Author:John le Carré,Simon Russell Beale,Ian McDiarmid,Philip Jackson,Full Cast
George Smiley is one of the most brilliantly realised characters in British fiction. Bespectacled, tubby, eternally middle-aged and deceptively ordinary, he has a mind like a steel trap and is said to possess ‘the cunning of Satan and the conscience of a virgin’. When word reaches 'The Department' - an ailing section of British intelligence - that Soviet missiles are being installed close to the West German border, it seems the perfect opportunity to show Control and Smiley, their rivals over at the Circus, that The Department still has value. Former spy Fred Leiser is lured back from retirement to investigate, and manages to cross the border into East Germany in a dangerous night-time operation. But the world has changed since The Department's glory days during the Second World War. The harsh realities of the Cold War now prevail, and there is no place for heroes... Starring the award-winning Simon Russell Beale as Smiley, and with a distinguished cast including Ian McDiarmid and Philip Jackson, this compelling dramatisation perfectly captures the atmosphere of le Carré's chilling novel of deception and betrayal.
beautifully written and extremely interesting
—— Literary Reviewintelligent, intellectual, historical crime fiction at its very best
—— eurocrime.co.uk... perhaps the most accomplished entry so far.
—— IndependentScholarly and informative, cunningly put together - a real page-turner
—— Newbooks MagazineDarkness Rising has a strong, intelligent plot and a terrific atmosphere of fin-de-siecle Vienna
—— The Timesfascinating
—— The SpectatorWhether you are an aficionado of fin-de-siècle Europe, compelling crime fiction or strong characterisation, Darkness Rising delivers healthy doses of all three
—— Expressa thoroughly compelling piece of work
—— Mail on Sundayoutstanding
—— Sunday TimesA most enjoyable read and, as usual, Vienna sparkles with atmosphere
—— The TimesDon Winslow is the kind of cult writer who is so good you almost want to keep him to yourself
—— Ian RankinA fiction whose effect on the reader is almost as addictive as the slimming sweets on which Eugene becomes so disturbingly dependent
—— Sunday TelegraphRuth Rendell's sense of place and disdain for her characters elevates a sordid case of arson into an artful exploration of sinister self-delusion
—— Books of the Year, Evening StandardShe has made the city her own, and writes with both knowledge and compassion about its streets and buildings, its transport and its shops - and above all about its inhabitants ... As ever Rendell writes with wry and witty authority ... It's intelligent stuff, and very readable
—— SpectatorRendell is marvellous at psychological tension, and the suspicion that these ways will be sinister is what hooks the reader. Setting out her cast with conviction, she unrolls their lives at a stately, ominous pace
—— The Sunday TimesPsychologically acute and extremely disturbing, Ruth Rendell's work is outstanding
—— The TimesRendell has a Dickensian empathy, informed by a prodigious love of London life. Her account, bursting with colour and vitality, is a treat to read
—— The Independent