Author:Frances Fyfield,Full Cast
'The Mystery of Edwin Drood' is a tantalising element of the Dickens manuscript archive held by the Victoria and Albert Museum in London.
Along with fellow crime-writer Simon Brett and Dickens scholar Professor Jenny Hartley, Frances Fyfield uses the packed manuscript pages, detailed number plans and early cover designs to try and make sense of one of English Literature's great mysteries: what really happened to the eponymous hero. Edwin Drood.
Dickens died shortly after bringing the curtain down on Chapter 23, barely half way through the twelve monthly instalments. He suffered a massive stroke later that day, 8 June 1870, and died the next day.
By that stage in Dickens' novel, Edwin has gone missing and it is suspected that he has been murdered but no body has been found. The finger of suspicion points at Neville Landless but the author seems to be hinting at the guilt of a more sinister figure, the leader of the Cathedral choir, John Jasper.
Ever since, Dickensian enthusiasts have searched the book for every hint of a clue as to what the author intended to do with the characters he'd created. Frances isn't afraid of joining these so-called 'Droodians' in trying to employ her crime-writer's insights to make sense of the pieces of the jigsaw left to us.
But her investigation, which takes her to Rochester where the novel is set, also examines the state of Dickens' mind at the time, and his fascination with the criminal mentality, including vintage Dickensian types like Mr Crisparkle, the angular Mr Grewgious and the hideous auctioneer Mr Sapsea.
Frances and her colleagues also search the manuscript for signs of the author's failing health, and, perhaps more importantly, failing ability.
What they find is the usual high octane writing style, brilliant inventiveness and perhaps a greater subtlety in characterisation than in many of the earlier works.
Producer: Tom Alban.
First broadcast: BBC Radio 4, 19 January 2012.
A rare book: a genuinely frank and self-revealing account of an actor's nightmare made real. Comic and even touching
—— Sir Richard EyreThe tale is breathless... works up a gallop
—— ObserverFunny, readable and filled with proper gossip. Most importantly, it's a perceptive and tenacious look at what it was really like to be a girl among the blokes in that era
—— Alexandra Heminsley , The New Review, Independent on SundayWener charts the story of her rise from suburban schoolgirl to 1990s pin-up with Indie group Sleeper. Her tone is warm, funny and self-deprecating - and she's not afraid to prick a few egos along the way
—— Daily MirrorAn amusing insight into the banality of band life, and a cautionary tale about the cost of getting what you always wanted
—— The QuietusTeen love, bad haircuts, great music and laugh-out-loud memories
—— Fearne Cotton(This week Sam has been) laughing, crying and over-identifying with Louise Wener's hilarious memoir, Different For Girls
—— Sam Baker - Editor of Red MagazineThoroughly entertaining
—— Record Collector