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The Penny Dreadfuls Present...
The Penny Dreadfuls Present...
Nov 17, 2024 4:37 AM

Author:Humphrey Ker,David Reed,Thom Tuck,Thom Tuck,Humphrey Ker,David Reed,Full Cast

The Penny Dreadfuls Present...

All 10 of the Penny Dreadfuls' riotous revisionist plays, retelling famous fictional tales and historical events

'Terrific stuff' - Radio Times

'Without exaggeration, they are heirs to the madcap humour that made Monty Python so captivating.' - The Skinny

Sketch trio The Penny Dreadfuls made a name for themselves with The Brothers Faversham, telling the stories of nine extraordinary siblings in the Victorian era. In these ten comedy dramas, they step away from the 19th Century to revisit famous stories from history and literature. Featuring unforgettable characters, from the face of British treason to the last of the Plantagenets, their fresh, funny reimaginings are full of suspense, rip-roaring entertainment and gags galore.

In Guy Fawkes, they take a new look at the Gunpowder Plot; Revolution recounts the entire story of the French Revolution in just one hour (with jokes) and Hereward the Wake asks why this heroic Englishman, responsible for leading the fight against William the Conqueror's occupation, has been forgotten. Macbeth Rebothered tells an alternative tale of this noble King; The Odyssey tackles Homer's epic journey home after the Trojan War and in The Voyage of the Beagle, we hear the story Darwin left out of his tales from his time aboard HMS Beagle.

Le Carré on Spying takes us on an espionage romp through 1960s Berlin; Don Quixote condenses Cervantes' dense classic into an hour of mind-boggling fun and Hadrian's Beard considers the Roman emperor's dilemma: if he builds a wall across England, won't people just go around it in little boats? Finally, Richard III Rebothered combines history and belly laughs as the Penny Dreadfuls explore the notorious 'hunchback King'.

With all ten plays collected together here for the very first time, this release features brand new introductions to each of the episodes, in which The Penny Dreadfuls chat about the making of these hilarious histories.

Written and performed by Humphrey Ker, David Reed and Thom Tuck, these hilarious shows co-star Margaret Cabourn-Smith and feature stellar casts including Richard E Grant, Sally Hawkins, Robert Webb, Sylvester McCoy, Amanda Abbington, Kevin Eldon, Mark Heap, Miles Jupp, Lolly Adefope, Greg McHugh, Susan Calman, Justin Edwards, Vivienne Acheampong, Tony Gardner, Mina Anwar, Marek Larwood, Andrew Pugsley and Celeste Dring.

Production credits

Starring The Penny Dreadfuls: Humphrey Ker, David Reed and Thom Tuck, plus Margaret Cabourn-Smith

Produced by Julia McKenzie

Guy Fawkes

Written by Humphrey Ker, David Reed & Thom Tuck

Guest starring Kevin Eldon, Miles Jupp & Andrew Pugsley

Revolution

Written by Humphrey Ker & David Reed

Guest starring Richard E Grant & Sally Hawkins

Hereward the Wake

Written by David Reed

Guest starring Justin Edwards & Marek Larwood

Macbeth Rebothered

Written by David Reed

Guest starring Susan Calman & Greg McHugh

The Odyssey

Written by David Reed

Guest starring Lolly Adefope & Robert Webb

The Curse of the Beagle

Written by David Reed

Le Carré on Spying

Written by David Reed

Guest starring Mark Heap & Miles Jupp

Don Quixote

Written by David Reed

Guest starring Amanda Abbington, Vivienne Acheampong & Sylvester McCoy

Hadrian's Beard

Written by David Reed

Guest starring Mina Anwar & Tony Gardner

Richard III Rebothered

Written by David Reed

Guest starring Celeste Dring

© 2021 BBC Studios Distribution Ltd

(p) 2021 BBC Studios Distribution Ltd

Reviews

Terrific stuff

—— Radio Times

This woman will change your life ... The Gift should be required reading for all humans

—— Marie Forleo

This book is a provocation. It is not meant to make us comfortable or inspired, but rather to remind us of the hard truth that the West was built on slavery, genocide, and colonialism-the bases of racial capitalism and modern empire. And as Kehinde Andrews argues, we are still living this imperial nightmare, still reaping the consequences of contemporary racialized violence and exploitation. The lesson: no freedom under racism, no future under capitalism, no justice without decolonization.

—— Robin Kelley

Professor Andrews takes the reader on a journey, and it isn't a comfortable one. I challenge you to pick up this book and read it carefully, once that is done, I am sure the reader will be challenged, in thinking and hopefully actions moving forward.

—— Dawn Butler

This book is a radical, necessary indictment of the racist structures that produced the current anti-Black world order. Historically rigorous and deeply researched, Kehinde Andrews writes with lucidity about the global tactics of Western imperialism, centuries ago and at present. His clear-eyed analysis insists upon the revolutionary acts of freedom we will need to break out of these systems of violence

—— Ibram X. Kendi

Skillfully interweaving economics, politics, and history to debunk popular narratives of social progress, this searing takedown hits home

—— Publisher's Weekly

An uncompromising account of the roots of racism today

—— Kimberlé Crenshaw

A chilling description of how authoritarian mindsets work

—— Hillary Clinton

A truly comprehensive representation of any one person is almost impossible. That very impossibility is largely what makes Richard Zenith's biography of the Portuguese poet Fernando Pessoa so remarkable.

—— Alberto Manguel , Literary Review

Ingenious ... with flashes of charm and wit.

—— Stuart Kelly , The Spectator

A gloriously labyrinthine biography ... Zenith's dynamic prose, deep erudition, and incisive readings of Pessoa's poetry make for a meticulous portrait of one artist's brilliant and bewildering inner world.

—— Publishers Weekly

Finally! A brilliant biography that places Pessoa where he should have always belonged, with Joyce, Proust, and Musil - true giants, none of whom were Nobel laureates.

—— André Aciman, author of CALL ME BY YOUR NAME

Pessoa is a triumph of scholarship and verve that one cannot easily put down.

—— Antonio Damasio, author of DESCARTES' ERROR

Richard Zenith is his genius biographer who has given [Pessoa] fresh life. No one on earth knows more about Pessoa. With its historical sweep and novelistic execution, this biography will never be bested.

—— William Giraldi, author of AMERICAN AUDACITY

When you consider the fantastically vivid details of Fernando Pessoa's curious life contained in this biography, and the energetic and elegant quality of the writing, you might wonder if this book is actually a just discovered autobiography, written by one of Pessoa's heteronyms, 'Richard Zenith.' No one, it seems, could know so much or relate it so marvelously unless they had lived inside Pessoa's head. Zenith's Pessoa is magnificent.

—— Forrest Gander, author of BE WITH

This marvel of a novel manages to say all there is to say about Britain today in the most precise, poetic prose and within the story of one complicated, compelling woman. Formally thrilling, politically captivating, endlessly absorbing... I will never forget where I was when I read it, how I felt at the start of it and by the end - it takes you on a complete carousel of a life lived both in dread and in defiance. Superb.

—— Sabrina Mahfouz, poet & playwright, ‘A History of Water in the Middle East’

Like the fictional companion to Jamaica Kincaid's nonfiction masterpiece A Small Place... A book like a finely honed scalpel - marking a new and electrifying dawn

—— Elaine Castillo, author of 'America is Not the Heart'

Tightly conceived and distinctively written, perceptive, precise and unsparing... An elegiac examination of a Black woman's life and an acerbic analysis of Britain's racial landscape. Brown's rhythmic, economic prose renders the narrator's experiences with breathless clarity

—— New York Times

Stunningly good

—— Elizabeth Day, presenter of the 'How to Fail' podcast

Assembly is an astonishing work. Formally innovative, as beautiful as it is coolly devastating, urgent and utterly precise on what it means to be alive now

—— Sophie Mackintosh, author of 'The Water Cure'

Searing... A rousing, inspired voice demanding to be recognized and heard

—— Washington Post

Deft, essential, and a novel of poetic consideration, Assembly holds (the Black-British) identity in its hands, examining it until it becomes both truer and stranger - a question more than an answer. I nodded, I mhmmed, I sighed (and laughed knowingly, bitterly)

—— Rachel Long, Folio Prize-shortlisted author of 'My Darling From the Lions'

Bold and original, with a cool intelligence, and so very truthful about the colonialist structure of British society: how it has poisoned even our language, making its necessary dismantling almost the stuff of dreams. I take hope from Assembly, not just for our literature but also for our slow awakening

—— Diana Evans, author of 'Ordinary People'

Mind-bending and utterly original. It's like Thomas Bernhard in the key of Rachel Cusk but about black subjectivity

—— Brandon Taylor, author of 'Real Life'

Brilliantly sharp and curiously Alice-like... It centres on a gifted and driven young Black woman navigating a topsy-turvy and increasingly maddening modern Britain... Her indictment is forensic, clear, elegant, a prose-polished looking glass held up to her not-so-post-colonial nation. Only one puzzle remains unsolved: how a novel so slight can bear such weight

—— Times Literary Supplement

A piercing, cautionary tale about the costs of assimilating into a society still in denial about its colonial past. Brown writes with the deftness and insight of a poet

—— Mary Jean Chan, author of 'Flèche'

Bold, elegant, and all the more powerful for its brevity, Assembly captures the sickening weightlessness which a Black British woman, who has been obedient to and complicit with the capitalist system, experiences as she makes life-changing decisions under the pressure of the hegemony

—— Paul Mendez, author of 'Rainbow Milk'

This is a stunning achievement of compressed narrative and fearless articulation

—— Publisher's Weekly

One of the most talked-about debuts of the year . . . you'll read it in one sitting

—— Sunday Times Style

Thrilling... Brown gets straight to the point. With delivery as crisp and biting into an apple, she short-circuits expectation... This is [the narrator's] story, and she will tell it how she wishes, unpicking convention and form. Like The Drivers' Seat by Muriel Spark, it's thrilling to see a protagonist opting out and going her own way

—— Scotsman

A nuanced, form-redefining exploration on class, work, gender and race

—— Harper’s Bazaar

Across 100 lean pages, Brown deftly handles a gigantic literary heritage... Her style rivals the best contemporary modernists, like Eimear McBride and Rachel Cusk; innocuous or obscure on a first reading, punching on a second... Assembly is only the start

—— Daily Telegraph

There's something of Isherwood in Brown's spare, illuminating prose... A series of jagged-edged shards that when accumulated form an unhappy mirror in which modern Britain might examine itself

—— Literary Review

A debut novel as slender and deadly as an adder

—— Los Angeles Times

A razor-sharp debut... This powerful short novel suggests meaningful discussion of race is all but impossible if imperialism's historical violence remains taboo

—— Daily Mail

Bold, spare, agonisingly well-observed. An impressive debut

—— Tatler

Excoriating, unstoppable... The simplicity of the narrative allows complexity in the form: over barely a hundred pages, broken into prose fragments that have been assembled with both care and mercilessness

—— London Review of Books

Beguiling and beautifully written, this is the work of an author with a bright future

—— Tortoise

Coruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force

—— Yorkshire Times

Fierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you

—— Economist

I was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything

—— Lauren Elkin, author of 'Flaneuse'

Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow

—— MoneyControl

A masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound

—— Tess Gunty , Guardian

An extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended

—— Financial Times on 'Assembly' in audiobook

'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'

—— Rebecca Tamas, author of 'Witch'

Every line of this electrifying debut novel pulses with canny social critique

—— Oprah Daily

Devastatingly eloquent, bold, poignant

—— Shelf Awareness

An achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next

—— Shondaland

[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising

—— Rowan Hisayo Buchanan , Guardian

A brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment

—— Guardian, 'Best Fiction of 2021' , Justine Jordan
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