Author:Shelley Klein
'A charming account of a daughter, a house and a fastidious dad' Sunday Times
Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid. With colourful glass panels set against a forest of trees, it was like living in a work of art. Her father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style.
Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision - or his distinctive way of looking at the world. Told with great tenderness and humour, this is Shelley's account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death.
'A sad, funny, utterly fascinating book about families, home and how to say goodbye' Mark Haddon
'Original, moving and bracingly honest... often hilarious' Blake Morrison, Guardian
'It is strange that grief should produce such a life-affirming book, but it has. Read it for the solace it contains, or for its captivating descriptions. Either way, it's a delight' Telegraph
A sad, funny, utterly fascinating book about families, home and how to say goodbye
—— Mark Haddon[A] finespun, magical new grief memoir... a beautifully structured book... Klein is a witty observer, even in the case of her own sorrow, which she rifles through and puzzles over with wry candour. Desolation and humour are expertly balanced throughout... I suppose it is strange that grief should produce such a life-affirming book, but it has. Read it for the solace it contains, or for its captivating descriptions. Either way, it's a delight.
—— Lucy Davies , The TelegraphA luminous book, full of light and colour, and a remarkable reflection on childhood and untold stories
—— Edmund de WaalOriginal, moving and bracingly honest... often hilarious... Each room has particular memories for Klein. And her journey through them is also a psychological quest, an attempt to understand how the house shaped her personality and whether she can ever get free of her attachment
—— Blake Morrison , GuardianEnthralling... a fascinating exploration of the influence of a domestic setting on mind and spirit, as well as of a fraught father-daughter relationship
—— Christina Hardyment , The TimesIn this remarkable, moving tribute to a house and a father, Shelley Klein taps in to three universal emotions: our lifelong bond to the house we grew up in; our sense that our childhood home and our parents are intertwined; and our feelings of profound bereftness at saying goodbye to both parents and house ... beautifully illustrated ... Deeply affectionate
—— Ysenda Maxtone Graham , Daily MailA charming account of a daughter, a house and a fastidious dad: Secrecy is not a trait found in Klein's writing, which is at times disarmingly honest. Her openness pays off - we get a full and nuanced portrait of her life and all those in it
—— Lucy Knight , The Sunday TimesA moving study in grief
—— Craig Brown , Mail on SundayAn honest, piercing account of love, death and everything in between... there is an undercurrent which makes this book special. It weaves the complexity of relationships and family into its pages. At its most compelling, it tackles psychodynamics, addressing the influence of earlier encounters and memories on future behaviour and emotions... A poignant homage to her father’s legacy
—— Amira Hashish , Evening StandardThe See-Through House is part of a lineage of central European history filtered through its buildings... In its curious mix of chicken soup Jewishness and Swinging Sixties creativity it also creates a very vivid picture of a minimal modernism almost overloaded with meaning
—— Edwin Heathcote , Financial TimesThis unusual memoir is both a beguiling account of an adored yet maddening parent and his complex family history, and an affecting portrait of the grief that follows his death
—— The BooksellerA touching and timely account of familial love, The See-Through House arrives with all the greater power in our period of lockdown, compelling readers to appreciate the importance of home and family anew.
—— TalkTalkA touching and timely account of familial love, The See-Through House arrives with all the greater power in our period of lockdown, compelling readers to appreciate the importance of home and family anew
—— UK Press SydicationThe See-Through House is a beautiful testament to a father-daughter bond, an exploration of the complexities of grief and, all together, a quite stunning account of a one of a kind house
—— Aisling McGuire , Wee ReviewShelley is a deft writer, especially when conjuring texture and Kodachrome colours
—— Nick Sharp , World of InteriorsA journey through loss and questions of belonging, it's lit with colour and light
—— NET-A-PORTERA moving memoir of loss
—— Daily TelegraphTightly conceived and distinctively written, perceptive, precise and unsparing... An elegiac examination of a Black woman's life and an acerbic analysis of Britain's racial landscape. Brown's rhythmic, economic prose renders the narrator's experiences with breathless clarity
Stunningly good
—— Elizabeth Day, presenter of the 'How to Fail' podcastAssembly is an astonishing work. Formally innovative, as beautiful as it is coolly devastating, urgent and utterly precise on what it means to be alive now
—— Sophie Mackintosh, author of 'The Water Cure'Searing... A rousing, inspired voice demanding to be recognized and heard
Deft, essential, and a novel of poetic consideration, Assembly holds (the Black-British) identity in its hands, examining it until it becomes both truer and stranger - a question more than an answer. I nodded, I mhmmed, I sighed (and laughed knowingly, bitterly)
—— Rachel Long, Folio Prize-shortlisted author of 'My Darling From the Lions'Bold and original, with a cool intelligence, and so very truthful about the colonialist structure of British society: how it has poisoned even our language, making its necessary dismantling almost the stuff of dreams. I take hope from Assembly, not just for our literature but also for our slow awakening
—— Diana Evans, author of 'Ordinary People'Mind-bending and utterly original. It's like Thomas Bernhard in the key of Rachel Cusk but about black subjectivity
—— Brandon Taylor, author of 'Real Life'Brilliantly sharp and curiously Alice-like... It centres on a gifted and driven young Black woman navigating a topsy-turvy and increasingly maddening modern Britain... Her indictment is forensic, clear, elegant, a prose-polished looking glass held up to her not-so-post-colonial nation. Only one puzzle remains unsolved: how a novel so slight can bear such weight
—— Times Literary SupplementA piercing, cautionary tale about the costs of assimilating into a society still in denial about its colonial past. Brown writes with the deftness and insight of a poet
—— Mary Jean Chan, author of 'Flèche'Bold, elegant, and all the more powerful for its brevity, Assembly captures the sickening weightlessness which a Black British woman, who has been obedient to and complicit with the capitalist system, experiences as she makes life-changing decisions under the pressure of the hegemony
—— Paul Mendez, author of 'Rainbow Milk'This is a stunning achievement of compressed narrative and fearless articulation
—— Publisher's WeeklyOne of the most talked-about debuts of the year . . . you'll read it in one sitting
—— Sunday Times StyleThrilling... Brown gets straight to the point. With delivery as crisp and biting into an apple, she short-circuits expectation... This is [the narrator's] story, and she will tell it how she wishes, unpicking convention and form. Like The Drivers' Seat by Muriel Spark, it's thrilling to see a protagonist opting out and going her own way
—— ScotsmanA nuanced, form-redefining exploration on class, work, gender and race
—— Harper’s BazaarAcross 100 lean pages, Brown deftly handles a gigantic literary heritage... Her style rivals the best contemporary modernists, like Eimear McBride and Rachel Cusk; innocuous or obscure on a first reading, punching on a second... Assembly is only the start
—— Daily TelegraphThere's something of Isherwood in Brown's spare, illuminating prose... A series of jagged-edged shards that when accumulated form an unhappy mirror in which modern Britain might examine itself
—— Literary ReviewA debut novel as slender and deadly as an adder
A razor-sharp debut... This powerful short novel suggests meaningful discussion of race is all but impossible if imperialism's historical violence remains taboo
—— Daily MailBold, spare, agonisingly well-observed. An impressive debut
—— TatlerExcoriating, unstoppable... The simplicity of the narrative allows complexity in the form: over barely a hundred pages, broken into prose fragments that have been assembled with both care and mercilessness
—— London Review of BooksBeguiling and beautifully written, this is the work of an author with a bright future
—— TortoiseCoruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force
—— Yorkshire TimesFierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you
—— EconomistI was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything
—— Lauren Elkin, author of 'Flaneuse'Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow
—— MoneyControlA masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound
—— Tess Gunty , GuardianAn extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended
—— Financial Times on 'Assembly' in audiobook'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'
—— Rebecca Tamas, author of 'Witch'Every line of this electrifying debut novel pulses with canny social critique
—— Oprah DailyDevastatingly eloquent, bold, poignant
—— Shelf AwarenessAn achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next
—— Shondaland[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising
—— Rowan Hisayo Buchanan , GuardianA brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment
—— Guardian, 'Best Fiction of 2021' , Justine Jordan