Author:Joost Zwagerman
'The stories here will provoke, delight and impress. Joost Zwagerman's selection forms a fascinating guidebook to a landscape you'll surely want to wander in again.' Clare Lowden, TLS
'There is a lot of northern European melancholy in the collection, though often tinged with wry humour...an excellent book' Jonathan Gibbs, Minor Literatures
'We were kids - but good kids. If I may say so myself. We're much smarter now, so smart it's pathetic. Except for Bavink, who went crazy'
A husband forms gruesome plans for his new fridge; a government employee has a haunting experience on his commute home; prisoners serve as entertainment for wealthy party guests; an army officer suffers a monstrous tropical illness. These short stories contain some of the most groundbreaking and innovative writing in Dutch literature from 1915 to the present day, with most pieces appearing here in English for the first time. Blending unforgettable snapshots of the realities of everyday life with surrealism, fantasy and subversion, this collection shows Dutch writing to be an integral part of world literary history.
Joost Zwagerman (1963-2015) was a novelist, poet, essayist and editor of several anthologies. He started his career as a writer with bestselling novels, describing the atmosphere of the 1980s and 1990s, such as Gimmick!(1988) and False Light (1991). In later years, he concentrated on writing essays - notably on pop culture and visual arts - and poetry. Suicide was the theme of the novel Six Stars (2002). He took his own life just after having published a new collection of essays on art, The Museum of Light.
Forms a loose narrative - both historical and literary - of the twentieth century...watching the decades roll by in this looking-glass world, familiar yet strange, is one of the book's chief pleasures...the stories here will provoke, delight and impress. Joost Zwagerman's selection forms a fascinating guidebook to a landscape you'll surely want to wander in again.
—— Claire Lowden , TLSThere is a lot of northern European melancholy in the collection, though they are often tinged with wry humour...The Second World War and Dutch colonialism also cast their shadows on these stories. Unblemished comedy is in short supply. And you have to ask: is this gloominess a reflection on the Dutch temperament, or on the present selection?... An excellent book
—— Jonathan Gibbs , Minor LiteraturesA born storyteller
—— Jewish Chronicle[A] master ghost story teller.
—— ChoiceOz lifts the veil on kibbutz existence without palaver. His pin-point descriptions of individuals and spaces…are pared to perfection in order to resonate. His people twitch with life
—— Tom Adair , ScotsmanOz is a quiet, plain, compelling writer
—— Alan Taylor , HeraldDeeply affecting chamber piece…
—— Ben Lawrence , Daily TelegraphEngaging collection… Beautiful, spare prose
—— Lucy Popescu , Independent on SundayPresents us...with a complex and melancholic vision of people stuggling to transcend their individuality for the sake of mundanely idealistic goals
—— Michael Sayeau , Times Literary SupplementAll Israeli life is here, rendered in loving detail
—— Mail on SundayThis poignant, often heartbreaking, collection evocatively captures life in a kibbutz
—— Good Book GuideNeatly constructed, lucidly written and full of admirable sentiments.
—— Sunday Times on ConsequencesMasterful. Transforms the every day into something rich.
—— Time Out on Consequences[With] flashes of transcendence ... Ferris's specialist area is modern American crassness
—— Sunday TimesFerris' characters may be flawed, but his writing is flawless
—— TatlerEach of these stories is a well-crafted, tightly wound piece of short fiction that often springs with a delightful, sometimes moving precision
—— Times Literary SupplementFerris wittily skewers both middle-class social life, and its would-be dissenters. He has a brilliantly sharp eye for the manners and mores of 21st-century metropolitan society, and is a master of discomfort. . . Like F Scott Fitzgerald before him, Joshua Ferris shines an unforgiving light on the jittery pursuit of happiness, and 'the growing anxiety of never arriving at what was always just out of reach'
—— Craig Brown , Mail on SundayAt turns arresting and hilarious. Ferris excavates relationships, interactions, missteps, and misunderstandings to form a collection of work you'll want to return to again and again
—— Southern LivingMost of the characters are comparatively sane, but no less deliciously ghastly
—— Lionel Shriver , Observer Books of the YearAnxiety, self-consciousness and humiliation are the default inner states of the characters in these 11 stories
—— New York Times Books of the YearA strange, fantastical squelch through watery East Anglia...one of the most impressive collections of short stories in recent years
—— Alex Preston , ObserverAn undeniably enjoyable dose of escapism
—— Irish IndependentMark Haddon has become a master of the short story…this new collection intrigues and horrifies by turn
—— Country & Town HouseGripping tale… Told with forensic precision.
—— Paddy Kehoe , RTE OnlineExuberant, lusty exercises in juxtaposition… Such contrasts not only power each piece but also act as a form of call and response across them… Terrifically compelling collection.
—— Alex Clark , GuardianImpressive but forbiddingly lightless collection. There’s no doubt about Haddon’s skill.
—— Tim Martin , New StatesmanHave you ever read a book that made you gasp out loud and nearly burst into tears? The title story…had that effect on me… Haddon is able to give human tragedy the due solemnity it deserves but without being po-faced. A wonderful collection.
—— Anne Sexton , Hot PressGuaranteed to keep me riveted.
—— Karen Byrom , My WeeklyGripping… Packs the action and themes that might power a very full novel into less than 70 pages
—— John Williams , New York TimesScintillating first foray into the shorter form… Beautifully crafted… A challenging and idiosyncratic talent, with a memorable way with words.
—— Max Davidson , Mail on Sunday[Haddon] portrays the nightmares of our own society…with astonishing deftness, mixing black humour and pathos.
—— David Platzer , TabletThe Pier Falls had me gasping in disbelief.
—— Chris Catchpole , Q[It was] grim and compelling… [A] ripping, gripping yarn – narrative velcro.
—— Craige Raine , Spectator, Book of the YearI savoured all the atmospheric short stories in The Pier Falls.
—— Elizabeth Reapy , Irish Times, Book of the YearAn enthralling short story collection; dark, immersive stories with lots of action. The writing is tight and inspiring.
—— E. Reapy , Irish Independent, Book of the Year[A] searing collection of short stories that thrill and chill in equal measure.
—— Claire Allfree , Metro, Book of the YearI was also captivated by the dark A Pier Falls, a brilliantly written collection of bleak and brutal short stories.
—— Mernie Gilmore , Daily Express, Book of the YearI adored The Pier Falls… Each story is wildly entertaining and well written.
—— Dave Rudden , Headstuff, Book of the Year[It] proves the capacity of a short story to immerse the reader fully in a fictional world.
—— Anita Sethi , Guardian, Book of the YearThis short-story collection is thrilling and exquisitely written. I gave out several copies as Christmas presents.
—— Claire Fuller , Sunday TelegraphAn exquisite writer.
—— Fiona Wilson , The TimesMesmerisingly good stories, hugely varied, skilfully written, full of deft touches and narrative shocks... an absolute treat
—— Marcus Berkman , Spectator, *Books of the Year*