To write a world history of intelligence, from the dawn of recorded history to the present day, is a daunting task. To make such a work accurate, comprehensive, digestible and startling, and all in a single volume, is a stellar achievement. But that is what Christopher Andrew has done in The Secret World.

Brilliant in its sweep and near-miraculous in the detail and confident judgements provided on two and a half millennia of spying ... The book is a crowning triumph of one of the most adventurous scholars of the security world

Christopher Andrew delivers a stunning secret archaeology of a subject that he himself helped to create

In this compelling biography Sarah Watling tells [the Olivier sisters’] tale for the first time. It is the story of the end of Victorianism and the birth of the modern age. It is also, grippingly, the story of the early feminist movement, and a vital contribution to the construction of an alternative women’s history… [Watling] is quite brilliant.

A story of four girls rebelling against Edwardian stuffiness is vividly told… in this thoughtful, compassionate biography… I found much to celebrate and admire here.

In her highly accomplished first book Sarah Watling aims to follow [the Oliviers'] lives as a way of recovering what still feel like missing aspects of twentieth-century female life ... Watling is excellent on the way that biographers’ zeal for “uncovering” material facts and psychological truths about their subjects is really an attempt to claim authority for what are essentially acts of imagination... This does not mean, though, that Watling is willing to sacrifice the rich, enduring pleasures of biographical storytelling ... Watling deftly uses the Oliviers’ lives to reanimate the kinds of female experience that tend to lie inert inside grander narratives.

If the Bloomsberries lived in squares and loved in triangles, the Olivier sisters lived in tents and loved in Venn diagrams… Sarah Watling’s riveting book… is a noble endeavour and a laudable achievement.

This marvellous biography… shines a light on these four fascinating women [the Olivier sisters] – and the dramatic, pioneering lives they led.

Watling vividly conjures up the sisters, but ultimately this is an exploration of the difficulty of knowing anyone truly, and how sisterhood makes it harder still… it renders them inspiring without flattening them into the bland ‘rebel girls’ stereotypes currently in vogue.

Sarah Watling’s expertly crafted portrait of the lives of the Olivier sisters manages to draw out of the archives not only vital threads of English cultural history but a sense of the risk of new biographical subjects being seen and heard for the first time. Watling is a highly sensitive curator and she handles her subjects with exquisite care, folding them back into the environments which made them and allowing us to visit them there. I read Noble Savages and I was reminded of the thrill of first reading the writings of ethnographer and explorer, Mary Kingsley.

Sarah Watling puts four remarkable twentieth-century lives in the spotlight with sympathy and lightly-worn scholarship. What trailblazers they were!

Watling’s book gives us a riveting drama that begins as pastoral comedy and ends as tragedy

Fiercely passionate, intelligent and clear-eyed

Across his oeuvre, Coates' prose style and literary prowess are hip-hop sharpened: he believes in the art of dexterous reference, potent, lyrical critique and political storytelling

Coates's probing essays about race, politics, and history became necessary ballast for this nation's gravity-defying moment... Essential

Biting cultural and political analysis from the award-winning journalist . . . His conclusions are disquieting, his writing passionate, his tenor often angry.... Emotionally charged, deftly crafted, and urgently relevant essays"

Powerfully charged

[R]aw and hard to read. You'll never forget his point of view, nor should you

Thus, We Were Eight Years in Power serves as a clarion call for vigilance about the possible erosion of African-American advances presumed sacrosanct. Consider these riveting, well-reasoned ruminations of the most-prodigious black visionary around a must-read indeed

Our fascination with true crime means we often focus on the perpertrator, such as Ted Bundy, rather than the victims. It's time to stop focusing on the killer and start remembering the victims: Polly, Annie, Catherine and Mary-Jane

Deeply researched portraits of the victims as they lived . . . A distinct story that has never been fully or truthfully told.

‘A stunning achievement of forensic research and authorly compasssion’

I simply couldn't put [it] down

I was riveted by Lara Prescott’s new novel. I barely stirred from my chair for two days. How does one even begin to talk about this book? It’s all here—the KGB versus the CIA, the sexual office politics of Mad Men, a horrifying new look at the gulag, the tragic love affair between Boris Pasternak and his mistress, a brilliantly-drawn portrait of a time when a single book had the power to change history. I predict that The Secrets We Kept will be one of the most important books of the year.

Lara Prescott’s The Secrets We Kept is trenchant, timely, and compulsively readable. The book thrillingly recalls the period detail of Mad Men, the complex characters of Patricia Highsmith, and the satisfying plots of John le Carre, but ultimately it’s Prescott’s distinctive voice and vision that feel most stirring and relevant. This is a first-rate novel, and it signals the arrival of a major new writer.

The whirl of trench coats and cocktails and midnight meetings on park benches has the heady whiff of classic old-fashioned spy storytelling, brilliantly filtered through Prescott’s thoroughly modern lens.

Sweeping between Russia and Washington, this captivating novel is so assured it’s hard to believe it’s a debut. And it is very easy to see why there’s such a huge buzz about it.

Wholly original and brilliantly realised, The Secrets We Kept hymns the subversive power of great prose whilst ratcheting up the tension with masterly technique.

This is a fascinating story... What is entirely Prescott's own is the story of Irina, and her fellow, more experience, spy Sally Forrester. Sally is a particularly affecting character, and, since this is a book about spies, there is the usual complement of lies and double crossings. Woven into the narrative intrigue are a number of touching love stories, including one which allows Prescott to explore how the McCarthyite "Red Scare" found echoes in a widespread paranoia about gays and lesbians in the US government.

A fascinating fictionalisation.

In this stylish and confident debut novel, we delve into the story behind the story, which is just as enthralling.

It draws the reader into the emotional lives of the characters and their ever-changing roles and personas.

All the pre-publication hype is fully justifiedas American author Prescott’s debut novel turns out to be a truly wonderful blend of historical romance, spy thriller and insights into the myriad aspects of love in troubled times… Loved it.

It transported me back in time and kept me utterly gripped from beginning to end.

An astonishingly accomplished debut: original, fiercely intelligent, pointedly witty, utterly thrilling and gripping. I don’t think it’s an exaggeration to say that this is an epic novel worthy of its topic – Dr. Zhivago and the CIA plot to publish the supposed subversive work in the USSR. The Secrets We Kept is an engrossing drama that works on so many levels. Part thriller, part love story, this reimagining of historical events is very convincing, fact and fictional creativity coalesce perfectly. The result is a beguiling read; the tragedy and iniquity of the story will drain you, but there are moments of joy and triumph too… Block out a couple of days and treat yourself to a wonderful read.

No mere spy thriller, it is, as the typists say of Dr Zhivago, both “a war story and a love story... but it was the love story we remembered most".

What a book!... riveting…This unusual story is both beautifully written and deeply compelling in equal measure…I was utterly swept away by Prescott’s vivid style of writing together with her cast of strong and wonderfully convincing characters. It is rich in historical detail and covers (for me) a fascinating period in history with astonishing lucidity. This really isn’t quite the run-of-the-mill, fast-paced, heart-in-the-mouth thriller I had expected; instead it is SO much more! It is thrilling, and it is pacy, yet it is also deeply emotional and full of zest.

The Secrets We Kept is a brilliantly told story, about a piece of relatively unknown history. It is tense, enthralling and has brilliant female characters. You’ll not be able to put it down and you will think about the characters long after you finish the book. This is one of my books of the year, for sure!

If you’ve read Doctor Zhivago, you’ll get a kick out of this.

Intriguing debut novel

The plot is complicated and the narrative even more so, owing to Prescott’s decision to use multiple first-person narrators in addition to the gossipy first-person-plural voice of the C.I.A.’s pool of female typists (which, incidentally, is highly effective). And Prescott pulls all this off… Prescott’s portrait of Sally Forrester, in particular, and Sally’s love for her colleague, Irina, is emotionally sincere and Prescott acutely captures the isolation inherent in Sally’s professional, social and sexual identity.

Engaging …This is a highly readable novel about the power of literature … The pen really is mightier than the sword

Lara Prescott has managed to summon a vanished world where novels mattered and women didn’t.

Lara Prescott's dazzling debut novel is a sweeping page turner, and now a global literary sensation.

Lara Prescott's absorbing take on the Cold War spy thriller ... doesn't disappoint … Sweeping and ambitious ... It is a tautly written masterclass in blending fiction and fact.

An entertaining read