Author:Daniel Beer
WINNER OF THE CUNDHILL HISTORY PRIZE 2017
SHORTLISTED FOR THE WOLFSON HISTORY PRIZE 2017, THE PUSHKIN HOUSE RUSSIAN BOOK PRIZE 2017 AND THE LONGMAN-HISTORY TODAY BOOK PRIZE 2017
THE TIMES, SPECTATOR, BBC HISTORY and TLS BOOKS OF THE YEAR
'Masterful, gripping ... filled with astonishing, vivid and heartbreaking stories of crime and punishment, of redemption, love and terrifying violence. It has an amazing cast of despots, murderers, whores and heroes. It's a wonderful read' Simon Sebag Montefiore
It was known as 'the vast prison without a roof'. From the beginning of the nineteenth century to the Russian Revolution, the tsarist regime exiled more than one million prisoners and their families beyond the Ural Mountains to Siberia.
The House of the Dead, brings to life both the brutal realities of an inhuman system and the tragic and inspiring fates of those who endured it. This is the vividly told history of common criminals and political radicals, the victims of serfdom and village politics, the wives and children who followed husbands and fathers, and of fugitives and bounty-hunters.
The tsars looked on Siberia as creating the ultimate political quarantine from the contagions of revolution. Generations of rebels - republicans, nationalists and socialists - were condemned to oblivion thousands of kilometres from European Russia. Over the nineteenth century, however, these political exiles transformed Siberia's mines, prisons and remote settlements into an enormous laboratory of revolution.
This masterly work of original research taps a mass of almost unknown primary evidence held in Russian and Siberian archives to tell the epic story both of Russia's struggle to govern its monstrous penal colony and Siberia's ultimate, decisive impact on the political forces of the modern world.
'An absolutely fascinating book, rich in fact and anecdote.' - David Aaronovitch
'A splendid example of academic scholarship for a public audience. Yet even though he is an impressively calm and sober narrator, the injustices and atrocities pile up on every page.' - Dominic Sandbrook
'A superb, colourful history of Siberian exile under the tsars' - The Times
Excellent... an expansive work that neatly manages to combine a broad history of the Romanovs' Gulag with heart-rending tales of the plights of individual prisoners
—— Douglas Smith , Literary ReviewA splendid example of academic scholarship for a public audience. Yet even though he is an impressively calm and sober narrator, the injustices and atrocities pile up on every page.
—— Dominic Sandbrook , The Sunday TimesAn absolutely fascinating book, rich in fact and anecdote.
—— David Aaronovitch , The TimesIn many ways Siberia truly was a House of the Dead - as Daniel Beer, who borrows the title of Fyodor Dostoevsky's prison novel for his masterful new study, recounts in horrific and gripping detail. Because of its far greater scale and brutality, the Soviet gulag has eclipsed the memory of the Tsarist penal system in the popular imagination. Beer redresses that imbalance by bringing the voices of the million-plus victims of katorga vividly to life.
—— Owen Matthews , SpectatorAlthough Beer's subject is grim, his writing is not. Grace notes of metaphor elevate The House of the Dead above standard histories; it is also ground-breaking and moving
—— Oliver Bullough , The TelegraphIf the scale of the Siberian penal exile inspires a sense of dreadful awe, then the detail is tragic, heart-breaking and marked with individual horror. The vast, Steppe-like sweep of Daniel Beer's work is impressive, sustaining a narrative that ranges from 1801 to 1917, and involves more than one million exiled souls into an area that is one and a half times bigger than the continent of Europe ... An extraordinary, powerful and important story
—— Hugh MacDonald , Herald[This] masterly new history of the tsarist exile system... makes a compelling case for placing Siberia right at the centre of 19th-century Russian-and, indeed, European-history. But for students of Soviet and even post-Soviet Russia it holds lessons, too. Many of the country's modern pathologies can be traced back to this grand tsarist experiment-to its tensions, its traumas and its abject failures.
—— EconomistDaniel Beer's The House of the Dead is a detailed, rich and powerful account of the inhumane system of imprisonment and exile in Tsarist Siberia that shows how little changed between Tsarism and Stalinism. Both were built on the bones of ordinary Russians
—— Neil Robinson , Irish ExaminerAn eye-opening, haunting work that delineates how a vast imperial penal system crumbled from its rotten core
—— Kirkus ReviewsImpeccably researched, beautifully written
—— Donald Rayfield , GuardianMasterful, gripping and deeply researched. It's filled with astonishing, vivid and heartbreaking stories of crime and punishment, of redemption, love and terrifying violence. It has an amazing cast of despots, murderers, whores and heroes, and takes place in godforsaken mines, Arctic villages and beautiful taiga. It's a wonderful read.
—— Simon Sebag Montefiore , BBC History MagazineThe wretched existence of those banished to Russia's freezing expanses east of the Urals is vividly described in this excellent study... if you want to read the most remarkable recent study of Siberian exile under the Tsars, [read] Beer
—— Paul Dukes , History TodayDaniel Beer's The House of the Dead: Siberian exile under the Tsars (Allen Lane) is both a gripping read and an extraordinary feat of scholarly analysis, delivered with the scope and empathy of a novelist - appositely, as both Dostoevsky and Chekhov are part of Siberia's story. The microhistories as well as the grand narrative illuminate a terrible swathe of Russian (and Polish) history.
—— Roy Foster , TLSRoper…has an extraordinary talent for making complex theological issues not just clear but entertaining.
—— Gerrard DeGroot , The TimesBeautifully written… Among the most interesting, provocative and original biographies of Luther to appear in recent years… This unfailingly inventive and compelling account is a welcome gust of fresh air… Anyone seriously interested in one of the most influential figures of the last half-millennium will need to make time to read this one.
—— Peter Marshall , Literary Review[It is] fresh and captivating… A closely focused and compellingly intimate study of Luther’s perceptions.
—— Alexandra Shephard , History Today, Book of the Year[A] rewarding biography… Roper brings him alive as a very human figure.
—— Dominic Sandbrook , Sunday Times, Book of the YearThis is the book about Luther we’ve missed among all the holy books and the case studies: the whole engrossing story of a soul and a mind and the man who broke the old world and its old ways for ever. Lyndal Roper brings alive the struggle for ideas, adds a subtle sense of how human beings work, and distils a lifetime of scholarship to conjure Luther’s own world with its princes, demons, scandals and sheer brave defiance of a whole old order
—— Michael Pye, author of The Edge of the WorldCompelling and above all deeply honest biography.
—— David Crane , SpectatorThis book will continue to bring the reformer and his theology to life for generations to come.
—— Bridget Heal , History Today, Book of the Year[An] excellent study.
—— Jonathan Wright , BBC History Magazine*****
—— Christopher Howse , Sunday TelegraphRoper’s Luther is an angry man: a renegade and a rebel… [She] paints a vivid picture of the political and economic context in Mansfeld, where Luther grew up, and of the situation of Wittenberg and its political governance. There are important findings here, particularly relating to Luther’s early life
—— Charlotte Methuen , The Times Literary SupplementRoper writes with the virtuosity of an unsurpassed archival researcher, the grace of an elegant stylist, and the compassion of a seasoned student of human nature. Her nuanced and insightful portrait brilliantly evokes the inner and outer worlds of the man Luther. The book is a complete triumph.
—— Joel F. Harrington, author of The Faithful ExecutionerMagnificent and surely definitive – a work of immense scholarship, acute psychological insight and gloriously fluent prose. Lyndal Roper has got under the skin of her subject and the result is thrilling.
—— Jessie Childs, author of Henry VIII’s Last Victim and God’s TraitorsRoper’s scholarly strengths plus 10 years of careful research have yielded a richly contextualised biography of a man whose influence has been and remains enormous, for good or ill or both.
—— Brad Gregory , TabletThis is a helpful and insightful examination of Luther’s attitudes and relationships… Highly recommended.
—— Martin Wellings , Methodist RecorderRoper portrays a deeply flawed but fascinating human being to rival any of the major personalities of Tudor England.
—— Caroline Sanderson , BooksellerI heartily commend Martin Luther… It is simply the best English-language biography of Luther I’ve read and I’d be amazed if its combination of rigorous scholarship and approachable tone is bettered.
—— Francis Philips , Catholic Herald, Book of the Year[A] superb new biography… A challenging and deeply stimulating study of a major historical figure.
—— Elaine Fulton , History TodayThe work of a brilliant scholar, who had devoted years of research to the project, and it repays careful reading… There are rich treasures in the book, without a bout. Roper has a great gift for narrative… Roper’s exploration of the cultural and social world of the Saxon miners is masterly… Fascinating.
—— Euan Cameron , Church TimesA probing psychological account.
—— Very Rev. Professor Iain Torrence , Herald Scotland