In his lifetime Denis Johnson was far more highly regarded in America than in Britain… This stunning book – bleak, funny tender, despairing and ecstatic (sometimes all at the same time) – decisively proves that the Americans were right.

This posthumously published book of short stories is the long-awaited follow-up to Johnson’s Jesus’ Son (1992), perhaps the most influential and beloved volume of American short stories of the past three decades... One can say about this book what one narrator says about a collection of poems he loves: “They were the real thing, line after line of the real thing.”

[W]ith his untimely death, Johnson’s canonisation as an American seer seems inevitable... The five longish pieces comprising this posthumous collection are all, to my mind, quite wonderful.

Now Johnson is dead... we should be sorry to have lost such a wise and compassionate guide to life's darkness, but thankful to have his magnificent books. Here is another of them.

The prose remains as deliriously alive as ever. In one story there is a rueful, lyrical, lovely paragraph that I hope is more than fictionally true because it suggests that Johnson enjoyed himself producing some of the greatest literary works of our age.

Ranging from hard-edged to thoughtful, the engaging tales in this posthumous collection offer one voice crying out from rehab and another parsing the bonds of prison life.

He worked at a level different from the rest of us – a true master.

The God I want to believe in has a voice and sense of humor like Denis Johnson’s.

Our most poetic short story writer since Hemingway.

The great energy of his imagination was a fusion of honesty and seriousness, pain and laughter. His life was a thing of moment and urgency, pure and undistracted.

Prose of amazing power and stylishness.

When Denis Johnson is justly praised for his voice, I always think, just the one? He has an eerie symphony at his command.

Denis Johnson was and is and will continue to be one of our strongest writers. His work has an indigenous beat that marks it as unmistakably American.

Denis Johnson was and is, without question, significant and great.

Everyone who reads Denis Johnson comes away thinking he has spoken directly to some wracked and ragged, yet transcendent, aspect of their own secret heart.

His prose tiptoes a tightrope between peace and calamity.

Nobody wrote with more brutality and mercy, more hilarity and grace. What a genius he was.

[Denis Johnson’s] writing is life enhancing, like being suddenly hit by a marvellous trick of the light. I urge you to read this. I can’t imagine anyone with any kind of sensitivity to words or people not enjoying it.

Blistering, brilliant.

A true American artist ... a revelator for this still new century.

A dizzying mix of humour and near tragedy that leaves us unsure whether to laugh or weep… For too long, Denis Johnson was not sufficiently appreciated. A fine novelist and poet, as well as one of the best short story writers of his generation.

An instant classic…A masterpiece of deep humanity and astonishing prose…. It's filled with Johnson's unparalleled ability to inject humor, profundity, and beauty—often all three—into the dark and the mundane alike. These characters have been pushed toward the edge; through their searches for meaning or clawing just to hold onto life, Johnson is able to articulate what it means to be alive, and to have hope.

Like a good rock song, a typical Denis Johnson sentence describes, with total precision, what an emotion feels like … Johnson has sometimes been compared to Ernest Hemingway for his creation of a distinctive American idiom.

Denis Johnson was the best American writer of the past twenty-five years.

He was the kind of writer who comes along once in a generation, if that often: a true original, in the same league as Melville and Whitman.

Here are stories that feel generously improvised but never haphazard, uncanny but earthy, reconciled to the passing of time but themselves out of time. Few books so relentlessly concerned with death feel so relentlessly alive.

Denis Johnson writes short stories like no one has ever done before. He makes the normal electric; the everyday enormous. There is not a single word here that does not hit you square in the face and say: look, this is what it's about, this is what you need to know.

Denis Johnson’s stories are astonishing… they dash between quicksilver wit and gallows humour, twinning the superficial with the profound so elegantly. His sentences are exquisite, often having the capacity to sock a sudden punch. The last story made me gasp.

[An] absorbing collection of deceptively rambling, craftily casual tales ... Magical stuff.

Sometimes streetwise and tough, and always informal, light, elegant and miraculously tender.

The late Denis Johnson is arguably the most influential American prose writer of the last thirty years ... and in the posthumously published The Largess of the Sea Maiden it is blindingly clear why.

The five darkly comic stories that comprise The Largesse of the Sea Maiden are befitting final testaments to [Johnson’s] wild originality... His sentences, like his plots, are full of gorgeous little shocks.

How to sum up? It's... mind-blowing. Seriously. A lifetime book

[You Know You Want This captures] the torturous and complicated justifications for untoward behaviour in the search for closeness and connection.

What unites the collection is less her [Roupenian’s] gender politics than her interest in the way fantasies become distorted, disappointing, even dangerous when they approach reality… narrative twist[s] changes the direction of a story and leads it somewhere new. Roupenian’s desire to have her moral and reject it too could be said to put a twist on the twist.

Roupenian remains rooted in realism, she gives pause by exposing the sinister side of sexuality, and one looks forward to seeing what she might accomplish with the novel form.

Kristen Roupenian's debut short stories fulfil all expectations… she infuses mundane reality with a thrilling layer of menace.

One of the most anticipated story collections of the year.

Violence, cruelty or misunderstanding are never far away in these 12 stories, which are by turns, unsettling, ruthless and often funny.

Walker’s laconic, Hemingway-esque prose style perfectly complements his low-key approach to his material: the matter-of-fact tone in which he recalls his most horrific experiences in Iraq makes them seem all the more horrible. It works equally well with deadpan humour.

Roupenian is a wizard of provocative, psychological fiction, exploring the dark side of the human psyche. Each of her short stories is terrifyingly relatable, making the reader fear something much more relevant than more supernatural horror stories.

A fascinating and repugnant series of stories, all tremendous examples of what this unsung hero of a literary form can do.

Roupenian’s wildly discomfiting new collection, You Know You Want This… is often wonderfully, if grotesquely, physical… This book isn’t bedtime reading.

These are stories that make you feel fascinated but repelled, scared but delighted, revolted but aroused.

You Know You Want This is an alarming but compelling book. Roupenian’s short stories, weaving together science fiction, confession and fantasy, are like infections spreading across the senses, blocking out everything except the compulsion to read on… Roupenian achieves something few other writers have: providing a balanced reflection on a very difficult subject.

A new collection of stories that explores the complex - and often darkly funny - connections between gender, sex, and power across genres.