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The Scrap
The Scrap
Oct 27, 2024 2:33 PM

Author:Gene Kerrigan

The Scrap

In the last hours of the 1916 Easter Rising, 20-year old Charlie Saurin came face to face with his Commander-in-Chief, Patrick Pearse.

In a final gamble, Pearse had a desperate plan to save the collapsing rebellion.

It required the sacrifice of Saurin and his comrades.

The Scrap is the true story of the rising, from first-hand evidence, as seen by one rebel unit - F Company, 2nd Battalion - following them from the first skirmish in Fairview to the inferno of the GPO.

Told in the context of some of the major events of that week, the story of F Company brings alive the excitement, the humour, the horror and the contradictions of that decisive moment in the creation of the Irish state.

Reviews

Brilliant.

—— Sunday Independent

One of the most remarkable and enjoyable books that has been written about the Easter Rising in recent times . . . This stunning narrative . . a real page-turner that captures the pathos and patriotism of 1916.

—— Dr. Brian Murphy , Irish Independent

The best history book I read was Gene Kerrigan's The Scrap . . as brilliantly paced as one of his thrillers.

—— Colm Toibin , The Books of 2015, Irish Times

Essential reading . . . his mastery lies in the telling detail . . . with his novelist's eye and democratic insistence on every character being afforded equal weight, Kerrigan directly brings us into the terrifying mayhem facing a group of ordinary volunteers during a week that left a city in flames.

—— Dermot Bolger , Irish Times

A monumental account of the Easter Rising.

—— Kim Bielenberg , Irish Independent

A great read.

—— Ray Darcy , RTE Radio 1

Authoritative

—— Nicholas Shakespeare , Telegraph

Kershaw leads his readers through this complex history in a clear and compelling manner

—— Joanna Bourke , Prospect

It would be hard to write an original and moving account of the tortured twentieth-century history of Germany. But, in The House by the Lake, Thomas Harding succeeds remarkably... a tragic and beautifully told history.

—— Oliver Kamm , Jewish Chronicle

An unusual, evocative and moving account of modern Germany...The book succeeds remarkably, in providing a fresh and original insight into the twin totalitarian systems that disfigured Germany in the twentieth century.

—— The Times, 'Books of the Year'

A fascinating and revealing account of a century of German social and political history, told in an effortlessly accessible way.

—— David Lodge

This revelatory and compelling book is a clear must-read for anyone interested in German history during the past tumultuous century. The House By The Lake is a deeply moving story of endurance – of place as well as people. It is also uplifting as we learn of how the crumbling wreck of the house is restored to a haven of reconciliation and peace for the community and visitors to enjoy, and to heed its history which has been so brilliantly exposed.

—— Lyn Smith, author of Forgotten Voices

[A] personal yet historically wide ranging account…it is Harding’s great achievement that he has painted a large canvas of history, but has done so with glinting individual stories. He has persevered in listening to those ‘quiet voices'.

—— Guardian

This emblem of tyranny [the Berlin Wall] was just another fact of life for those living in its shadow. And that is, perhaps, the most important lesson of Harding’s book. History, which we learn about as a series of ideological abstractions, is lived concretely. This is why an ordinary house can serve so effectively as a symbol of the German experience.

—— Adam Kirsch , New Statesman

An admirably clear and concise history of modern Germany. It’s an impressive feat of archival and investigative research. Fascinating revelations abound…[A] powerful book.

—— The Economist

A gentle but rewarding book, carefully tuned into the marginal voices recorded in the history of one small house by a lake... often poignant, sometimes heartening, and never other than intimate.

—— Clare Mulley , Spectator

A fascinating window on a tumultuous period.

—— Jamie Waters , Financial Times

Impressive... a deft history.

—— Marcus Tanner , Independent

With the narrative drive of a great novelist and the meticulous research of a great historian, Harding has crafted a moving, instructive and very important book.

—— Irish Examiner

It would be hard to write an original and moving account of the tortured 20th-century history of Germany. But in The House by the Lake, Thomas Harding succeeds remarkably . . . It is a fitting and moving epitaph on a tragic and beautifully told history.

—— Jewish Chronicle

An original and highly personal take on this corner of history. Harding writes engagingly and sympathetically...an uplifting story.

—— Anne Sebba , Literary Review

The real history of twentieth-century Germany seen through the windows of one abode with the Berlin Wall right outside. It’s original and camera-vivid.

—— Daily Express, Books of the Year

This is a compelling book…It’s a story of endurance – of place as well as people – and ultimately, it’s uplifting.

—— Psychology, 'Our Friends at BBC 4'

A brilliant way of coming at the history of Berlin and Germany itself, which shows how people coped with the vicissitudes of the regime.

—— Country and Town House

Harding has recorded the fate of the house and its inhabitants, from the Weimar republic until reunification. This is German history in microcosm ... as exciting as a good historical novel.

—— Die Welt

An inspirational read: highly recommended.

—— Western Morning News

A genuinely remarkable work of biographical innovation.

—— Stuart Kelly , TLS, Books of the Year

I’d like to reread Ruth Scurr’s John Aubrey every Christmas for at least the next five years: I love being between its humane pages, which celebrate both scholarly companionship and deep feeling for the past

—— Alexandra Harris , Guardian

Ruth Scurr’s innovative take on biography has an immediacy that brings the 17th century alive

—— Penelope Lively , Guardian

Anyone who has not read Ruth Scurr’s John Aubrey can have a splendid time reading it this summer. Scurr has invented an autobiography the great biographer never wrote, using his notes, letters, observations – and the result is gripping

—— AS Byatt , Guardian

A triumph, capturing the landscape and the history of the time, and Aubrey’s cadence.

—— Daily Telegraph

A brilliantly readable portrait in diary form. Idiosyncratic, playful and intensely curious, it is the life story Aubrey himself might have written.

—— Jane Shilling , Daily Mail

Scurr knows her subject inside out.

—— Simon Shaw , Mail on Sunday

The diligent Scurr has evidence to support everything… Learning about him is to learn more about his world than his modest personality, but Scurr helps us feel his pain at the iconoclasm and destruction wrought by the Puritans without resorting to overwrought language.

—— Nicholas Lezard , Guardian

Acclaimed and ingeniously conceived semi-fictionalised autobiography… Scurr’s greatest achievement is to bring both Aubrey and his world alive in detail that feels simultaneously otherworldly and a mirror of our own age… It’s hard to think of a biographical work in recent years that has been so bold and so wholly successful.

—— Alexander Larman , Observer
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