Always intelligent and perceptive, but so beautifully written that it's easy to understand.

Crisp with witty, urbane intelligence.

Wonderfully ironic, perceptive and at times tender... Barnes has created something unique in his work, a particular way of looking at life, at words, at relationships, which is the mark of every true stylist

His writing demonstrates the billowing lightness of imagination... reading these stories, you perceive and love France afresh... Cross Channel is characterised by the intelligence, irony and wit you associate with his writing, but it is also suffused with feeling, deeply seasoned with affection

A glittering collection of stories... His marvellously supple and exact prose is matched with subjects that powerfully stir his creativity... It's impossible to imagine a fictional panorama of Britain's long relationship with France realized with more cordial understanding

Love, sex, art, literature, wars, religion, wine, spirit, the steam engine and, yes, Eurostar: they are all there. All the emotions, attitudes, pursuits and endeavours that typically seem to link Britain to France feature in the first collection of short stories by Julian Barnes...A delightful book

Richly imaginative... The characters are memorable, the language swift, and the reader is touched by desire, friendship and love

Rushdie is the great post-imperial Indian writer

Murakami's storytelling inspires intimacy. It's the particular kind of intimacy that can evolve between a reader and a book, unspoken and unexpected, familiar, satisfying, strange.

Even in the slipperiest of Mr Murakami's stories, pinpoints of detail flash out warm with life.

Murakami is one of the best writers around.

Murakami is a true original and yet in many ways he is also Franz Kafka's successor because he seems to have the intelligence to know what Kafka truly was - a comic writer.

Another set of masterpieces in miniature…Russell’s language rockets off the page…one of our most entrancing storytellers

Amidst the leading pack of talents Karen Russell writes the most like she’s on fire, as in: this close to revelations. Orange World is her best collection yet. Her imagination’s baroque syntax has been planed down to the absolute essentials, allowing the power of her vision to speak for itself...This is prophetic work written with clarifying fury

Marvelous... Startlingly inventive stories which confirm Russell's status as master of the slipstream

Brilliant... Stunning... Her imagination is boundless... Russell's last book, Vampires in the Lemon Grove was far and away one of the best books of 2013, and Orange World proves that the author has only gotten better... Russell is one of the most original American authors working today. She's also one of the best. Orange World is a thing of beauty, a stunning collection from one of the most brilliant literary minds of her generation

Eight crisp stories that will leave longtime fans hungry for more. Since her debut more than a decade ago, Russell has exhibited a commitment to turning recognizable worlds on their heads in prose so rich that sentences almost burst at the seams. Her third collection is no exception, and its subjects—forgotten pockets of violent American history, climate-related apocalypse, the trials of motherhood—feel fresh and urgent in her care...A momentous feat of storytelling in an already illustrious career

Ingenious, reality-warping, darkly funny, and exquisitely composed story collection rooted in myth and horror... Russell writes with mischievous clarity, wit, and conviction, grounding the most bizarre situations in the ordinary

‘[Barrett] cuts across all kinds of boundaries of class and education to produce immensely tender portraits of living characters.

This is an exceptional debut, and one of the best collection of short stories that I have read in years.

An exciting debut

I don’t think I’ve ever read a better collection by somebody I had never heard of

A technically-assured collection that never disappoints

Roupenian’s tales from the frontline of modern relationships are perfect for an alternative Valentine’s Day display.

A collection of short stories which cover the same murky waters of attraction as "Cat Person".

There is always some anxiety following such a short, steep rise to recognition, but in this collection Roupenian lives up to those high expectations. The stories are wonderfully varied in execution, from realist to surreal, staying fresh while circling one primary concern: how men and women relate to one another, and how often that relationship can go wrong.

[A] sharp, powerful and uncomfortable debut collection of stories… [Roupenian] is always in narrative control.

Abrasive, painfully aware accounts of relationships in turmoil… You know you want this collection.

You Know You Want This seems to touch on conversations that the country has yet to have — often using horror and magical realism to illuminate the darker corners of our world.

In Look at Your Game, Girl and The Boy in the Pool, naïve female desire is so brilliantly and lushly evoked… [Biter] shows a flair for satire and comic timing… I look forward to Roupenian’s next book.

The best fiction leaves us thinking about it long after turning the last page, and with [Cat Person], author Kristen Roupenian established herself as a writer to watch. Her short-story collection, You Know You Want This, includes that story and others, all of which will have you talking about them long after finishing.

In her highly anticipated debut collection, the author behind the viral Cat Person story offers up a host of strange, fascinating, and downright delightful narratives you won't be able to stop talking about. Spanning a range of genres and topics, it is equal parts dark, uncomfortable, and funny.

Readers who are looking for more uncomfortably realistic renderings of awkward romantic encounters won’t be disappointed, but this collection is so much more than that, offering an array of biting (sometimes literally!) looks at the ways our most hidden perversions manifest in our lives. It’s a razor-sharp, often ruthless, never less than relentless examination of the way we are now. Scary, right? But you know you want it.

[You Know You Want This captures] the torturous and complicated justifications for untoward behaviour in the search for closeness and connection.

What unites the collection is less her [Roupenian’s] gender politics than her interest in the way fantasies become distorted, disappointing, even dangerous when they approach reality… narrative twist[s] changes the direction of a story and leads it somewhere new. Roupenian’s desire to have her moral and reject it too could be said to put a twist on the twist.

Roupenian remains rooted in realism, she gives pause by exposing the sinister side of sexuality, and one looks forward to seeing what she might accomplish with the novel form.

Kristen Roupenian's debut short stories fulfil all expectations… she infuses mundane reality with a thrilling layer of menace.

One of the most anticipated story collections of the year.

Violence, cruelty or misunderstanding are never far away in these 12 stories, which are by turns, unsettling, ruthless and often funny.

Walker’s laconic, Hemingway-esque prose style perfectly complements his low-key approach to his material: the matter-of-fact tone in which he recalls his most horrific experiences in Iraq makes them seem all the more horrible. It works equally well with deadpan humour.

Roupenian is a wizard of provocative, psychological fiction, exploring the dark side of the human psyche. Each of her short stories is terrifyingly relatable, making the reader fear something much more relevant than more supernatural horror stories.

A fascinating and repugnant series of stories, all tremendous examples of what this unsung hero of a literary form can do.

Roupenian’s wildly discomfiting new collection, You Know You Want This… is often wonderfully, if grotesquely, physical… This book isn’t bedtime reading.

These are stories that make you feel fascinated but repelled, scared but delighted, revolted but aroused.

You Know You Want This is an alarming but compelling book. Roupenian’s short stories, weaving together science fiction, confession and fantasy, are like infections spreading across the senses, blocking out everything except the compulsion to read on… Roupenian achieves something few other writers have: providing a balanced reflection on a very difficult subject.

There isn't enough ink on the internet to recommend this collection highly enough; I urge you to experience not only the viral hit ‘Cat Person' but the sheer abundance summarised in the ‘and other stories'… Her ability as a short story writer is absolute, and in her hands the form returns to what it is in the works of writers like Poe, Kafka, Shirley Jackson: they're provocations.