilarating'
Spectator
'It is a rattling scientific mystery, but in the hands of Steven Johnson it becomes something much richer ... a vast, interconnected picture about urban and bacterial life ... it is difficult to do justice to the exuberance of Johnson's ideas'
Scotland on Sunday
Steven Johnson is the author of the acclaimed books Everything Bad is Good for You, Mind Wide Open, Where Good Ideas Come From, Emergence and Interface Culture. His writing appeared in the Guardian, the New Yorker, Nation and Harper's, as well as the op-ed pages of The New York Times and the Wall Street Journal. He is a Distinguished Writer In Residence at NYU's School Of Journalism, and a Contributing Editor to Wired.
What elevates this book... is Wright's gentle humour and his ability to create a vivid impression of his literal and emotional journey... with such wit and perception
—— SUNDAY TELEGRAPHHilarious and evocative... Michael Wright's book provides the most startlingly honest answer to the question of "can you live your dreams or do they inevitably turn into nightmares?"
—— Dr RAJ PERSAUDWright captures the fun of the countryside perfectly
—— THE SUNDAY TIMESAn ambitious and convincing attempt to bring back to life the man who was responsible for so many less respectable acts of resurrection
—— New Statesman[An] evocative biography... Burch (clearly smitten) dares the reader to empathise with "this vain, egotistical, nepotistic and rather wonderful" man, with considerable success
—— The LancetBesides being disgustingly entertaining ... these shocking stories are valuable history. As a doctor himself, Burch evokes the tensions between brutality and beautiful science by informing the historical narrative with his own memoirs
—— New ScientistA mine of information...a fascinating book about art and science that is packed with anecdotes
—— Contemporary PhysicsBright Earth proves that many of the world's greatest artists owe a great debt to the questing colourmen behind them
—— Artists & IllustratorsA memoir ... that robes the peculiarly strong and almost inexpressible relationship between people and mute creatures - a love that at times goes beyond reason, yet can also represent the most profound attachment ... Doty, who is also a poet, writes with intelligence and lyricism.
—— MetroIlluminating, perceptive and profound meditation on life, death and the adoration of dogs.... Doty is rightly regarded as one of America's finest living poets - recipient of the Los Angeles Times Book Prize and the T.S.Eliot Prize. He brings that sensibility to bear on the very weight of a dog's head in your hand, the way they know you are leaving and show it in their eyes, the nuances of their wags. He unashamedly regales us with the silliest details (the way the animals sprawl on the bed between him and his partner) to demonstrate his own inarguable humanity.... You finish this memoir like a retriever after a stick, with no choice but to start over again.
—— The Times[A] moving book.
—— The ReaderA major new exposé . . . This is not yet another doomsday read about the perils of flying, or debating the pros and cons of carbon off-setting, it's an honest account of the huge impact we have on the destinations we frequent . . . Rather than throwing reams of statistics at us, Hickman paints a more graphic picture of the impact our travelling makes by telling the story through the eyes of locals he meets on his way round the globe. His discoveries of what lies behind the glossy veneer of a resort hotel make for sober reading.
—— ScotsmanA fascinating and harrowing read. I doubt anyone has spelt out the inherent dangers of tourism so clearly before. The publication of this could well prove to be a 'tipping point'.
—— Jason Webster, author of GUERRALeo Hickman's enthralling book should be read by politicians, students and, most of all, by every would-be tourist.
—— Tahir Shah, author of THE CALIPH'S HOUSEThis is a really excellent critique of the travel industry . . . If you are interested in the tourist industry this book is highly recommended, being easy to read, while being very thorough and searching in the questions it asks.
—— Fiona Archer , www.ecozine.co.ukExcellent and thoroughly compelling . . . The Final Call deserves to be read by those of us lucky enough to be able to fly on a regular basis . . . Hickman's book is a sobering, thoughtful and intelligent reminder that it is a privilege we need to be forcefully reminded not to take for granted.
—— Irish TimesThoughtful and thought-provoking.
—— Mick Herron , GEOGRAPHICAL magazineWell written and engaging without being too gloomy and prescriptive, this book makes for uncomfortable, yet necessary, reading for anyone who enjoys travel.
—— TelegraphThis much appreciated book should be a must-read for everyone who likes to travel, and should be translated into the languages of the world's tourism champions. It should also be a must-read for politicians and decision makers in development agencies to finally understand that tourism has lost the 'virginity' of a harmless leisure sector to develop into a dangerous global driving force which needs to be regulated and restricted.
—— Contours magazine