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The Navy Lark, Volume 27 - Have Been Masquerading
The Navy Lark, Volume 27 - Have Been Masquerading
Oct 4, 2024 9:17 AM

Author:Lawrie Wyman,Jon Pertwee,Leslie Phillips,Stephen Murray,Ronnie Barker,Tenniel Evans,Full Cast

The Navy Lark, Volume 27 - Have Been Masquerading

Jon Pertwee, Leslie Phillips, Stephen Murray and Ronnie Barker star in four more classic radio episodes. 'Wren Chasen Returns'/'Working Their Passage' (27 September 1963): The crew return from leave to a shock - Troutbridge is to be mothballed in Plymouth. Meanwhile, Sub. Lt. Phillips is horrified to find that Wren Chasen is back after 11 months in Scotland, during which time he never wrote to her. 'On the Carpet'/'Working Their Passage' (4 October 1963: CPO Pertwee has stolen a carpet from Mr. Murray's cabin - but Murray has other things on his mind, as he is planning a romantic cinema trip with Heather. 'The Povey's Move House'/'Doing a Mischief' (1 August 1965): The Poveys are moving house - but Captain Povey has lost the money that his wife gave him to pay for the removal men, so he has to turn to Pertwee for help... 'Mr Philips' Wrong Uniform'/'Have Been Masquerading' (12 January 1969): After taking an unexpected dip, Mr Phillips' uniform is soaked - then a spell in the boiler room causes it to shrink! Tiddy picks up a spare from the dry cleaners, but there's a problem - the uniform he collects belongs to Captain Willis... Featuring Richard Caldicot, Heather Chasen, Tenniel Evans and Michael Bates.

Reviews

Northern Soul makes fascinating reading – tracing the development and explaining the appeal of the music with incredible in-depth input from a carefully chosen array of DJs, collectors and aficionados, all of whom were either there at the time or who were personally involved in making things happen, taking the scene forward to what it is today.

From the great unknowns, discovered and popularised by DJs such as Ian Levine in the early 1970s, to the insightful thoughts of today's movers and shakers. From the DJs, the record dealers and collectors, and those who are still out there each and every weekend, the ones who keep the Northern Soul torch burning so brightly today.

For myself, this book brings back so many memories of venues, events and characters I'd forgotten about. And I know this book will be well received as a true reflection of how it was back then by all those who experienced its formative years, and also by those who are fascinated by the scene and want to understand more about the music, the people, the venues and the associated way of life.

—— Richard Searling

Most books about Northern Soul – of which there are groaning shelves worth – convey the scene's purism, obsessiveness and trainspotter-ish detail, but nothing of the passion this glorious sound evokes. This one does.

A gritty social history, a beautiful artefact; it’s a labour of love that reflects the music’s joy, significance and its cultural place, with the people who love it at its heart. You will not find here the usual canonical lists, the catalogue numbers or the minutiae of dates and labels, but you will get a real sweaty, pungent feel for the music's thrill and power, and how it has always sat within a historical and cultural context; music made by young, black, working-class Americans elevated to a near religion by young, white, working-class Northern kids who embraced the songs’ ecstasy, energy and despair as their own.

—— Stuart Maconie

Great photography totally sets the scene.

—— Telegraph

A true icon of situation comedy and character comedy and there was nobody to my mind to touch him

—— Nicholas Parsons

[Ronnie Barker] had this extraordinary ability to make the nation laugh, probably more often than anyone else I know

—— Michael Palin

In an industry full of so called script gurus and snake oil salesmen, at last there's a book about story that treats writers like grown ups. This isn't about providing us with an ABC of story or telling us how to write a script by numbers. It's an intelligent evaluation into the very nature of storytelling and is the best book on the subject I've read. Quite brilliant

—— Tony Jordan, screenwriter, Life on Mars and Hustle

Even for a convinced sceptic, John Yorke's book, with its massive field of reference from Aristotle to Glee, and from Shakespeare to Spooks, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told

—— Dominic Dromgoole, Artistic Director, The Globe Theatre

This book is intelligent, well written, incisive and, most of all, exciting. It is the most important book about scriptwriting since William Goldman's Adventures in the Screen Trade

—— Peter Bowker, screenwriter, Blackpool, Occupation and Eric & Ernie

Part 'How-to' manual, part 'why-to' celebration, Into The Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises ... exciting and thought-provoking

—— Emma Frost, screenwriter, The White Queen and Shameless

Into The Woods is an amazing achievement. It has a real depth and understanding about story, a fantastically broad frame of reference and it's interesting and absorbing throughout. Full of incredibly useful insights, every TV writer should read the first chapter alone

—— Simon Ashdown, series consultant, EastEnders

Testing the adage that "in theory there's no difference between theory and practice but in practice there is", this is a love story to story -- erudite, witty and full of practical magic. It's by far the best book of its kind I've ever read. I struggle to think of the writer who wouldn't benefit from reading it -- even if they don't notice because they're too busy enjoying every page

—— Neil Cross, creator of Luther and writer of Dr Who, Spooks and currently NBC's Crossbones

Books on story structure are ten a penny but Mistah Yorke's is the real deal

—— Kathryn Flett

All script-writers will want to read Into The Woods. All plots and archetypes BUSTED

—— Caitlin Moran

Got to say Into The Woods by John Yorke is marvellous. The prospect of another screenwriting book made me yawn, but its terrific ... It's a great read, wise and cogent, and a must for all screenwriters

—— David Eldridge

A mind-blower ... an incredibly dense but very readable tome about the art of storytelling ... Really worth a read

—— Lenny Henry , The Independent

I don't always enjoy books on writing, but Into the Woods by John Yorke is brilliant on story structure.

—— Ken Follett, author of 'The Pillars of the Earth'

This is a wildly seductive love letter to what Thomson concludes is a 'lost love' ... he rapturously recalls a lifetime's enchantment with the big screen

—— Metro

A startling analysis of what happens to us in the darkness as we dream with eyes open

—— Observer BOOKS OF THE YEAR

There's one standout in this year's slew of film literature, The Big Screen written by David Thomson, a giant in the world of film criticism. His book is erudite but readable, delightfully tangential, and surprisingly polemical. He provides a fascinating ride through the past century of mostly American cinema and posits a theory that 'the shining light and the huddled masses' of yore will be replaced by digital anomie, as the big screen is replaced by YouTube on an iPhone

—— Kate Muir , The Times BOOKS OF THE YEAR

[The Big Screen] works both as an engaging primer on film history and as a map for more numinous shifts in the path of popular art ... Thomson offers a nuanced portrait ... the details of his narrative glimmer with offbeat insight

—— Nathan Heller , New York Times Book Review
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