Author:Nicholas Shakespeare
'A remarkable contemporary thriller... A triumph' WILLIAM BOYD
A journalist becomes embroiled in a world of secrets and paranoia when a nuclear scientist goes missing.
When John Dyer returns to Oxford from Brazil with his young son, Leandro, he expects a quiet life. His time living on the edge as a foreign correspondent is over.
But these rainy streets turn out to be just as treacherous as those he used to walk in Rio. Leandro's schoolmates are the children of powerful people, and a chance conversation with another father, Iranian scientist Rustum Marvar, sets Dyer onto a truly dangerous path.
Then Marvar disappears. Soon, sinister factions are circling, and become acutely interested in what Dyer knows about Marvar's world-changing discovery...
'An absorbing thriller with shades of John le Carré' Evening Standard
'Exciting... A page-turner' Daily Telegraph
A joy to read, the novel reflects John le Carré's genre-stretching influence on every page: the boys' school setting, the mixture of social comedy and Hitchcockian shenanigans, the astute, sophisticated prose, the central philosophical dilemma, and the exploration of what it means to be English in a globalised world.
—— Sunday TimesWonderfully well written...old school in the best possible way, with an insidious escalation of menace, and paranoia that fairly shimmers off the pages
—— GuardianA remarkable contemporary thriller – with shades of Graham Greene and Le Carré about it – but also a profound and compelling investigation of a hugely complex human predicament. Brilliantly observed, captivatingly written, grippingly narrated – a triumph
—— William BoydThe best evocation of Oxford since Brideshead
—— Allan MassieA grimly absorbing literary thriller with shades of John le Carre... opens a window onto the murky world of international nuclear policy and espionage amorality
—— Evening StandardQuite simply excellent. If you're looking for something exciting and sinewy to read, this is it. There's no mistaking quality when it appears in book form
—— John SimpsonA beautifully considered, subtle exploration of Englishness, of betrayal, of social change and character - elegantly and engagingly wrapped in a classic spy novel
—— Rory StewartEchoes of Greene, Conrad and Le Carre. Yet these influences have been absorbed as good writers always absorb the influence of their predecessors and go beyond it to make something that is wholly their own...One good test of novel is: does it re-read? Well, I've now read The Sandpit twice, and I'm pretty sure I shall read it again in a few months' time
—— ScotsmanShakespeare sets up the myriad pressures on his protagonist with consummate skill, keeping the reader guessing about the motives of everybody Dyer encounters. There are more than a few hints of Graham Greene and John Le Carre here... In its exploration of how individual actions can have huge and unexpected ramifications, The Sandpit is an enthralling read....the theme of how ordinary individuals negotiate the pressures brought down on them by extraordinary events generates superb drama.'
—— Literary ReviewExceptionally well written
—— SpectatorGripping stuff, deftly told. Yet within this nail-biting novel of suspense is another, more contemplative novel... that invites comparison to Graham Greene. Here is a fine writer, spinning suspense with the ease, patience and control of a fly-fisherman
—— OldieOne of our best and truest novelists
—— The TimesNicholas Shakespeare honours the best tradition of the novel
—— Times Literary SupplementOne of the best English novelists of our time
—— Wall Street JournalA great novelist
—— Melbourne AgeA world writer
—— Sunday HeraldEnviably good
—— Sunday TimesNicholas Shakespeare gathers comparisons to the great and the good. He needs none. He is what he is — a very fine English novelist
—— John LawtonExciting...Shakespeare is an ebullient writer... a paranoia-filled page-turner
—— Daily TelegraphWe Were Never Here is an observant, suspenseful, and deeply scary novel, a psychological thriller that looks at the tight bonds of friendship and asks where they strangle, where they break
—— Steph Cha, author of Your House Will PayWe Were Never Here is somehow both cinematic in scope and also claustrophobic and unnerving. It's a novel that explores the dangers that lurk in beautiful places, the manipulation of memories, and the friendship ties that don't just bind us, but can strangle us
—— Tara Laskowski, award-winning author of One Night Gone and The Mother Next DoorI absolutely loved We Were Never Here ... chock-full of twists and turns that surprise and titillate. I was so enthralled, I carried the book around the house, reading as I walked to the kitchen to make some tea and even while folding the laundry. It's been years since I last read-walked!
—— Daniela Petrova, author of Her Daughter’s Mother[Bartz] has an incredible talent for writing complicated characters, complex relationships, unnerving situations, and palpable tension-and making them all work together
—— HelloGiggles.comThis tense psychological thriller simmers with suspense throughout - you'll be totally hooked!
—— My WeeklyAn intriguing domestic noir...Curtis will keep you guessing with this one.
—— NB MagazineInvite Me In is a riveting, character-driven thriller that hooked me from the first page and kept me captivated.
—— Take a BreakCurtis keeps us hooked with twists and a cast of characters who are convincing, if hardly likeable.
—— HeraldKept me glued to every page
—— Good HousekeepingGripping, cleverly-constructed, and heart-wrenching. Truly original
—— Paula DalyIntelligent. Compulsive. Heart-wrenching. Unforgettable
—— Jane CorryBrilliantly written
—— Fiona BartonA thrilling mystery with a strong emotional heart
—— Woman & HomeIngeniously constructed, with real flesh-and-blood characters and cliff-hanging suspense
—— Louise Candlish