Author:Gavin Maxwell
'Gavin Maxwell's trilogy is essential reading' Sunday Herald
Fifty years ago Gavin Maxwell went to live in an abandoned house on a shingle beach on the west coast of Scotland. A haven for wildlife - he named his home Camusfearna and settled there with the otters Mij, Edal and Teko.
Ring of Bright Water chronicles Gavin Maxwell's first ten years with the otters and touched the hearts of readers the world over, brilliantly evoking life with these playful animals in this natural paradise. Two further volumes followed bringing the story full circle telling of the difficult last years and the final abandonment of the settlement.
For the first time the entire trilogy is available in a single narrative in this beautifully presented collection.
'If you like your wildlife, this is a must-read' Reader Review
'For lovers of otters this is an admirable compilation' Reader Review
'You will fall in love with Scotland' Reader Review
Trevor Norton has shown that a gifted writer is an alchemist... Norton's agile prose is burnished with faintly mocking humour, and he has the natural storyteller's eye for detail
—— Daily TelegraphThis anecdote-packed book reads rather like the draft of a rollicking after-dinner speech... rich entertainment
—— Mail on SundayNorton writes with wit and a fine eye for the poetry in the scientific work... funny and gripping
—— GuardianA dense and rich work ... the return to the grass roots of our own environmental convictions is made by the most enchantingly minor paths
—— Ronald Blythe , GuardianDavid Quammen is a brilliant young star of nature writing... His book is an important example of the genre, written in an enchanting style. His knowledge, based on years of research and adventure around the world, is truly impressive
—— Edward O. Wilson, author of 'The Diversity of Life'There aren't many writers like Charles around... His ability to step across emotional boundaries and enter the consciousness of the wild makes for an exhilarating, immersive, yet at times disturbing read. For me, the end result is a deeply thought-provoking book that encourages the reader to explore for themselves exactly where they stand on issues of humanity, conservation and moral legacy.
—— James Aldred, author of Goshawk SummerFiercely polemical, forcing the reader to see the world in a new light... Charles Foster is an original thinker with a strangely compelling prose style... Cry of the Wild is thought-provoking, profound, at times infused with a beautifully wistful lyricism and often witty.
—— Country LifeFoster [brings] a sense of wonder: geese fly in from the north with snow falling from their wings; imagined through the eyes of a young rabbit, a white owl wafts through the still night air like thistledown, a strangely beautiful occurrence that might at any moment end the rabbit's life... He avoids the temptations of anthropomorphism while reminding us that we who share these traits are more vulnerably and elegantly animal than we pretend.
—— Literary ReviewA lyrical work of creative nonfiction containing eight stories of besieged animal lives. Emotional without being anthropomorphic, it is a thought-provoking read.
—— BBC Wildlife MagazineArdent and arresting... one of the darkest, most haunting books I've read in a long time... Yet the stories are also motivated by such depth of attention and love that their very existence offers some hope for a better future.
—— New StatesmanI have read Cry of the Wild with something approaching awe... The conviction with which these characters live on the page and suffer the assaults of existence can certainly live happily and proudly alongside Tarka.
—— Adam Nicolson, author of Life Between the TidesLike Tarka, the stories in Cry of the Wild are not written for children. They take on the qualities of myth and magic which touch the source of our deepest feelings. How does the word on the printed page do this? ... the prose is muscular and astonishing... "Immersion" is a word commonly used about reading these days. I dislike it intensely. The sound of the word feels cold, unpleasant, like being pressed underwater. Not at all the deep sobbing that emerged from somewhere as I sat with these stories... This is not like any other nature book.
—— Caught by the River