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The Need
The Need
Nov 17, 2024 2:19 PM

Author:Helen Phillips

The Need

LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2019

A New York Times 2019 Notable Book

2019 BOOK OF THE YEAR: Oprah Magazine, Time, Vulture, and Entertainment Weekly

'The Need is a profound meditation on the nature of reality, a fearless examination of parenthood, and also somehow a thriller. This is an extraordinary and dazzlingly original work from one of our most gifted and interesting writers' Emily St. John Mandel

She crouched in front of the mirror in the dark, clinging to them. The baby in her right arm, the child in her left.

There were footsteps in the other room...

Molly is exhausted, anxious, losing her grip on reality. Her husband is away and she is running between her children and her job, where things are unravelling. She’s a paleobotanist, working at a fossil quarry, and has recently unearthed artefacts that defy understanding; the coke bottle with the lettering that leans the wrong way, an alternate version of the Bible. Where do these things come from?

At home, as dusk falls, she gets jumpy. Are those footsteps out in the hall? What was that noise? She holds her two small children close to her, and tries to pull herself together. But her worlds of work and home are about to collide. She discovers that the stranger in her sitting room knows everything about her life and, as their identity becomes chillingly clear, this intruder makes a demand of Molly that upends everything, forcing her to reckon with her most unspeakable fears.

The Need is a gripping, unsettling and stunningly original story that probes deep truths about motherhood, and explores grief, loss and how we treat others. It's a compulsive, reality-warping novel that makes us rethink our world, and question how far we would go to protect the ones we love.

'The atmosphere is as close and taut as a thriller, but this is, in fact, both a highly original examination of grief and an extraordinarily vivid evocation of motherhood -- the moments of terror and hilarity, the visceral burden of it, and the fleeting, but almost transcendent, joy' Daily Mail

'A chilling novel from a blazing talent' Observer

Reviews

A chilling novel from a blazing talent...in addition to being a cerebral meditation on motherhood at its most elemental – fierce, beatific, sanity-thieving – it’s an adroitly executed thriller with a quasi-sci-fi twist. Mercilessly tense throughout, its opening chapter is a belter... A bracingly singular achievement, it’s surreal, blackly comic and ultimately generous.

—— Hephzibah Anderson , Observer

[A] frenzied fever dream of a novel. Read it as a sci-fi thriller, or understand it instead as metaphorical; either way, it’s a page-turner… magnificent... This is a smart, sharp book that cuts to the heart of what it’s like to be a mother

—— Lucy Scholes , Financial Times

Phillips can conjure pure nightmare in a single sentence… Thrillingly disturbing, frighteningly insightful about motherhood and love, and spilling over with offhand invention, The Need is one of this year’s most necessary novels.

—— Sarah Ditum , Guardian

The atmosphere is as close and taut as a thriller, but this is, in fact, both a highly original examination of grief and an extraordinarily vivid evocation of motherhood -- the moments of terror and hilarity, the visceral burden of it, and the fleeting, but almost transcendent, joy

—— Stephanie Cross , Daily Mail

Helen Phillips’s novel begins to reveal itself, veering away from what looks initially like conventional suspense into something more speculative and philosophical with nods to both sci-fi and horror...
the what-ifs animate this novel, the narrative splitting and looping back on itself as it tries out parallel possibilities, various fantasies and nightmares... frightening and maddening and full of dark comedy.. Phillips, as careful with language as she is bold with structure, captures many small sharp truths

—— New York Times

The Need is a profound meditation on the nature of reality, a fearless examination of parenthood, and also somehow a thriller. This is an extraordinary and dazzlingly original work from one of our most gifted and interesting writers

—— Emily St. John Mandel

Phillips writes exceptionally well of the insatiable demands two young children can make on a mother... yet this is also a horror story about the vulnerability of motherhood that doubles up as a love letter to the miracle existence of children. At the same time, Phillips consistently plays tricks with the reader's perspective...and with the possibility of parallel realities, rooted in a mother's worst possible fears, playing out at the level of science fiction... One of the most heart-stopping motherhood novels you'll read all year

—— Metro

So smart and brave about motherhood... Molly's struggle to remain her full self while giving so much away is electrifying... Mothers will recognize so much in this fresh novel -- but they aren't the only ones who should read it. Phillips has found a way to make these experiences universal

—— Bethanne Patrick , Washington Post

An enthralling book. With its short chapters, unsettling prose and riveting suspense, it feels designed for binge-reading. But keep an eye on the clock. Immersion in this novel before bedtime is a recipefor sleeplessness.

—— Economist

It’s a classic opening: a woman hears an intruder in her home while her husband is away, grabs her two young kids and hides in terror. But the true power of Helen Phillips’ brilliantly paced thriller emerges when Molly, a paleobotanist, comes face to face with the only person in the world who can shake her identity as a mother—a person who brings her to question her very reality. Phillips taps into the overwhelming anxiety that comes with love in its deepest, truest form, a sense of fierce protectiveness one need not be a parent to understand

—— Lucy Feldman , Time's Best Fiction Books 2019

An exciting, enjoyably eccentric novel that more than delivers as both a reality-warping thriller and a searching meditation on motherhood

—— Mail on Sunday

The weirdness of everyday life is beautifully explored… The Need's true subject is motherhood, rendered here as a painful, visceral, almost impossibly tender undertaking. In contrast to this extreme normality, the supernatural elements tingle like bugs against the skin. In all, a grand achievement. The novel exists on that narrow borderlinewhere strangeness merges with the mundane, and Phillips is both an explorer, and a brilliant chronicler of this murky realm.

—— Spectator

Sinister, existential and written in blazing prose

—— i

I love Helen Phillips's wild, brilliant, eccentric brain

—— Lauren Groff

Helen Phillips is one of the most exciting young writers working today, and I envy those who get to discover her work here for the first time

—— Jenny Offill

This book held me hostage, invaded my dreams and my waking thoughts, and readjusted my brain; Phillips is, as always, doing something at once wildly her own and utterly primal. Maybe it doesn't surprise me that the strangest book I've read about motherhood is also the best, but it does thrill me

—— Rebecca Makkai, author of THE GREAT BELIEVERS

Helen Phillips has created an existential page-turner that captures, with perfect sharpness, the fierce delirium of motherhood, the longing to understand the workings of our universe, and the wondrous and terrifying mystery that is time. The Need is a brain-bending heartbreaker of a novel, and definitive proof that Helen Phillips is one of the most spellbindingly original writers working today

—— Laura Van Den Berg, author of THE THIRD HOTEL

This is a book about the biggest things you can imagine--the dreadful potentiality of life, the fierceness of love, and the terrifying and exhilarating mystery of motherhood. Helen Phillips writes at the nexus of science fiction and psychological realism, conjuring a narrative so mind-bending and immersive that it'll change what you see as real. She is an author at the height of her power, and we are so lucky to be living in her moment

—— Alexandra Kleeman, author of YOU TOO CAN HAVE A BODY LIKE MINE

The Need is a spellbinding novel, both unsettling and irresistible. The best fiction finds the uncanny within the familiar; it makes us feel the fantastical undercurrent of our embodied lives. With exquisite economy and evocative prose, Phillips manifests the surreal, terrifying, and visceral experience of motherhood

—— Dana Spiotta, author of INNOCENTS AND OTHERS

A superbly engaging read – quirky, perceptive, and gently provocative... Suspenseful and mysterious, insightful and tender, Phillips' new thriller cements her standing as a deservedly celebrated author with a singular sense of story and style

—— Kirkus, starred review

Genre-defying

—— Metro

Motherhood as horror isn’t a new genre, but The Need sends it to a new place... The Need is a thriller, and it isn’t. It’s a novel Shirley Jackson might write if she’d dropped acid with Rivka Galchen

—— New York Magazine

gripping, shape-shifting... an unforgettable reading experience

—— Library Journal

Phillips is a writer who is unafraid to confront the sublime; to demystify its capacity to inspire terror and ecstasy, both.

—— Nylon Magazine

I'll also be calling in sick for The Need, by Helen Phillips, whose unexpected fiction reminds us that the membrane between reality and madness is porous indeed

—— New York Times

What presents at first as a straightforward thriller is quickly revealed — in a series of short, sharp chapters — to be a sort of narrative nesting doll, a story infused with both essential home truths and a wild, almost unhinged sense of unreality....

—— Entertainment Weekly

The Need opens with the taut terror of a suspense novel, but its destination is not the twist reveal or the explosive showdown — it’s an exquisitely tender meditation on motherhood’s joys and comorbid torments

—— Huffington Post

Compelling and original… Told in terse, claustrophobic chapters, this is a creepy, poignant tale that picks at the very edges of what we understand to be reality. Or not’

—— Dan Brotzel , UK Press Syndication

The Need is most compelling when most savage

—— Beejay Silcox , Times Literary Supplement

The Need is an examination of the dark side of the best-case scenario, the necessary lamination of joy with fear, adoration with resentment and boredom, all the contradictions that attend the unfolding of an identity predicated on the loss of identity

—— Adam Mars-Jones , London Review of Books

The terror of the home invasion is perfectly vivid, and so is the disturbing prospect that we’re embedded in the consciousness of a woman who is dangerously split off from reality. Phillips can conjure pure nightmare in a single sentence… Thrillingly disturbing, frighteningly insightful about motherhood and love, and spilling over with offhand invention, The Need is one of this year’s most necessary novels.

—— Sarah Ditum , Guardian

Absolutely fantastic crime novel. The plot keeps you gripped, and you always end up wanting to read just one more page. Nerve-racking. Nail-biting. Thrilling. Hair-raising

—— Krummeskrummelurer.dk

Not all good scriptwriters can produce a detective story designed to be read rather than watched on TV. But Søren Sveistrup, the man responsible for The Killing, proves . . . that it can be done . . . The characters, the plot with its deep, eerie undercurrent of the unknown, and the intense, compelling manipulation of suspense are qualities reminiscent of The Killing

—— Marie Louise Toksvig

This nerve-racking debut novel has a brilliant plot . . .

—— Ugebladet Søndag

A powerful portrait of two intriguing detectives who are here to stay . . .

—— Vildmedkrimi.dk

Simply so well written, well constructed and suspenseful. I've read a lot of fantastic crime novels, but this is far and away the best I've read in a long time. . . . insanely suspenseful and gripping

—— RandiGlensbo.dk

Crime fiction of the highest quality - fascinating characters, great storytelling, and unbearable suspense. I absolutely loved it

—— Deon Meyer

Sveistrup is a skilled weaver of plot, able to surprise the reader and maintain a well-developed sense of pacing, tension and action. He keeps the reader hooked until the final page

—— Bok 365

The ingredients in this stew are familiar to everyone who reads crime novels. Sveistrup's great skill becomes apparent in the solid, complex plot, as well as in the pacing and impact that drives the reader onward page after page. The Chestnut Man is a demonstration of how a novel of this type should be sewn together. The result is incredibly thrilling!

—— Dagbladet

While other writers come across as formulaic, Sveistrup's plot develops naturally, and he finds space amid the child abuse and harassment for enough injections of humanity that The Chestnut Man never turns into violence porn, a stumbling block for several of his Danish colleagues. The key is Thulin and Hess, the most promising pair of investigators in Nordic crime since Saga and Martin first met over a corpse on a bridge in 2011

—— A-magsinet

Individual scenes in the narrative stand out knife-sharp in all their calculated evil. Their encounter with brutal reality nearly overwhelms those involved, and the reader is profoundly challenged by the novel's material. But you survive because you retain a clear sense that there must be a deep well of sorrow behind the crimes, and because the author depicts his cast of characters in such a nuanced way that you sympathise with the hard-pressed investigative team, the victims, and the person behind the terrible murders. Sveistrup keeps the reader gripped until the very end. This is professional writing in the very best sense, and I'm looking forward to more.

—— Dagbladenes Bureau

The Chestnut Man is an intensely gripping first novel that feels anything but debut-like. Seasoned crime fans with feel as though they're in very safe hands ... [Sveistrup] throws his hat into the ring with extreme professionalism and a talent for deploying his special tricks in precisely calibrated doses.

—— Børsen

Praise for The Killing

—— -

Excellent . . . A shrewd mix of police procedural, political thriller and domestic drama

—— New York Times

TV of the absolute finest quality . . . the writing shines

—— Guardian

A gripping psychological thriller.

—— Choice magazine

This is without a doubt one of my favourite reads of the year.

—— Ronnie Turner (Blog)

Featuring two entangled families and a house with the darkest of secrets, this is a compulsive new thriller from Lisa Jewell.

—— Sheer Luxe

From the first page we were hooked. If you’ve got a lazy day planned over the Christmas break, this is the type of novel you could read in a day…It makes us shiver just sharing the plot and we guarantee you’ll be on the edge of your seats throughout.

—— Yahoo! Style UK

Of the crop of great thrillers out this year, this is my pick [...] Lisa Jewell is brilliant at creating a menacing atmosphereand this is almost unbearably tense at times, with a knock-the-wind-out-of-you ending.

—— Good Housekeeping

An enthralling tale rich in psychological suspense that mixes family saga with domestic noir.

—— Vouchercodes

Part family saga and part-psychological thriller, this is an exceptional read.

—— Sunday Express

Breathtaking thriller

—— i Paper

Perfect book to inhale by the fire. Had no idea how creepy and nuanced it would be but couldn’t put it down and stayed up half the night reading it. Highly recommend.

—— iNews
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