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The Shape of Battle
The Shape of Battle
Sep 21, 2024 11:31 PM

Author:Allan Mallinson

The Shape of Battle

One of our most distinguished military historians tells the story of six defining battles . . .

Every battle is different. Each takes place in a different context - the war, the campaign, the weapons. However, battles across the centuries, whether fought with sticks and stones or advanced technology, have much in common. Fighting is, after all, an intensely human affair; human nature doesn't change. So why were battles fought as they were? What gave them their shape? Why did they go as they did: victory for one side, defeat for the other?

In exploring six significant feats of arms - the war and campaign in which they each occurred, and the factors that determined their precise form and course - The Shape of Battle answers these fundamental questions about the waging of war.

Hastings (1066) - everyone knows the date, but not, perhaps, the remarkable strategic background.

Towton (1461) - the bloodiest battle to be fought on English soil.

Waterloo (1815) - more written about in English than any other but rarely in its true context as the culminating battle in the longest war in 'modern' times.

D-Day (1944) - a battle within a larger operation ('Overlord'), and the longest-planned and most complex offensive battle in history.

Imjin River (1951) - this little known battle of the Korean War was the British Army's last large-scale defensive battle.

Operation Panther's Claw (2009) - a battle that has yet to receive the official distinction of being one: an offensive conducted over six weeks with all the trappings of 21st-century warfare yet whose shape and face at times resembled the Middle Ages.

The Shape of Battle is not a polemic, it doesn't try to argue a case. It lets the narratives - the battles - speak for themselves.

Reviews

There is no finer military historian.

—— Professor SIMON HEFFER

His prose is light and engaging; this is a detailed factual account but it is as pleasurable and easy to read as any well written novel. The maps are excellent, the pace is a brisk canter . . . there are some utterly joyfully arid asides and footnotes that made me laugh aloud . . . this book is simply superb. Buy it. Read it.

—— ARMY RUMOUR SERVICE (Arrse)

Mallinson writes with an exciting pen and a cool head and he understands war.

—— Professor MICHAEL CLARKE

It is such a relief to read something by a professional who really knows his stuff.

—— Professor SIR MICHAEL HOWARD

A book of hard-won simplicity and quite beautiful precision

—— The Times

The book that broke the silence... the writing glowers from the page - sorrowful, disbelieving, chastened and yet not without hope... The Broken House... magnificently delivers

—— Anthony Quinn , Observer

A fascinating and spine-chilling book

—— Julia Franck

Extraordinary... a compelling...account

—— Craig Brown , Mail on Sunday

It is precisely the ordinariness of Krüger's life that makes this not just a book about Nazism and Germany but also a book for our own times... In an age when democracy is under threat everywhere...it's salutary to learn how one family, one indvidual among many, could stand by while evil triumphed... Krüger's limpid, almost poetic prose, well translated by Shaun Whiteside, conjures vivd, concrete images of the dullness of life in Eichkamp

—— Richard J Evans , Guardian

The Broken House... stands out for Krüger's unsparing perceptions of the past and the sharpness and eloquence of his prose... It is Krüger's tone, stark and unforgiving, sometimes almost chillingly detached, that makes this memoir so interesting

—— Caroline Moorehead , Times Literary Supplement

Every page carries an entertaining story or a fascinating gobbet of artistic gossip.

—— Craig Brown , Mail on Sunday

A fluent writer with a gift for narrative and a sensitive ability to read the artist's work in relation to his life... The decade covered in this volume, which turns on Picasso's identification with the part-beast, part-man mythical Minotaur, is a tumultuous one, both in public and in private life... [it is] deftly presented as Richardson moves from the man to his circle to his art to larger historical events.

—— Siri Hustvedt , New York Times Book Review

Personal and political collide in lively fourth volume of detailed biography... The Minotaur Years retells what might be considered a familiar story, but carries it off with a liveliness generated by short chapters, sharp judgements and occasionally waspish dismissals, all dispatched at pace. It is the fruit of 60 years of thinking, conversing and speculating about the artist, underpinned by detailed looking, research and investigation of his movements moment by moment.

—— Matthew Gale , The Art Newspaper

[Richardson] set the standard for modern artists' biographies...The fourth and final volume...is a worthy follow-up to its predecessors... just as rich, just as astounding.

—— Sebastian Smee , Washington Post

The final chapter of a magisterial biography... The author's unique, extensive knowledge and insider information about Picasso - both the man and artist - informs insightful explications of the nuances and symbolism in Picasso's works... A masterful accomplishment.

—— Kirkus Reviews

Monumental... Nobody has brought us closer [than Richardson] to understanding this extraordinary and complex artist.

—— Miranda France , Prospect

[A] magisterial work... superbly illustrated.

—— Nicky Haslam , Oldie

[A] magisterial and superbly illustrated biography.

—— Ysenda Maxtone Graham , Daily Mail, *Book of the Week*

Monumental... This uncompleted project will surely be the Ozymandias of all biographies, since Richardson's talents were uniquely matched to his protean subject.

—— Fram Dinshaw , Catholic Herald

Wonderfully lively, greatly informative and memorably insightful... a great read.

—— Alexander Adams , Jackdaw

Subtle, perceptive and beautifully written

—— Wall Street Journal

Many consider the years before 1945 to be the most crucial in understanding Germany and the Germans. Wait until you have read this book.

—— Norman Ohler, author of Blitzed: Drugs in the Third Reich

Harald Jähner's deeply researched, panoramic account of how Germany rebuilt and discovered itself from 1945-1955 is an eye-opening, thrilling read

—— Bernhard Schlink, bestselling author of The Reader

A magnificent overview of the astonishing decade in Germany that followed the defeat of Nazism

—— Daily Telegraph (Best Summer Reading)

Eye-opening and often moving... a sobering look at how societies rebuild

—— BBC History Magazine

Highly readable... Counter-intuitive but thoughtful

—— Peter Fritzsche, New York Times

[A] thoughtful narrative... filling the yawning gap on bookshop shelves between a growing number of modern German history texts and the oversupply of Nazi studies that end in Hitler's bunker

—— Irish Times

Aftermath takes in the immediate postwar years where Germany was administered by the Allies... Jähner excels

—— Giles MacDonogh, Financial Times

Fascinating... Books about Word War II continue to spill out by the ton, but there has been less attention paid to how Germans coped with the country's shameful Nazi past after the conflict was over

—— Irish Independent (Summer Reads)

Rarely has a non-fiction book so skilfully combined vividness, drama and eloquence.

—— From the Jury's reasoning for the Leipzig Book Fair Prize for Non-Fiction 2019

Jähner's gripping 500-page X-ray-vision tale of an often overlooked and misperceived phase of German history reveals, like all great history books, as much about the first decade after the war as about today.

—— The German Times

Clearly written, full of empathy for everyday life, which is far too seldom taken into consideration... You devour it like a novel.

—— Welt am Sonntag

A popular work of non-fiction in the best sense.

—— Die Zeit
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