The novel that I love the most is The Quiet American

There has been no novel of any political scope about Vietnam since Graham Greene wrote The Quiet American

A master of storytelling

One of the finest writers of any language

A superb storyteller - he had a talent for depicting local colour, a keen sense of the dramatic, an eye for dialogue, and skill in pacing his prose

It might be nearly 60 years since The Quiet American was first published, but it still evokes the exotic promise of the Orient, and the troubled relationship Vietnam has with the West

It's a blast.

Glittering characterisation, sharp and eloquent writing.

An important 20th-century writer who paints a complex relationship between gender and power with wit and sensitivity.

Lush and lyrical - and darkly funny even at its most gut-punching - Olivia Manning's Balkan Trilogy manages to simultaneously be a sweeping panorama of a Europe in crisis and a discomfitingly intimate portrait of a no-less-broken marriage.

An addictive, gripping literary saga ... A sharp portrait of a young marriage under pressure and a vivid picture of being a Brit in an increasingly hostile and impoverished corner of Europe.

Olivia Manning takes autobiographical writing to a refreshingly new dimension. In The Balkan Trilogy she follows the well-worn mantra that authors should write about what they know, but she does so without sounding self-centred, a quality that so often dogs memoirs. Her's reads like wholly invented fiction with made-up, yet believable characters. It has been such a joy to re-read Manning's Trilogy...Manning's characterisation throughout the Trilogy is excellent. Her most astute depiction of a person in genuine inner conflict with himself is Guy Pringle...The author's depiction of Bucharest and the places Harriet and Guy visit are bold and colourful.

A twisting murder mystery combined with a chillingly plausible alternative history of a divided Cold War London. Brilliant

Rubin constructs a tantalising alternative world with 1950s Britain riven apart by its own version of the Berlin Wall - and all because the D-Day landings failed. Against this dystopian nightmare, the author overlays a murder mystery that's sure to appeal to fans of SS-GB, The Man in the High Castle, and Fatherland

A gripping murder mystery set in an alternative 1950s Britain. Rubin's London, split between American and Soviet zones after a disastrous World War Two, is vividly realised and his story is elegantly constructed. One not to miss

In the great tradition of SS-GB and Fatherland, Rubin's alternative-1950s murder mystery takes an ingenious premise - the Americans and the Soviets have carved up Britain between them after rescuing the country from the Nazis - and makes it come alive through sheer storytelling skill

Strange and haunting.

Arguably his best…. A must-read

Stunningly simple and profound.

The strength of this masterly novel is that it illuminates without pretending to explicate.

It’s signature Amis at his most inventive, and it is through…inspired and irreverent fluency that his dead-serious purpose is realized.

Most fiction would break under the weight of so much self-reflection, but The Zone of Interest does not even bend... Deft, ironic and horribly funny... A brilliantly believable account of an episode which is beyond belief.

The Zone of Interest succeeds because in it Amis is seriously funny - that is to say, funny for serious purposes.

Martin Amis’s best novel in years

It’s a brilliant feat of imagination and chutzpah.

Is the Holocaust a fit subject for fiction? … The only proper response is to read this remarkable, deeply disturbing and quite original novel.

Martin Amis’s The Zone of Interest achieved the near impossible, confounding his detractors with this horrifying glimpse into the heard of Nazi darkness.

The Zone of Interest is Amis at his boldest and best.

What would be otherwise be light entertainment…becomes sinister and strange, warped by the enormous atrocities happening just offstage.

Martin Amis’s best novel in years.

It is always hard to read factual material about the Holocaust but in fiction Amis has shined a light into this darkness which offers no answers but is still profoundly moving.

It was very, very good.

I think everyone should read it – it is so horrific.

A well-received return to form

Astonishingly bold novel… [It] is Amis’s best work in years

Amis’s best work since Money